James Crump
Hardcover | 24.89 x 3.3 x 28.45 cm | 256 pp
Aperture | 2013 | 9781597112093
Lauded by photographers, artists, and critics for his influence on the contemporary generation of art photographers, James Welling has created beautiful and uncompromising photographs for over thirty-five years. Operating in the hybrid ground between painting, sculpture, and traditional photography, Welling is first and foremost a photographic practitioner enthralled with the possibilities of the medium.
This Monograph provides the most thorough presentation of the artist’s work to date, as well as offering an indispensable resource for those interested in this artist’s remarkable, foundational practice. Since the mid-1970s, Welling’s work has fluidly explored a mercurial set of issues and ideas: the tenets of realism and transparency, abstraction and representation, optics and description, personal and cultural memory, and the material and chemical nature of photography. To date, the artist has been the subject of numerous catalogues addressing his more than twenty-five different bodies of work―Welling’s “substantive investigation of the spectrum of abstract to figurative,” as one curator has described it. Yet this is the first book with the ambition of linking these bodies of work together by examining the primary threads that run through them all.
Sumptuously produced, James Welling: Monograph, presents a large selection of work from 2000 through to 2013, co-mingled with important early and iconic works made in the preceding decades. Chief curator of the Cincinnati Art Museum, James Crump, working closely with the artist, contributes an extensive introductory essay, and the volume also includes text contributions by Mark Godfrey, Thomas Seelig, and an interview with Eva Respini, associate curator in the Department of Photography at MoMA.
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