{"title":"Artists' Books \u0026 Small Press Editions","description":"","products":[{"product_id":"stephen-gill-coming-up-for-air","title":"Stephen Gill: Coming up for Air (Rare edition)","description":"\u003cp\u003e\u003cspan\u003eStephen Gill\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHardcover | 25 x 33 cm | 106 pp | 98 Colour reproductions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNobody Books | 2010 | 9780955657726\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCloth bound hardback \u0026amp; hand-painted dust jacket. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRare edition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eComing up for Air\u003c\/em\u003e is the result of a body of work made in Japan between 2008 and 2009. The images were created in Japan, but are not essentially about that country; rather, they convey a reaction to our times. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGill's photographs create a chance to glimpse into a kind of fictional aquatic world that not only amounts to an aesthetic delight but also somehow leaves you gasping for breath. The book is made up of traces from the real world - Imagine holding your breath and putting your fingers in your ears to mute the turbulence of the modern world. Unlike other well-known series by Gill, this collection features images whose information has been starved or completely denied, like muffled chaos seen through squinted eyes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book is clothbound with a transparent dust jacket. Each dust jacket has been individually hand-painted with random gestural brushstrokes.\u003c\/span\u003e\u003c\/p\u003e","brand":"Nobody Books","offers":[{"title":"Default Title","offer_id":34835175243940,"sku":"BK-NOB-CUFA-001-J","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/products\/IMG_1678_0f0e12b8-5ba0-4993-b055-9fbd55345bd5.jpg?v=1677854182"},{"product_id":"carsten-holler-triple-mushrooms","title":"Carsten Höller: Triple Mushrooms - Artist's Portfolio","description":"\u003cp\u003eArtists' Portfolio | 29.7 x 0.8 x 39.4 cm | 16 pp | 300gsm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLa Fabrica | 2012 | 9788415303435\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eRare \u0026amp; Collectible\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThis Artist's Portfolio comprises a set of 15 photographs of sculptures of fungi presented as loose prints in a folio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrained as an agronomic engineer, Carsten Höller (born 1961) is known for his frequent use of mushrooms as a motif and theme in his installations and projects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe sculptures were produced in polyester, synthetic resin, wire, polyurethane, cardboard, stainless steel and wood, and then painted in acrylic.\u003c\/span\u003e\u003c\/p\u003e","brand":"La Fabrica","offers":[{"title":"Default Title","offer_id":34912446578852,"sku":"BK-FAB-CHTM-001-J","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2757_9dda9f88-b4df-4cf2-b992-579e5a94e6a2.jpg?v=1686577334"},{"product_id":"wassily-kandinsky-sounds","title":"Wassily Kandinsky: Sounds","description":"\u003cp class=\"p1\"\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e18.8 x 0.76 x 20.83 cm | 152 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eYale University Press | 2019 | \u003c\/span\u003e9780300238495\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWassily Kandinsky (1866–1944) was a Russian pioneer of abstract painting whose work has influenced generations of artists. His \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eSounds\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eKlänge\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e) of 1912 is one of the earliest, most beautiful examples of a 20th-century artist’s book. These “sound poems” are alternately narrative and expressive, witty and simple in form. They treat questions of space, colour, physical design, and the act of seeing in a world that offers multiple and often contradictory possibilities. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe woodcut illustrations that accompany the poems range from representational designs to abstract vignettes. In its fusion of image and word, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eSounds\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e epitomises the artist’s move toward abstraction and his aspiration to a synthesis of the arts. This updated edition\u003c\/span\u003e\u003cspan\u003e includes all of the book’s poems in English and German and its woodcuts, twelve of which appear in colour for greater fidelity to the original. The translator’s introduction offers close formal examination of the poems and situates \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSounds\u003c\/span\u003e\u003cspan\u003e in the context of Kandinsky’s oeuvre. Although it was prized by prominent 20th-century artists, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSounds\u003c\/span\u003e\u003cspan\u003e is one of the least known of Kandinsky’s major writings, and this remains the most authoritative English version.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eTranslated by Elizabeth R. Napier \u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":42675291357442,"sku":"BK-YUP-SOKA-001-L","price":12.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/products\/IMG_4112.jpg?v=1659008749"},{"product_id":"uniformagazine-no-10","title":"Uniformagazine - No. 10","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e21.5 x 14.5 cm | 32pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUniformbooks | 2017 | ISSN 2056-6301\u003c\/p\u003e\n\u003cp\u003eThe printed quarterly \u003cem\u003eUniformagazine\u003c\/em\u003e ran to ten issues, from 2014 to 2017, gathering contributions by writers and artists that the publisher (Uniformbooks) works with, sometimes thematically, as well as slighter or singular content.\u003c\/p\u003e\n\u003cp\u003eWith this tenth issue, \u003cem data-mce-fragment=\"1\"\u003eUniformagazine\u003c\/em\u003e’s quarterly structure of sequence, and direction, the gathering and grouping of content, had become an almost habitual activity of attempt and demonstration, in each instance informed by what has gone before. The issues so far don’t exactly amount to a regular accumulation, not in a linear sense, but maybe an expanding whole, the parts placed at the edge of something that is gradually defining its own limits.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003edie wiese\u003c\/em\u003e - herman de vries \u0026amp; susanne de vries\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eTerms (2)\u003c\/em\u003e - Tom Benson\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eMiddlefield\u003c\/em\u003e - Ian Waites\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Observer\u003c\/em\u003e - Anon. \u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eStells\u003c\/em\u003e - Helen Douglas \u0026amp; Telfer Stokes\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eFictions: Arp\u003c\/em\u003e - Adam Scovell\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eEcho\u003c\/em\u003e \/ \u003cem data-mce-fragment=\"1\"\u003e0,0000000001mm\u003c\/em\u003e - Heinz Gappmayr\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eBroadcasts from the Edge of the Horizon: The Beacon\u003c\/em\u003e - Volkhardt Müller \u0026amp; Dawn Scarfe\u003c\/p\u003e","brand":"Uniformbooks","offers":[{"title":"Default Title","offer_id":43443514212610,"sku":"BK-UNI-UNIMAG-10-I","price":4.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/products\/IMG_8758_a879df10-6a07-4ed6-aa4b-7004e2a00c41.jpg?v=1670355113"},{"product_id":"uniformagazine-no-6","title":"Uniformagazine - No. 6","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e21.5 x 14.5 cm | 32pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUniformbooks | 2016 | ISSN \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2056-6301\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe printed quarterly \u003c\/span\u003e\u003cem\u003eUniformagazine\u003c\/em\u003e\u003cspan\u003e ran to ten issues, from 2014 to 2017, gathering contributions by writers and artists that the publisher (Uniformbooks) works with, sometimes thematically, as well as slighter or singular content.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Downland Index\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eAngus Carlyle\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTCP\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eLes Coleman\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAggregate\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eColin Sackett\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHashkerville\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eStuart Mugridge\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eArtificial Rubbish Heap\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eJohn Bevis\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJourney-Book\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eMichael Gibbs\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSome Ironmongery\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eErica Van Horn\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhy Listen to Museums?\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eJohn Kannenberg\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Little Chantr’y for Spring\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eStephen Duncalf\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBook Things\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eJeremy Cooper\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGoogle Landscapes\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eTom Wilkinson\u003c\/p\u003e","brand":"Uniformbooks","offers":[{"title":"Default Title","offer_id":43443608486146,"sku":"BK-UNI-UNIMAG-6-I","price":4.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/products\/IMG_8754.jpg?v=1670354941"},{"product_id":"uniformagazine-no-4","title":"Uniformagazine - No. 4","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e21.5 x 14.5 cm | 32pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUniformbooks | 2015 | ISSN \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2056-6301\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe printed quarterly \u003c\/span\u003e\u003cem\u003eUniformagazine\u003c\/em\u003e\u003cspan\u003e ran to ten issues, from 2014 to 2017, gathering contributions by writers and artists that the publisher (Uniformbooks) works with, sometimes thematically, as well as slighter or singular content.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSolar Eclipse\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eDavid Bellingham\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom the Top of Harvey House, Brentford Towers\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eStephen Willats \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnshelfmarked\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eElizabeth James\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAllotment 3\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eSimon Cutts\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawing Landscape\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eThe Work of Geoffrey Hutchings\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnprinting the paper\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eJan Voss\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDeath by Denim\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eRebecca Chesney\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKern\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eDerek Beaulieu\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Long Shed\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eErica Van Horn\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNowhere to run, nowhere to hide\u003c\/em\u003e\u003cspan\u003e - \u003c\/span\u003eKen Worpole\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWatercress farm\u003c\/em\u003e\u003cspan\u003e = \u003c\/span\u003eWaddock Cross, Dorset\u003c\/p\u003e","brand":"Uniformbooks","offers":[{"title":"Default Title","offer_id":43443686408450,"sku":"BK-UNI-UNIMAG-4-I","price":4.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/products\/IMG_8752.jpg?v=1670354734"},{"product_id":"books-art-craft-community-london-centre-for-book-arts","title":"BOOKS: Art, Craft \u0026 Community (London Centre for Book Arts)","description":"\u003cp\u003eLondon Centre for Book Arts\u003c\/p\u003e\n\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e22.5 x 2.82 x 27.31 cm | 224 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLudion | 2021 | \u003cmeta charset=\"utf-8\"\u003e9789493039520\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBooks are a meeting place. A sum of their many parts and artistic approaches. Form, concept, material and craft are bound together to create something rooted in its functionality, a process that often crosses over into the messier realm of art.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBooks. Art, Craft \u0026amp; Community\u003c\/em\u003e presents a thriving ecosystem of papermakers, printers, bookbinders, artists, designers and publishers from round the world. They draw on traditional skills, art and experimentation to make books that matter today.\u003c\/p\u003e\n\u003cp\u003eIn twenty-six profiles – spanning traditional craftspeople to modern makers reimagining the book for new audiences – and contributions from experts, we are given an insight into the history and contemporary context of the processes behind the books. Selected by Ira Yonemura and Simon Goode of the London Centre for Book Arts, these artists and makers share a spirit of curiosity and resilience. They not only adapt to new ways in which readers engage with books, but are forging new possibilities for their craft along the way.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eArtists' Books as Community - \u003c\/span\u003e\u003cspan\u003eMegan N. Liberty\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eAn Introduction to Printing - \u003c\/span\u003e\u003cspan\u003eBrooke Palmieri\u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003eAn Introduction to Bookbinding - \u003c\/span\u003e\u003cspan\u003eKathy Abbott\u003c\/span\u003e\u003cbr aria-hidden=\"true\"\u003e\u003cspan\u003eAn Introduction to Papermaking - \u003c\/span\u003e\u003cspan\u003eTom Frith-Powell\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArt\u003cbr\u003e\u003c\/strong\u003eLaurel Parker Book\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eOuter Space Press \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Brother in Elysium\u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThree Star Books \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eÉditions du Livre \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCandor Arts \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBook Works \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSheryl Oppenheimn \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInka Bell \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCraft\u003c\/strong\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKathy Abbott \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKate Brett \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKamisoe \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEsme Winter \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eÉmilie Fayet\u003cbr\u003eEl Lanham\u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eMorina Mongin\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAwagami Factory \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTracey Rowledge \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Cropper Mill \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u0026amp; The Paper Foundation \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCommunity\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRabbits Road Press\u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTenderbooks\u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUtrecht \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGranby Press \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eColorama \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsami Murakami \u003c\/span\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBook\/Shop \u003c\/span\u003e\u003c\/p\u003e","brand":"Ludion","offers":[{"title":"Default Title","offer_id":44181195751682,"sku":"BK-LUD-BACC-001-N","price":9.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5637_bc23d5af-b4fa-46f3-8088-f6b99095c841.jpg?v=1706538144"},{"product_id":"peter-downsbrough-street-signs","title":"Peter Downsbrough: Street Signs","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover | 16 x 24 cm | 72pp \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCoracle | 2019 | 9780906630594\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e28 photographs of manhole coverings and grilles randomly encountered on drifts through the urban landscape.\u003c\/p\u003e\n\u003cp\u003eWith his characteristic interest in words and lines, Downsbrough applies his own playful minimal artistic grammar, system and precision in another work of his usual spareness and restraint.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eWith the word, one takes part in a dialogue, a discourse on its precise meaning […] The word for me is an object. It has both a precise and a vague meaning. It is a universe one is confronted with. But there is no obligatory way of reading.\u003c\/i\u003e PETER DOWNSBROUGH\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBorn in New Jersey in 1940, Peter Downsbrough has, since the late 1960s been among the leading artists whose work oscillates between Minimalism, Conceptual Art, and visual poetry. His work consists of lines, letters, cuts, and the spaces in between, which relate to architectural space and call into question the linearity of both space and language.\u003c\/p\u003e\n\u003cp\u003ePublisher \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCoracle is a small publishing press directed by writer and artist Erica Van Horn and poet, artist and editor Simon Cutts, from what was a small farm between the hills of South Tipperary, Ireland since 1996. Mostly based in London from the nineteen seventies, as both a publisher, gallery, and a space for books.\u003c\/span\u003e\u003c\/p\u003e","brand":"Coracle","offers":[{"title":"Default Title","offer_id":44591750381826,"sku":"BK-COR-PDSS-001-M","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0791_1.jpg?v=1721299268"},{"product_id":"erica-van-horn-descriptions-of-literature-by-gertrude-stein-handwritten-by-erica-van-horn","title":"Descriptions of Literature by Gertrude Stein: Handwritten by Erica Van Horn","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHardcover | 15 x 14 cm | 144 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCoracle | 2019 | 978906630624\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGertrude Stein’s sentences \u003cem\u003eDescriptions of Literature\u003c\/em\u003e were originally written by hand, then later typeset for printing and publication. Here they are handwritten again by Erica Van Horn. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWriting someone else’s list has been a joy. Handwriting these sentences by Stein has provided me with a glorious kind of escape. It is not my writing. It is her writing. I am not the author. I am the writer. But as I am writing her writing, it demands all of my attention not to change things to make them into my own. As I write one of her sentences in this list of descriptions, I decide that the sentence I am writing right then is my absolute favourite of these sentences and then when I am involved in another sentence and I have to write it again and again to get it written right, I decide that that sentence is my favourite in this list of sixty-six sentences. Having a favourite is just a small thing because I am immediately on to the next sentence and once again I must copy and consider and write as carefully as my poor stiffening hand will allow. This is an exercise in restraint but it is a freedom too. I love the physical and hypnotic movement of my pen on the page. I love writing by hand. \u003c\/em\u003eERICA VAN HORN\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist, writer, editor, printer, and bookmaker Erica Van Horn (b. 1954, New Hampshire) has a Master of Fine Arts in Printmaking from the School of the Art Institute of Chicago. Her work now mostly issues through Coracle, a small publishing press based in Ireland, which she directs with Simon Cutts, writer, artist, and editor. \u003c\/span\u003e\u003c\/p\u003e","brand":"Coracle","offers":[{"title":"Default Title","offer_id":44591860121858,"sku":"BK-COR-EVHGS-001-M","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_1077_4e384de0-0779-4e5a-8000-f8e06f0318d8.jpg?v=1721645203"},{"product_id":"martin-rogers-construction-storage-despatch","title":"Martin Rogers: Construction Storage Despatch","description":"\u003cp\u003eHardcover | \u003cspan data-mce-fragment=\"1\"\u003e20.5 x 16 cm | \u003c\/span\u003e80 pp\u003c\/p\u003e\n\u003cp\u003eCoracle | 2015 | \u003cspan data-mce-fragment=\"1\"\u003e9780906630525\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMartin Rogers, printer, sculptor and publisher, was the exemplar of a condition that had become prevalent after the nineteen-sixties. He had moved the physical materials of his work to the production of multiple objects in printed form, to books and publication, eventually embracing the idea of publishing as the platform for the work. At the same time, in the way he avoided the side-track, even the cul-de-sac, of the so-called artists book, he becomes emblematic of that repositioning.\u003c\/p\u003e\n\u003cp\u003eThis book attempts to site this as a different model. The work moves from its Construction, through Storage, to its Despatch into the world as Publication. The title is an overview of the objects and publishing of Martin Rogers, edited and produced by Simon Cutts, John Bevis and Colin Sackett.\u003c\/p\u003e","brand":"Coracle","offers":[{"title":"Default Title","offer_id":44592049193218,"sku":"BK-COR-MRCSD-001-E","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5551.jpg?v=1724160127"},{"product_id":"dubh-dialogues-in-black","title":"dubh: Dialogues in Black","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRichard Deming \u0026amp; Marianne Mays\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHardcover | 24.7 x 1.8 x 15.9 cm | 128 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCoracle | 2012 | \u003cspan data-mce-fragment=\"1\"\u003e9780906630457\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe colour black has long held a fascination in art, craft and design. \u003cem\u003edubh: Dialogues in black\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003elooks at black as both a physical and an emotional starting point for a group of Irish and American artist’s, craftspeople and designers.\u003c\/p\u003e\n\u003cp\u003ePairing people from across a range of disciplines ranging from architecture, ceramics, furniture, glass, jewellery, metal, painting, photography, textiles and wood this exhibition featured work from the most interesting creative voices from Ireland in dialogue with their American peers.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis title\u003cem\u003e,\u003c\/em\u003e\u003cspan\u003e wa\u003c\/span\u003es the second publication to coincide with a three year programme of exhibitions, a collaboration between STUDIOpractice and the American Irish Historical Society and followed on from 2010’s MATERIALpoetry. \u003cmeta charset=\"utf-8\"\u003eEach exhibition placed the work of contemporary Irish designers within a wider context.\u003c\/p\u003e","brand":"Coracle","offers":[{"title":"Default Title","offer_id":44595854967042,"sku":"BK-COR-DDIB-001-E","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3014_ebfe863c-85ae-4052-8060-6ed2ddf3a4eb.jpg?v=1722858175"},{"product_id":"the-book-remembers-everything-the-work-of-erica-van-horn","title":"The Book Remembers Everything: The Work of Erica Van Horn","description":"\u003cp\u003eNancy Kuhl\u003c\/p\u003e\n\u003cp\u003eHardcover | \u003cspan\u003e12.5 x 21.5 cm | 128 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCoracle | 2010 | \u003cspan\u003e9780906630419\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn the work of Erica Van Horn, books collect and transform remnants, remembrances, remainders and reminders. From fragments that might otherwise be forgotten, she makes new inventories and series in intrinsic yet unexpected ways.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e‘I use the portability of the printed sheet, mostly in book form,’\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eshe says,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e‘to construct a narrative around the incidental parts of my life.’\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNancy Kuhl, who wrote the text, is co-editor of Phylum Press, a small poetry publisher, and Curator of Poetry for the Yale Collection of American Literature at the Beinecke Rare Book and Manuscript Library at Yale University.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist, writer, editor, printer, and bookmaker Erica Van Horn (b. 1954, New Hampshire) has a Master of Fine Arts in Printmaking from the School of the Art Institute of Chicago. 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Rather than show standard thematic groups of work, Lattu here presents individual images of books from his library - to scale, scanned and reconstructed without pages - that were originally created for a work in his \u003c\/span\u003e\u003ci\u003eLibrary\u003c\/i\u003e\u003cspan\u003e series.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Leo Koenig","offers":[{"title":"Default Title","offer_id":44855458660610,"sku":"BK-LEOK-BLOGC-001-K","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4384_50d5fb9f-1c91-458e-b788-d1f4df587da7.jpg?v=1719238665"},{"product_id":"graphic-passion-matisse-and-the-book-arts-1","title":"Graphic Passion: Matisse and the Book Arts","description":"\u003cp\u003eJohn Bidwell\u003c\/p\u003e\n\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e22.86 x 1.52 x 27.94 cm | 264 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePennsylvania State University Press | 2015 | \u003cmeta charset=\"utf-8\"\u003e9780271071114\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe great painter Henri Matisse was also a great book illustrator. A pioneering member of the Fauves, a supreme colourist, a remarkable draftsman, and a creative genius, this is the Matisse known and admired by everyone with even a passing interest in modern art. But few know Matisse as an artist who designed and illustrated his own books. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom 1912 until his death in 1954, he engaged in nearly fifty illustration projects, many of which rank among the greatest artists’ books of the twentieth century. A master printmaker, equally adept in various media, he ensured that his prints would appear to best advantage in conjunction with the printed page. He directly participated in page layout, typography, lettering, ornament, cover design, and even the choice of text. More than any others of his rank and stature, he knew the principles of visual communication and perceived the potential of letterpress printing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eGraphic Passion\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e recounts the publication history of nearly fifty books illustrated by Matisse, including masterworks such as \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eLettres portugaises\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, Mallarmé’s \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003ePoésies\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, and his own \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eJazz\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e. It is the first comprehensive, in-depth analysis of his book-production ventures and the first systematic survey of this topic in English. Drawing on unpublished correspondence and business documents, it contains new information about his illustration methods, typographic precepts, literary sensibilities, and staunch opinions about the role of the artist in the publication process.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Pennsylvania State University Press","offers":[{"title":"Default Title","offer_id":45260707234050,"sku":"BK-PSUP-GPMBV-001-S","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0117.jpg?v=1719825977"},{"product_id":"a-table-in-ballybeg","title":"Simon Cutts \u0026 Erica Van Horn: A Table in Ballybeg","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHardcover | 18.5 x 14.5 cm | 64pp  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCoracle | 2021 | 9780906630631\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 250\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMade at the time of the epidemic lockdown in all of Europe, but where life in our valley was much as it usually is, but with no visitors. We have endured almost a year eating our own food, with no abatement. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNo cafés to visit. No tables to travel to. No take-away. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe live in a suspension of the past and of the imagined future, anticipating a time when we can hang up the apron, if only temporarily. 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NON-MINT books are new but are either ex-display copies or warehouse marked - minor cosmetic imperfections such as scuffs, marks, or minor dents to the covers.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Coracle","offers":[{"title":"Default Title","offer_id":46090273915138,"sku":"BK-COR-SCPAM-001-C","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_9628.jpg?v=1744996108"},{"product_id":"erica-van-horn-the-life-of-st-anthony-of-padua","title":"Erica Van Horn: The Life of St. Anthony of Padua - Patron Saint of Lost Things","description":"\u003cp\u003eHardcover | 16 x 0.8 x 15 cm | 36 pp\u003c\/p\u003e\n\u003cp\u003eCoracle | 2013\u003c\/p\u003e\n\u003cp\u003eEdition of 200 numbered copies\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFacsimiles of 13 painted-out postcards following the life of St. Anthony with narrative captions opposite.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAnthony of Padua was a Portuguese Catholic priest and member of the Order of Friars Minor. 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The cars, abandoned along logging roads, ditched down ravines, driven up to their wheel-wells in sand-pits, burned and bullet-ridden and left to disintegrate and then integrate into nature, are a dear armature for Clark's work \u003cmeta charset=\"utf-8\"\u003ewhich tracts the edge where mark-making and legible image merge.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes an introductory poem \u003cem\u003eAutobahn Children\u003c\/em\u003e by Cralan Kelder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLEASE NOTE: All copies of this title are 'non-mint' due to detached or loose covers. Please see the example shown in the final image \u003c\/strong\u003e\u003c\/p\u003e","brand":"Coracle","offers":[{"title":"Default Title","offer_id":46090306191618,"sku":"BK-COR-JCDODD-001-C","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_9620_77699dfd-3049-48bd-868b-481541e97273.jpg?v=1744995660"},{"product_id":"tim-robinson-the-view-from-the-horizon","title":"Tim Robinson: The View from the Horizon","description":"\u003cp\u003e\u003cspan\u003eSoftcover | 13.8 x 0.7 x 20 cm  | 64 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCoracle | 1997 | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e090663007X\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 1000\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA small anthology of the writings of Tim Robinson, together with a previously unpublished essay \u003cem\u003eGeometer\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe View from the Horizon\u003c\/em\u003e is the first attempt to link the work of the artist Timothy Drever with the writings of his alter ego Tim Robinson. Drever's abstract paintings and environmental installations were seen in several exhibitions in London before he moved to the west of Ireland in 1972. Since then, Robinson's maps of the Aran islands, the Burren and Connemara, and his books on the experience of those landscapes, have acquired a devoted readership.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRobinson had occasion to reconsider some Drever constructions dating from just before his disappearance from the London art scene, and recognised in them an abstract foretelling of a suite of images implicit in the later maps and writings. Hence this anxious exploration of the necessity and apparent impossibility of stepping free of one's personal network of metaphors.\u003c\/span\u003e\u003c\/p\u003e","brand":"Coracle","offers":[{"title":"Default Title","offer_id":46090315006210,"sku":"BK-COR-TRVH-001-M","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_9629.jpg?v=1744996281"},{"product_id":"paul-etienne-lincoln-the-purification-of-fagus-sylvatica-var-pendula","title":"Paul Etienne Lincoln: The Purification of fagus sylvatica var pendula","description":"\u003cp\u003eHardcover | 22.5 x 26.5 cm | 48 pp\u003c\/p\u003e\n\u003cp\u003eCoracle | 2005\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 600 numbered copies\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Purification of Fagus sylvatica var pendula\u003c\/span\u003e\u003c\/em\u003e is emblematic of Paul Etienne Lincoln's  inquiry into the origin and production of memory - and our ethereal relationship to that intangible evidence of our consciousness. In this pursuit Lincoln has employed diverse forms and themes, ranging from examination of historical figures to detailing anything from New York City infrastructure to “household” machines that dispense gin-and-tonics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComprised of photographs, diagrams and text, \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Purification\u003c\/span\u003e\u003c\/em\u003e records the series of experiments and performances which detail the afterlife of a specimen of local vegetation. Lincoln  has committed himself to creating complex installations, recordings and documentation on a wide range of subject matter. \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Purification\u003c\/span\u003e\u003c\/em\u003e follows Lincoln's investigation of the Weeping Beech as a way of detailing the process of examination and history writing which is ever shifting and defining the world around us.\u003c\/span\u003e\u003c\/p\u003e","brand":"Coracle","offers":[{"title":"Default Title","offer_id":46090328834306,"sku":"BK-COR-PELP-001-Q","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_9633_40f44800-11e9-457b-80c2-41a7ca32b42d.jpg?v=1744995918"},{"product_id":"shelagh-wakely-it-is-so-green-outside-it-is-difficult-to-leave-the-window","title":"Shelagh Wakely: It is so green outside it is difficult to leave the window","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSoftcover | 12.8 x 0.7 x 18 cm | 48 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCoracle | 1980\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNumbered edition of 750\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRare \u0026amp; Collectable\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished in 1980, this artist’s book collects together a series of black and white photographs of an outdoor garden documenting the transformations taking place ‘from Spring 1974 to Spring 1979’ with an accompanying text by the artist. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eShelagh Wakely (1932-2011) was part of the British Sculpture Movement of the 1980s, with fellow artists Richard Deacon, Shirazeh Houshiary, Barry Flanagan and Anish Kapoor, amongst others. 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In 1998 Julie abandoned the comic book medium and went back to printing woodcuts, linocuts, silkscreen printing, followed by an abundant production of artist’s books.\u003c\/span\u003e\u003c\/p\u003e","brand":"Gingko Press","offers":[{"title":"Default Title","offer_id":46138990035202,"sku":"BK-GIN-JDEH-001-Q","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2282_bc9a9eed-d6d5-4134-943c-f7d24956a24e.jpg?v=1747905401"},{"product_id":"marti-guixe-toy-weapons","title":"Martí Guixé: Toy Weapons - User Manual","description":"\u003cp\u003eHardcover board book | 21 x 2 x 29.5 cm | 14 pp\u003c\/p\u003e\n\u003cp\u003eEdizioni Corraini | 2005 | 9788875700713\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eRare \u0026amp; Collectible\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMartí Guixé tackles a serious subject with his trademark light-heartedness and humour, providing us with a handbook that shows you how to create them by hand with coat-hanger wires!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePart of Guixé's conceptual approach is his interest in design as a platform for questioning, visualising and influencing contemporary human behaviour. 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He has worked with companies such as Camper, Chupa-Chups, Desigual, Droog Design, Saporiti and Watx and has exhibited at the MoMA in New York, the Design Museum in London, MACBA in Barcelona and the Centre Pompidou in Paris.\u003c\/span\u003e\u003c\/p\u003e","brand":"Edizioni Corraini","offers":[{"title":"Default Title","offer_id":46157209567490,"sku":"BK-EDCO-MGTW-001-P","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2289.jpg?v=1747905354"},{"product_id":"psyop-post-9-11-leaflets","title":"PSYOP Post-9\/11 Leaflets (Rare edition)","description":"\u003cp\u003e\u003cspan\u003eChristoph Büchel \u0026amp; Giovanni Carmine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSoftcover | \u003cspan\u003e16.51 x 0.64 x 22.86 cm | 144 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJRP Ringier | 2017 | 9783905701128\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eRare \u0026amp; Collectible\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book was published as part of project the project \u003cem\u003ePSYOP - Capture their minds and their hearts and souls will follow \u003c\/em\u003eby artists\u003cem\u003e \u003c\/em\u003eChristoph Büchel \u0026amp; Giovanni Carmine highlighting the US Army’s psychological-warfare operations. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe book collects over 120 propaganda leaflets that were dropped by the U.S. Army on Afghanistan and Iraq, as well as other similar material with messages such as “Coalition Forces support a brighter future for Iraq!” and “Who needs you more? 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