{"title":"Conceptual Art","description":"","products":[{"product_id":"darboven","title":"Hanne Darboven: Enlightenment | Time Histories - A Retrospective","description":"\u003cp\u003eHardcover | 21 x 28.5 cm 352 pp | 350 colour images \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrestel | 2015 | 9783791354996 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThis book presents the first comprehensive monograph of Hanne Darboven's sophisticated oeuvre. Hanne Darboven (1941-2009) is one of the twentieth century's most extraordinary international artists. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis major publication brings together key works from all phases of her prolific career spanning over fifty years. It highlights the outstanding and wide-ranging output of this key conceptual artist in its entire temporal and stylistic breadth, featuring works in which the artist focuses on political events, German history and her personal context and shows the extensive work series exploring themes from cultural history, music, literature, and (natural) science. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBeside the serial calculations on paper the book also presents parts of the artist's studio in Hamburg: The desks, for example, tell us of Darboven´s systematic approach to her work. The so-called music room, a quasi-encyclopedic archive, grants insight for the first time into the intellectual cosmos of the artist and her practice of compilation, composition and notation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Prestel","offers":[{"title":"Default Title","offer_id":34643718865060,"sku":"BK-PRE-HD-001-E","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2736.jpg?v=1713436560"},{"product_id":"martin-creed","title":"Martin Creed: Works","description":"\u003cp\u003eSoftcover | \u003cspan\u003e19 x 4.1 x 25.9 cm | 1080 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThames \u0026amp; Hudson | 2014 | 9780500290811\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eMartin Creed: Works\u003c\/em\u003e presents the first comprehensive survey of the work and career of Turner Prize-winning artist Martin Creed. Renowned for his straightforward approach to making art and his deft economy of means, Creed has produced sculptures, installations, drawings, films, performances, music and text, each of which has found its inspiration in the objects and activities of everyday life. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis extensive volume documents more than 700 works produced over twenty years, selected by the artist himself. Always in search of the essential nature of things, Creed uses the simplest materials to create a world in which reality appears transformed by conceptual rules, as well as by the unexpected breaking of those rules. His work is simultaneously subtle and spectacular, austere and playful whether it be a sheet of paper crumpled into a ball, a protrusion from the wall, a door opening and closing, the lights going on and off, or a soundtrack inside a moving lift. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book features a foreword by the artist and accompanying texts by Germaine Greer, Darian Leader, Colm Tóibín and others, supplemented by an exhibition history, bibliography and biography.\u003c\/span\u003e\u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":34728915304612,"sku":"BK-TAH-MCW-001-D","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0037_1_6f08dd23-53b5-4362-a3b1-42cf3c26bb26.jpg?v=1705668268"},{"product_id":"barry-flanagan","title":"Barry Flanagan: Early Works 1965-1982","description":"\u003cp\u003e\u003cspan\u003eClarrie Wallis\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSoftcover | \u003cb\u003e \u003c\/b\u003e\u003cspan\u003e22.9 x 1.9 x 27.9 cm | 160 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Tate Publishing | 2011 | 9781854379979\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe sculptor Barry Flanagan (1941-2009) was best known for his bronze hare sculptures that walk, leap or sit in galleries and public spaces around the world. The success of these and related animal sculptures relatively late in his career has somewhat obscured the achievements that characterised Flanagan's earlier period.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis first comprehensive, extensively illustrated study of Flanagan's early years ends with the production of his first hare sculpture in 1982, and accompanies a major exhibition at Tate Britain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFocusing on the artist's studio practice, this book brings together works from between 1965 and 1982, re-evaluating Flanagan's position as a key figure in the development of British and international sculpture. Using media as varied as cloth, felt, clay, plaster and rope, Flanagan created works that were a unique exploration of the interaction of idea, form and process. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe authors also investigate Flanagan's engagement with literature, especially concrete poetry, and 'pataphysics, the pseudo-science derived from the writings of Alfred Jarry, which was a key inspiration. Flanagan trained at St Martins School of Art, where he was taught by Anthony Caro, Phillip King and John Latham. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt different times during his career he was involved with magazine publication, film making, dance and performance, as well as sculpture, each discipline feeding into and enriching the other. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Tate Publishing","offers":[{"title":"Default Title","offer_id":34761263939748,"sku":"BK-TAT-BFEW-001-A","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_9116_fbc8110c-e025-4f88-81a5-662d9da124b0.jpg?v=1718292019"},{"product_id":"capitalism","title":"Stefan Bruggemann: Capitalism and Schizophrenia (Rare edition)","description":"\u003cp\u003eHardcover | \u003cspan\u003e19.7 x 2.5 x 26.7 cm | 282 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTurner | 2005 | 9788475066196\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eRare \u0026amp; Collectible\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePLEASE NOTE: All copies are shrink-wrapped, however many have some very minor marking to the covers under the shrink-wrap\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAh, capitalism and schizophrenia. Everyone's favorite two topics, or at least Deleuze and Guattari's - and Stefan Bruggemann's, too. Bruggemann, a young Mexican contemporary artist , makes witty text installations and other conceptual projects, as if Jenny Holzer and Bruce Nauman got together south of the border and had a baby. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne text piece, installed in the form of a neon sign at the Lisson Gallery in London, proclaims, \"I Can't Explain And I Won't Even Try.\" A wall piece in silver block text notes, \"Everybody Is Thinking Outside This Room.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eCapitalism and Schizophrenia\u003c\/i\u003e, the book, is divided into three sections, the first of which represents Bruggemann's artwork in a format as close as possible to the artist's actual work. Included are his \u003ci\u003eNotes\u003c\/i\u003e (magazine pages and A4 sheets on which he writes), various truisms, and stills from his \u003ci\u003eVideo Notes\u003c\/i\u003e. The second section includes critical texts, an interview with the artist, Hans Ulrich Obrist, and Pedro Reyes, a visual intervention by Martin Creed, and a photo essay. The third section offers documentation of the artists exhibition installations.\u003c\/span\u003e\u003c\/p\u003e","brand":"Turner","offers":[{"title":"Default Title","offer_id":34833357439140,"sku":"BK-TUR-CAS-001-BC","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0183_f3a1bf42-4b14-43e6-84c6-f5795f0e7464.jpg?v=1773416202"},{"product_id":"erwin-wurm-1","title":"Erwin Wurm: Bei Mutti","description":"\u003cp\u003eHardcover | \u003cspan data-mce-fragment=\"1\"\u003e23.65 x 1.6 x 27.64 cm | 128 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrestel | 2016 | 9783791355450\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText in English and German\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eViennese artist Erwin Wurm is known for his quirky and compelling art that\u003c\/span\u003e occupies a special place in contemporary art. Since the late 1980s he has explored the boundaries between sculpture, object, and performance. His works have great visual power, are readily accessible, yet raise existential questions.\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eOne Minute Sculptures\u003c\/em\u003e, produced since 1995, invite the viewer's collaboration. With everyday objects like tennis balls, chairs, or cleaning-agent bottles one is meant to assume unusual, bizarre poses and, if following the artist's instructions precisely, become, for a moment, a living sculpture. The artist's instructions take the form of delicate and humorous drawings that are published for the first time in this book.\u003c\/p\u003e\n\u003cp\u003eWith illustrations of Wurm's newest sculptural works, the most recent developments in his oeuvre are also highlighted. The roughly 100 large-format illustrations are supplemented by three essays dealing with the most important issues in Wurm's work.\u003cbr\u003e\u003c\/p\u003e","brand":"Prestel","offers":[{"title":"Default Title","offer_id":37612640534709,"sku":"BK-PRE-EW-001-L","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_7508_176f99d7-d457-4bfd-9f9d-a02dd8537732.jpg?v=1709205032"},{"product_id":"raul-walch-its-a-great-pressure-to-be-here","title":"Raul Walch: It's a great pressure to be here","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eHardcover | 20.83 x 2.29 x 27.94 cm | 240 pp \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eKerber Verlag | 2020 | 9783735606105\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eRaul Walch is a sculptor and conceptual artist. Yet, in his site-specific interventions, he turns into a critical investigator, performer, and activist as well. Aside from being a survey of his artistic practice, \u003ci\u003eIt's a great pressure to be here\u003c\/i\u003e, is a wry comment on the globalised present, the human condition, and contemporary societal issues. A topical glossary, encompassing inspirations, ideas, people, and places, scholarly essays, and an interview convey how artistic engagement can become instrumental in the examination and possible transformation of the given socio-political realities.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kerber","offers":[{"title":"Default Title","offer_id":42558752325890,"sku":"BK-KER-RWGP-001-B","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/products\/IMG_0707.jpg?v=1648139169"},{"product_id":"robert-irwin-site-determined","title":"Robert Irwin: Site Determined (Rare edition) (Non-mint)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatthew Simms\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e20.62 x 2.03 x 26.19 cm | 120 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePrestel | 2018 | \u003cmeta charset=\"utf-8\"\u003e9783791356716\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRobert Irwin has come to regard art as site determined, or something that works in and responds to its surroundings. \u003cmeta charset=\"utf-8\"\u003eThroughout this collection of drawings, models, and photographs of magnificent, groundbreaking projects, readers will come to see Irwin as a visionary artist and a brilliant draftsman.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book opens with his projects on college campuses between 1975 and 1982. These are followed by Irwin's major, yet never realised, commission for the Miami International Airport, where he proposed to transform the structure, parking lots, and roadways into a sequence of aesthetic and practical spaces that engaged directly with the South Florida environment. It then turns to one of Irwin's most celebrated works, the Central Garden at the J. Paul Getty Museum in Los Angeles. Finally, the book takes readers to the Chinati Foundation in Marfa, Texas, and one of Irwin's most ambitious works to date-a monumental artwork that brilliantly connects viewers to the land and sky.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003ePLEASE NOTE: This book is a NON-MINT item. NON-MINT books are new but are either ex-display copies or warehouse marked - minor cosmetic imperfections such as scuffs, marks, or minor dents to the covers.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Prestel","offers":[{"title":"Default Title","offer_id":42918929105154,"sku":"BK-PRE-RISD-001-C","price":12.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0612_abd7c8c8-1d3a-4bb7-828c-52afbd2c6962.jpg?v=1774266298"},{"product_id":"hans-haacke-october-files-18","title":"Hans Haacke (October Files #18)","description":"\u003cp class=\"p1\"\u003eEdited by Rachel Churner\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e15.1 x 1.4 x 23 cm | 253 pp | \u003cmeta charset=\"utf-8\"\u003eb\u0026amp;w illustrations\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMIT Press | 2015 | 9780262527934\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCritical texts that span almost fifty years, mapping Haacke's progression from engagement with biological systems to interrogation of the social and economic underpinnings of art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eFor five decades, the artist Hans Haacke (b. 1936) has created works that explore the social, political, and economic facets of the production of art. His works make plain the hidden and not-so-hidden agendas of those, from Cartier to David Koch, who support art in the service of industry; they expose such inconvenient social and economic truths as the real estate holdings of Manhattan slumlords, and the attempts to whitewash support for the Nazi regime, apartheid, or the war on terror through museum donations. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThis book gathers interviews, essays, cornerstones of institutional critique, and new critical approaches by writers that include Benjamin H. D. Buchloh, Jack Burnham, Rosalyn Deutsche, and Leo Steinberg. Haacke's 1971 Guggenheim exhibition was famously cancelled when the artist refused to withdraw several proposed works, including one exposing the business dealings of a Manhattan real estate company. \u003c\/span\u003e\u003cspan\u003eIncluded is Edward Fry's catalogue text for that show, as well as Walter Grasskamp's \u003cem\u003eAn Unpublished Text for an Unpainted Picture\u003c\/em\u003e, redacted from an exhibition catalogue in 1984 because of statements about the German collector Peter Ludwig. Other essays consider such topics as Haacke's controversial commission for the Reichstag; the activation of the spectator, from Condensation Cube to the Polls; the conceptual continuity of his practice with regard to General Systems Theory; and his delayed and problematic reception in both the United States and Europe. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eWith contemporary essays and scholarly reassessments, this collection serves as an essential guide to critical thinking on Haacke's artistic practice, from the works of the 1960s that engage with physical and biological systems to his later interrogations of the social and economic underpinnings of art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eContributors \u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eYve-Alain Bois, Benjamin H. D. Buchloh, Jack Burnham, Douglas Crimp, Rosalyn Deutsche, Sam Durant, Edward F. Fry, Walter Grasskamp, Rosalind Krauss, Jack McGrath, Luke Skrebowski, Leo Steinberg\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePLEASE NOTE: Some copies have been remainder marked by the publisher - a small black marker pen dot on one edge. See images.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":43330978447618,"sku":"BK-MIT-OFHH-001-E","price":12.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/products\/IMG_9795_23f686f4-b247-4d9e-9fda-03c98d198777.jpg?v=1674566678"},{"product_id":"joseph-beuys-the-reader","title":"Joseph Beuys: The Reader","description":"\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eClaudia Mesch, Viola Michely \u0026amp; Authur C. Danto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003eSoftcover | \u003cspan data-mce-fragment=\"1\"\u003e15.57 x 1.78 x 23.34 cm | 352 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003eMIT Press | 2007 | 9780262633512\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan\u003eTwentieth-century artist Joseph Beuys (1921-1986) - legendary and self-mythologising, enigmatic and controversial - remains an important influence on artists today. Beuys embraced radically democratic artistic and political ideas, proclaiming \"Everyone is an artist,\" and advocating direct democracy through referenda. He famously worked with such nontraditional materials as felt, fat, and plants and animals both alive and dead. Beuys and his work - performance, drawing, painting, sculpture, installation - received perhaps the most contentious reception of any postwar artist. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan\u003eThis reader brings together the crucial writings on Beuys and his work, presenting key essays by prominent artists and critics from North America and Europe. With a foreword by Arthur C. Danto, \u003cem\u003eStyle and Salvation in the Art of Beuys\u003c\/em\u003e, Benjamin H. D. Buchloh's now classic 1980 essay, \u003cem\u003eBeuys, Twilight of the Idol\u003c\/em\u003e, and influential texts by Vera Frenkel, Thierry de Duve, Rosalind Krauss, Peter Burger, Irit Rogoff, and others, this is the most significant gathering of critical texts on this challenging artist that has ever been assembled.\u003c\/span\u003e\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":43331006955778,"sku":"BK-MIT-JBR-001-P","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0678_f96eab30-4823-41fa-bf88-0533a63bf2ad.jpg?v=1768997979"},{"product_id":"dan-graham-rock-my-religion-writings-and-projects-1965-1990","title":"Dan Graham: Rock My Religion - Writings and Projects 1965-1990","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"a-text-bold\" data-mce-fragment=\"1\"\u003e‎\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e19.2 x 1.91 x 26.82 cm | 348 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eMIT Press | 1994 | 9780262571067\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDan Graham's artworks and critical writings have had a significant influence on the course of contemporary art over the past quarter century. \u003cem\u003eRock My Religion\u003c\/em\u003e collects 18 of Graham's essays from all periods of his work, beginning with his essays on minimalist artists such as Dan Flavin and Donald Judd, continuing with his writings on punk rock and popular culture, and concluding with his considerations of more recent architecture, urban space, and power. Alternating with these theoretical essays are descriptions and documentations of Graham's own works and installations.\u003c\/span\u003e\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":43331179512066,"sku":"BK-MIT-RMR-001-F","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/products\/IMG_0408_4c510190-4339-4cb3-91da-d1866c1643cb.jpg?v=1675702335"},{"product_id":"walking-sculpture-1967-2015","title":"Walking Sculpture 1967-2015","description":"\u003cdiv class=\"page\" title=\"Page 2\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"author notFaded\" data-width=\"168\" data-mce-fragment=\"1\"\u003eLexi Lee Sullivan\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHardcover  \u003cmeta charset=\"utf-8\"\u003e27.18 x 24.13 x 1.27 cm | 88 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYale University Press | 2015 | 9780300212433\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eArtists have utilised walking as an autonomous form of art, a subject in their work, and as social practice since the early 20th century. Today walking continues to offer a salient means for artists to challenge social, political, and economic orders through a radical remapping of civic space. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn this engaging and original book, Lexi Lee Sullivan traces the history of walking as an aesthetic action from the Dadaists to contemporary ramblers. Titled after Michelangelo Pistoletto’s performance \u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eWalking Sculpture\u003c\/em\u003e, \u003c\/span\u003ethe catalogue features 50 colour illustrations ranging from photographs of Yvonne Rainer’s street actions to Francis Alÿs’s fantastical processions, poems by Cole Swensen, and a new project by artist Helen Mirra, who produces poetic meditations on landscape, ecology, and locomotion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Sculpture, film, video, photography, and performance converge to address the multi-disciplinary practice of ambulation through the cityscape and the countryside. For those who hike; march in fundraisers, protests, or parades; walk the dog; stroll in the park; or commute daily, this book invites new thought into basic human movement.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":43336565915906,"sku":"BK-YUP-WSC-001-B","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/products\/IMG_0395.jpg?v=1675700855"},{"product_id":"john-cage-october-files-12","title":"John Cage (October Files #12)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited by Julia Robinson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover | 15.4 x 1.27 x 23 cm | 219 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMIT Press | 2011 | \u003cmeta charset=\"utf-8\"\u003e9780262516303\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Cage (1912-1992) defined a radical practice of composition that changed the course of modern music and shaped a new conceptual horizon for postwar art. Famous for his use of chance and silence in musical works, a pioneer in electronic music and the nonstandard use of instruments, Cage was one of the most influential composers of the last century. This volume traces a trajectory of writings on the artist, from the earliest critical reactions to the scholarship of today. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf the first writing on Cage in the American context, often written by close associates with Cage's involvement, seemed lacking in critical distance, younger scholars a generation removed have recently begun to approach the legacy from a new perspective, with more developed theoretical frameworks and greater skepticism. This book captures that evolution.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe texts include discussions of Cage's work in the context of the New Music scene in Germany in the 1950s; Yvonne Rainer's essay looking back on Cage and New York experimentalism of the 1960s; a complex and original mapping of Cage's place in a wider avant-garde genealogy that includes Le Corbusier and Moholy-Nagy; a musicologist's account of Cage's process of defining and formalising his concept of indeterminacy; and an analysis of Cage's project that considers his strategies of self-representation as key to his unique impact on modern and postmodern art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContributors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHeinz-Klaus Metzger, Konrad Boehmer, Yvonne Rainer, David W. Patterson, Branden W. Joseph, Liz Kotz, Rebecca Y. Kim, Julia Robinson.\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":43487756517634,"sku":"BK-MIT-JCOF-001-OP","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/products\/IMG_9789_343452c5-ab84-47f3-b5c6-7225cff78e8b.jpg?v=1674566701"},{"product_id":"locating-sol-lewitt","title":"Locating Sol LeWitt","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e19.69 x 2.54 x 25.4 cm | 288 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eYale University Press | 2021 | 9780300246049\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"a-text-bold\"\u003eThis is a revelatory consideration of the wide-ranging practice of one of the most influential American artists of the 20th century. \u003c\/span\u003e\u003cspan\u003eA pioneer of minimalism and conceptual art, Sol LeWitt (1928–2007) is best known for his monumental wall drawings. LeWitt’s broad artistic practice, however, also included sculpture, printmaking, photography, artist’s books, drawings, gouaches, and folded and ripped paper works. From the familiar to the under-appreciated aspects of LeWitt’s oeuvre, this book examines the ways that his art was multidisciplinary, humorous, philosophical, and even religious.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eLocating Sol LeWitt\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e contains nine new essays that explore the artist’s work across media and address topics such as LeWitt’s formative friendships with colleagues at the Museum of Modern Art in the early 1960s; his photographs of Manhattan’s Lower East Side; his 1979 collaboration with Lucinda Childs and Philip Glass and its impact on his printmaking; and his commissions linked to Jewish history and the Holocaust. The essays offer insights into the role of parody, experimentation, and uncertainty in the artist’s practice, and investigate issues of site, space, and movement. Together, these studies reveal the full scope of LeWitt’s creativity and offer a multifaceted reassessment of this singular and influential artist.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":43569542234370,"sku":"BK-YUP-LSL-001-T","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/products\/IMG_1941_9d310f64-a221-49ae-af94-263f89da657b.jpg?v=1678367843"},{"product_id":"alighiero-e-boetti-mappa-one-work","title":"Alighiero e Boetti: Mappa (One Work)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e15.09 x 1.02 x 21.11 cm | 112 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAfterall | 2008 | 9781846380273\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \u003cem\u003eOne Work\u003c\/em\u003e series is a library of small books, each title focusing on a single artwork that has significantly shaped the way we understand art and its history.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1971 Alighiero e Boetti commissioned Afghan embroiderers to create a map of the world, with each country bearing the colours and pattern of its flag. The commission grew into a beautifully crafted, large-scale series of maps produced over a period of twenty years in Kabul, Afghanistan and Peshawar, Pakistan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach map tracked geopolitical changes throughout the world: the break-up of the Soviet Union, the unification of Germany, disputes over territories in the Middle East and regime changes in the Eurasian peninsula. In this new study, Italian curator Luca Cerizza looks at Boetti's Mappa in relation to world events and the history of map-making, as well as to the contemporary art movements of Minimalism, Conceptualism and Arte Povera.\u003c\/span\u003e\u003c\/p\u003e","brand":"Afterall","offers":[{"title":"Default Title","offer_id":43596218237186,"sku":"BK-AFT-AEBM-001-A","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3605_1.jpg?v=1683020656"},{"product_id":"darren-almond-index","title":"Darren Almond: Index (Rare edition)","description":"\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e18.42 x 1.91 x 24.77 cm | 192 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKonig | 2008 | 9783865603760\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDarren Almond's work takes as its subject matter the recurring themes of time, memory, human labour and exploitation in various geographical parts of the world.\u003cbr\u003e \u003cbr\u003e Almond is an avid traveller and since the beginning of his career in the mid 1990s he has experimented with films, video-installations and photography in remote regions. He has also made kinetic sculptures, the best-known of which are made with digital clock mechanisms.\u003cbr\u003e \u003cbr\u003e \u003cem\u003eIndex\u003c\/em\u003e was published for Almond's 2008 solo exhibition at Parasol Unit in London where he showed two films, shot separately in China and Indonesia; a series of photographs taken in Norilsk and Monchegorsk, Siberia; and a time-based wall sculpture.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIndex\u003c\/em\u003e is a book in two parts. The first catalogues the exhibition, while the second provides a retrospective of the artist's work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Konig","offers":[{"title":"Default Title","offer_id":43702988472578,"sku":"BK-KON-DAI-001-E","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_1910_14eec7d2-12b7-424b-9ec7-c06866ada798.jpg?v=1760981765"},{"product_id":"eric-baudelaire-anabases","title":"Éric Baudelaire: Anabases","description":"\u003cp class=\"WordSection1\"\u003e\u003cspan style=\"color: #000000;\"\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e17cm × 23cm | 302 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"WordSection1\"\u003e\u003cspan style=\"color: #000000;\"\u003eArchive Books | 2014 | 9783943620153\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"WordSection1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003eAnabases\u003c\/em\u003e is a project initiated by the artist Éric Baudelaire. It was conceived as a conversation between his own practice and the research of the philosopher, Pierre Zaoui and the cinema theorist, Jean-Pierre Rehm. It revolves around the notion of ‘anabasis’, a term used to describe a period of ‘uncertain wandering and without guide’ through unknown lands that ends when one returns home. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"WordSection1\"\u003e\u003cspan style=\"color: #000000;\"\u003eThis book is not for reading but for wandering. Its lines do not roll out continuously but superimpose each other to infinity, creating not a compendium of knowledge but a web of prescience. It does not follow a logical framework but unfurls a grid with multiple entries. It does not assert a set subject or conclusive postulate. At most it invites us to probe the recesses of a mind in motion, and steeps us in the driving material that brings it to life. It reflects the works it exhibits, the documents it discloses and the commentary it generates: it aspires to ubiquity. Anabasis, the very real linking thread that stitches it together, serves not just as an archaeological enigma, but also as an allegorical force. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"WordSection1\"\u003eÉric Baudelaire is an artist and filmmaker based in Paris, France. After training as a political scientist, Baudelaire established himself as a visual artist with a research-based practice incorporating photography, printmaking and video. Since 2010, filmmaking has become central to his work. His feature films A Flower in the Mouth, Un film dramatique, Also Known as Jihadi, Letters to Max, The Ugly one and The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years Without Images have circulated widely in film festivals (including Locarno, Toronto, New York, FIDMarseille and Rotterdam). When shown within exhibitions, Baudelaire’s films are part of broad installations that include works on paper, performance, publications and public programs. \u003cbr\u003e\u003c\/p\u003e","brand":"Archive Books","offers":[{"title":"Default Title","offer_id":43728399859970,"sku":"BK-ARB-EBA-001-C","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_6298_10908436-ad93-43cd-944c-0657c6f5d941.jpg?v=1688045338"},{"product_id":"marcel-broodthaers-industrial-poems","title":"Marcel Broodthaers: Industrial Poems - The Complete Catalogue of the Plaques 1968–1972","description":"\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e24 x 4 x 29 cm | 400 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHatje Cantz | 2021 | 9783775751322\u003c\/p\u003e\n\u003cp class=\"redstrong\"\u003eThis is the first complete catalogue of Broodthaers’ rebus-like poetical plaques. Industrially fabricated as vacuum-formed plastic plaques, the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIndustrial Poems\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eof Marcel Broodthaers (1924–76) express the enduring fruitfulness of poetry as a paradigm in the poet-turned-artist’s witty, language-oriented brand of conceptualism.\u003c\/p\u003e\n\u003cp\u003eThese works draw on the popular visual language of commercial signage, incorporating symbols, images, letters, words and punctuation that often refer to earlier poems and artworks. As mass-manufactured signs produced in a popular material such as plastic, the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIndustrial Poems\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003epartake of a visual and material clarity that belies the strongly enigmatic character of their associative semantic functioning.\u003cbr\u003e\u003cbr\u003eThis 400-page volume compiles for the first time a comprehensive inventory of all the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIndustrial Poems\u003c\/i\u003e. These are supplemented by a selection of Broodthaers’ own writings and his “open letters,” along with essays that situate the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIndustrial Poems\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ein relation to each other and the artist’s oeuvre generally.\u003c\/p\u003e","brand":"Hatje Cantz","offers":[{"title":"Default Title","offer_id":43849974153474,"sku":"BK-HAT-MBIP-001-B","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4077_ee8cc748-37c3-46f7-b2c7-8705803ed529.jpg?v=1702306466"},{"product_id":"marco-breuer-early-recordings-1","title":"Marco Breuer: Early Recordings","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e26.67 x 1.27 x 34.04 cm | 96 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAperture | 2007 | 9781597110334\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMarco Breuer: Early Recordings\u003c\/em\u003e presents the first comprehensive look to date at work by the conceptually driven German artist. 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Breuer's work has garnered significant critical acclaim and, as Vince Aletti describes it, has \"the intelligence and wit of the mid-century modernist avant-garde and the anything-goes audacity of photography's earliest innovators.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":43915382784258,"sku":"BK-APE-MBER-001-J","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5955_25c9de21-94d2-4475-b684-c1d94ac29c9b.jpg?v=1697167283"},{"product_id":"bruce-nauman-october-files-22","title":"Bruce Nauman (October Files #22)","description":"\u003cp class=\"p1\"\u003eEdited by Taylor Walsh\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e15.1 x 1.4 x 23 cm | 222 pp | \u003cmeta charset=\"utf-8\"\u003eb\u0026amp;w illustrations\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMIT Press | 2018 | 9780262535670\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis volume collects essential texts on the work of Bruce Nauman (b. 1941), an artist of exceptional range whose work continues to probe the fundamentals of both life and art. These critical writings, scholarly essays, and an interview span five decades of Nauman's career, ranging from the first substantive feature on his work, published in 1967, to a catalog essay from his 2018 retrospective. Written by prominent critics, art historians, and curators, the individual texts consider his work in various media, from photography and artists' books to sculpture, video, and room-scaled installations.\u003c\/p\u003e\n\u003cp\u003eTaken together, the essays trace the arc of critical reception given to Nauman's work, charting the (somewhat uneven) path to his current eminence as one of our truly indispensable living artists.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContributors\u003cbr\u003e\u003c\/strong\u003eKathryn Chiong, Fidel A. Danieli, Isabel Graw, Rosalind Krauss, Janet Kraynak, Pamela M. Lee, John Miller, Robert Pincus-Witten, Joan Simon, Robert Slifkin, Marcia Tucker, Anne M. 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This handsomely designed and illustrated book presents works selected by the artist from throughout his illustrious career, including paintings made at the time of the 1969 moon landings, other large-scale paintings, a 100 Years Calendar, and his own books that chronicle his extensive travels, acquaintances, and personal readings. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book features a translation of an essay on the Apollo space mission and its impact on human consciousness by Takafumi Matsui; a chapter from Ervin Laszlo's The Whispering Pond, which presents theories of understanding possible connections between mind and matter; and a new essay by Charles Wylie that discusses the specifics of Kawara's 2008 exhibition at the Dallas Museum of Art and his contribution to and divergence from the main currents of art practice across five decades.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":44857834504450,"sku":"BK-YUP-OKTT-001-B","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5884.jpg?v=1724929729"},{"product_id":"the-selected-letters-of-john-cage","title":"The Selected Letters of John Cage (Rare edition)","description":"\u003cp\u003e\u003cspan\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e17 x 4.5 x 24.3 cm | 656 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWesleyan University Press | 2016 | \u003cmeta charset=\"utf-8\"\u003e9780819575913\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThis selection of over five hundred letters gives us the life of John Cage with all the intelligence, wit, and inventiveness that made him such an important and groundbreaking composer and performer. The missives range from lengthy reports of his early trips to Europe in the 1930s through his years with the dancer Merce Cunningham, and shed new light on his growing eminence as an iconic performance artist of the American avant-garde. \u003c\/span\u003e\u003cspan\u003eCage's joie de vivre resounds in these letters - fully annotated throughout - in every phase of his career, and includes correspondence with Peter Yates, David Tudor, and Pierre Boulez, among others. Above all, they reveal his passionate interest in people, ideas, and the arts. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe voice is one we recognise from his writings: singular, profound, irreverent, and funny. Not only will readers take pleasure in Cage's correspondence with and commentary about the people and events of a momentous and transformative time in the arts, they will also share in his meditations on the very nature of art. A deep pleasure to read, this volume presents an extraordinary portrait of a complex, brilliant man who challenged and changed the artistic currents of the twentieth century.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Wesleyan University Press","offers":[{"title":"Default Title","offer_id":45223916732674,"sku":"BK-WUP-SRJC-001-DE","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4071_2a758196-5507-4217-bb72-4609f03ffdeb.jpg?v=1718623234"},{"product_id":"the-essential-duchamp","title":"The Essential Duchamp","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e24.64 x 18.8 x 1.52 cm | 208 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eYale University Press | 2018 | \u003cmeta charset=\"utf-8\"\u003e9780300233117\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"a-text-bold\"\u003eT\u003c\/span\u003ehis richly illustrated publication explores the full career of the hugely influential and endlessly fascinating French-American artist Marcel Duchamp (1887–1968). A pioneer whose creative output was predicated on a fundamental questioning of what art is, Duchamp is well known despite remaining mysterious as an artist, owing to his elusive persona and the unconventional nature of his work. \u003cbr\u003e \u003cbr\u003eFocusing on the world-renowned Duchamp collection at the Philadelphia Museum of Art, \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Essential Duchamp\u003c\/span\u003e\u003c\/em\u003e tells the artist’s story through four key periods. The book begins with his early paintings and engagement with the avant-garde, then charts his abandonment of painting and invention of the readymade. This is followed by the creation of his alter ego Rrose Sélavy and the optical experiments of the interwar years, and, finally, by the making of \u003cspan class=\"a-text-italic\"\u003eÉtant donnés\u003c\/span\u003e (1946–66), the project that occupied the artist in the final two decades of his life. Shorter accompanying texts include explanations of key terms Duchamp used for his innovative ideas―\u003cspan class=\"a-text-italic\"\u003ereadymade\u003c\/span\u003e, \u003cspan class=\"a-text-italic\"\u003eprecision optics\u003c\/span\u003e, \u003cspan class=\"a-text-italic\"\u003epictorial nominalism\u003c\/span\u003e, and \u003cspan class=\"a-text-italic\"\u003einfrathin\u003c\/span\u003e―as well as interviews and statements by the artist about his own art and ideas.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":45225058664706,"sku":"BK-YUP-TED-001-B","price":17.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4219.jpg?v=1718633502"},{"product_id":"simon-cutts-some-forms-of-availability","title":"Simon Cutts: some forms of availability","description":"\u003cp\u003eSoftcover | 21.5 x 13.8 cm | 178 pp\u003c\/p\u003e\n\u003cp\u003eResearch Group for Artists Publications | 2017 | \u003cspan\u003e9780954063979\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 1000\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003esome forms of availability\u003c\/em\u003e assembles speculative essays, reviews, interviews, and collected statements and texts by Simon Cutts, long-time publisher of Coracle Press.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book is concerned with the recent history of the book and the idea of publication arising from its occurrence in modernism, the small presses and the developing artists book. At the same time it introduces some of the ephemera produced by Coracle over the years, the Polemical Postcards, and a facsimile case history of the distribution of one such understated work. These may all contribute to a new optimism for the availability of the small publication and for its sense of achievement within a finite means.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Research Group for Artists Publications","offers":[{"title":"Default Title","offer_id":45361615503618,"sku":"BK-RGAP-SCSFA-001-I","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5547_442b0059-ee47-4cdd-a691-bdde60d8191e.jpg?v=1724160182"},{"product_id":"the-printed-performance-brian-lane-works-1966-99","title":"Brian Lane: The Printed Performance - Works 1966-99","description":"\u003cp\u003e\u003cspan\u003eEdited by Martin Rogers and Simon Cutts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e15.24 x 1.27 x 21.59 cm | \u003c\/span\u003e176 pp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCoracle | 2001 | 9780954063900\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 1000\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBrian Lane's unique contribution to small-press publishing was begun in the mid nineteen-sixties at Gallery Number Ten in Blackheath, south-east London. This was one of the first artists' spaces in Britain, and alongside its programme of exhibitions and events, there emerged a growing list of publications with poets and artists.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe apogee of this activity was, however, the late nineteen-seventies, when under the imprint of Editions Brian Lane, he issued many of his distilled performances in print. These included, amongst others, Six Portraits of the Artist, In Good Company, index card works, boxes of gathered information, stylised ephemera, and button-badge works made to be worn.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the mid nineteen-eighties, Brian Lane worked extensively on the seminal exhibition 'The Artist Publisher' and its catalogue with the pivotal first chapter entitled Self Publishing as a Critical Alternative. Throughout the whole project of his work, there is the sense of a printed score to be performed, from the earlier days of experimental music through improvisations on small letterpress printing machines, to the use of photocopier and rubber stamp.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrian Lane's published works are held in the Tate Gallery Archive.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eChapters\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eFrom Fluxus to Forensic Science by way of the North Pole\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003eJOHN BEVIS\u003cbr\u003e\u003cem\u003eLumb Lane\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003eMICHAEL LUMB\u003cbr\u003e\u003cem\u003eDr Fluxus\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003eADRIAN GLEW\u003cbr\u003e\u003cem\u003eWorlds-a-part\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003eBILL HARPE\u003cbr\u003e\u003cem\u003eMurder, Mayhem and Brian Lane\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003eSTEVE WHEATLEY\u003cbr\u003e\u003cem\u003eA Bibliography of Books and Printed Works\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003eJOHN JANSSEN\u003cbr\u003e\u003cem\u003eA Selection of Illustrations of Performed and Printed Works\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003eCOLIN SACKETT\u003cbr\u003e\u003cem\u003eSome Lacunae in Relationship to Brian Lane\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003eSIMON CUTTS\u003cbr\u003e\u003cem\u003eA Quixotic Journey\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003eMO TINGEY\u003cbr\u003e\u003cem\u003eWorking with Brian Lane\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003eHUGH SHRAPNEL\u003cbr\u003e\u003cem\u003eMy Time with Brian Lane\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003eSUSAN DUNKLEY\u003cbr\u003e\u003cem\u003eThe Murderologist\u003c\/em\u003e \u003cmeta charset=\"utf-8\"\u003eBELA CUNHA\u003cbr\u003e\u003cem\u003eA Brief Chronology of Brian Lane's Life and Work\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Research Group for Artists Publications","offers":[{"title":"Default Title","offer_id":45361743855874,"sku":"BK-RGAP-PPBL-001-M","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5548.jpg?v=1724160203"},{"product_id":"lewis-baltz-rule-without-exception-only-exceptions","title":"Lewis Baltz: Rule without Exception \/ Only Exceptions (2-volume set)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e23.77 x 3.84 x 33.1 cm | 376 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSteidl | 2012 | 9783869301105\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLewis Baltz (1945-2014) was an important figure in the New Topographics movement of the late 1970s. His best known work was monochrome photography of suburban landscapes and industrial parks which highlighted his commentary of void within the \"American Dream\".\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis two-volume book covers the full sweep and depth of Baltz's influential oeuvre. \u003cem\u003eRule Without Exception \u003c\/em\u003eis a reissue of Baltz's award-winning mid-career retrospective book which accompanied a travelling exhibition of the same name in 1991. The book surveys Baltz's work from \u003cem\u003eThe Prototype Works\u003c\/em\u003e of 1967 through to \u003cem\u003eSites of Technology\u003c\/em\u003e of 1991, showing the range of his images of industrialised landscapes and technological sites. Each section of the book is accompanied by installation views as well as texts by distinguished writers, some newly commissioned for this edition. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eOnly Exceptions\u003c\/em\u003e is a new book chronicling Baltz's work - now usually site-generated commissioned works - from 1992 to 2012 and was published on the occasion of an exhibition organised by the Kunstmuseum, Bonn. \u003cem\u003eOnly Exceptions\u003c\/em\u003e includes Baltz's work in California, Leipzig's Black Triangle, Reggio Emilia, Groningen, Rome, Venice, and two projects with Jean Nouvel in France and Italy.\u003c\/span\u003e\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":45522536988930,"sku":"BK-STE-LBRWE-001-J","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0346_36681e1d-4009-4911-897d-29eacb296c8e.jpg?v=1731169057"},{"product_id":"ilya-and-emilia-kabakov-not-everyone-will-be-taken-into-the-future","title":"Ilya and Emilia Kabakov: Not Everyone Will Be Taken Into The Future","description":"\u003cp\u003eJuliet Bingham\u003c\/p\u003e\n\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e20.96 x 2.22 x 26.99 cm | 224 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTate Publishing | 2017 | 9781849764650\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRussian-born conceptual artists Ilya and Emilia Kabakov are among the most celebrated artists of their generation. Known for their pioneering large-scale environments and installations, their work fuses the everyday with the conceptual. Deeply rooted in the visual culture of Soviet society yet speaking equally to universal themes, their work is characterised by a sense of melancholia but also humour.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCelebrating five decades of work, this book traces a line from Ilya Kabakov's early paintings, drawings, albums and installations to the collaborative projects made with his wife Emilia following his emigration to the West in 1987, which include immersive installations and architectural models. Exploring the themes of failed utopia and political disillusionment that run through their work, as well as fantasies of escape and transcendence, it also examines the relationship between aesthetics and politics, and the way painting has remained a central feature of their work in ever-diverse forms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA selection of texts from leading art writers and historians contextualise the artists practice, and descriptive captions illuminate individual works. The artists own writings are interspersed throughout, providing insight into a career exemplified by innovation and originality. Fully illustrated with over 100 works, ranging from the artists iconic installations to Ilya Kabakov's colourful and delicate paintings, this beautiful book will introduce newcomers to these important artists, while also serving as a key reference for those already familiar with their work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Tate Publishing","offers":[{"title":"Default Title","offer_id":45522541543682,"sku":"BK-TAT-IEKNE-001-A","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0741.jpg?v=1731420498"},{"product_id":"beuys-duchamp-artists-of-the-future","title":"Beuys \u0026 Duchamp: Artists of the Future","description":"\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e22 x 28 cm | 248 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHatje Cantz | 2021 | 9783775750684\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn conversations and interviews Joseph Beuys mentioned Marcel Duchamp more than any other artist, and hardly anyone else seems to have challenged him more than this artist from the previous generation. Direct evidence of this is his oft-cited action \u003cem\u003eDas Schweigen von Marcel Duchamp wird überbewertet\u003c\/em\u003e (\u003cem\u003eThe Silence of Marcel Duchamp is Overrated\u003c\/em\u003e) from 1964, through which Beuys attempted to shift focus onto the political and social dimensions of his concept of expanded art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe associations and connections between the artists go deep. Both used similar radical strategies to rejuvenate the concept of art and the role of art in everyday life; their questions had a number of aspects in common. 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It is almost a medieval book, but one that could only be achieved in the digital age.\u003c\/p\u003e\n\u003cp\u003e'As an artistic book-object,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePeal\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis well-nigh perfectly conceived. Just as you would expect from Coracle, it is beautifully designed, if a little austere. Ian Hamilton Finlay said towards the end of his life that ‘art is a small adjustment,’ and very many small adjustments went into what Coracle describes as ‘perhaps one of the most elaborate of [their] productions.’ Every single parameter and detail of this bright and clangorous book interrelates satisfyingly when examined, like snugly interlocking tesserae.' \u003cstrong\u003eDavid Briers, Art Monthly\u003c\/strong\u003e\u003c\/p\u003e","brand":"Coracle","offers":[{"title":"Default Title","offer_id":45705804742914,"sku":"BK-COR-PCP-001-D","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3737_fc917a22-9621-473c-afaa-d777d592c7c7.jpg?v=1734712018"},{"product_id":"gabriel-orozco-written-matter","title":"Gabriel Orozco: Written Matter","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e15.57 x 2.69 x 22.86 cm | 384 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMIT Press | 2020 | 9780262538879\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eWritten Matter\u003c\/em\u003e presents selections from the notebooks of the prolific and celebrated artist Gabriel Orozco. These texts, sketches, and images from notebooks spanning 1992 to 2012 offer insights into Orozco's art-making process, revealing his thinking, methods, and rationales. \u003cmeta charset=\"utf-8\"\u003eProfusely illustrated and designed under Orozco's art direction, \u003cem\u003eWritten Matter\u003c\/em\u003e offers an unusually intimate look at an artist's process and practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe texts, translated from the original handwritten Spanish, offer personal truisms, compelling insights, observations, and notes on process and method, forming a subterranean stream that runs parallel to his artwork. \"Art is the opposite of spectacle,\" he writes. \"Art does not try to convince anyone, that's why it's shocking.\" The notebooks are fundamental to Orozco's work, serving as a travelogue and personal dictionary that, when consulted, allow him to resume the trajectory of his thought anywhere. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause Orozco chooses not to work in a studio, his notebooks act as a different kind of studio space, on paper and bound between covers. Orozco works in a variety of media-drawing, installation, photography, sculpture, video. His notebooks reveal and revel in the style and substance of his art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":45705836036354,"sku":"BK-MIT-GOWM-001-R","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5028_daa1a0e5-b45f-466b-8f76-112699e4d010.jpg?v=1737116504"},{"product_id":"networking-the-bloc-experimental-art-in-eastern-europe-1965-1981","title":"Networking the Bloc: Experimental Art in Eastern Europe 1965-1981","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKlara Kemp-Welch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e23.11 x 18.29 x 3.05 cm | 480 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMIT Press | 2019 | 9780262038300\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ehe story of the experimental zeitgeist in Eastern European art, seen through personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThroughout the 1970s, a network of artists emerged to bridge the East-West divide, and the no less rigid divides between the countries of the Eastern bloc. Originating with a series of creative initiatives by artists, art historians, and critics and centred in places like Budapest, Poznan, and Prague, this experimental dialogue involved Western participation but is today largely forgotten in the West. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKlara Kemp-Welch vividly recaptures this lost chapter of art history, documenting an elaborate web of artistic connectivity that came about through a series of personal encounters, pioneering dialogues, collaborative projects, and cultural exchanges. Countering the conventional Cold War narrative of Eastern bloc isolation, Kemp-Welch shows how artistic ideas were relayed among like-minded artists across ideological boundaries and national frontiers. Much of the work created was collaborative, and personal encounters were at its heart. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDrawing on archival documents and interviews with participants, Kemp-Welch focuses on the exchanges and projects themselves rather than the personalities involved. Each of the projects she examines relied for its realisation on a network of contributors. She looks first at the mobilisation of the network, from 1964 to 1972, exploring five pioneering cases: a friendship between a Slovak artist and a French critic, an artistic credo, an exhibition, a conceptual proposition, and a book. She then charts a series of way stations for experimental art from the Soviet bloc between 1972 and 1976 - points of distribution between studios, private homes, galleries, and certain cities. Finally, she investigates convergences - a succession of shared exhibitions and events in the second half of the 1970s in locations ranging from Prague to Milan to Moscow. Kemp-Welch invites us to rethink the art of the late Cold War period from Eastern European perspectives.\u003c\/span\u003e\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":45705846030594,"sku":"BK-MIT-NTB-001-A","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4536_a69f16e1-98ce-43c7-b37b-c4bc5f984cce.jpg?v=1736858019"},{"product_id":"pacific-standard-time-los-angeles-art-1945-1981","title":"Pacific Standard Time: Los Angeles Art 1945–1980","description":"\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e22.86 x 3.81 x 29.21 cm | 352 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGetty Publications | 2011 | 9781606060728\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. The analysis of the L.A. art scene from the end of World War II until the beginning of the 1980s - the first in-depth scholarly survey of the region's art - demonstrates the major role Southern California artists played in the twentieth century's most influential art movements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGrounded in more than a decade of research, the five chapters augmented by lively sidebars take readers on a tour of an art world in constant formation. The story unfolds through the people, relationships, and ideas that defined the region's artistic production. Photographs and rare materials from the Getty Research Institute and other archives bring the era to life, opening a window onto the emergence of hardedge abstraction, ceramic sculpture, assemblage, pop art, conceptualism, performance art, and avant-garde practices that blurred boundaries and defied labels. The result is an indispensable resource that will fundamentally change the view of modern art in America.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Getty Publications","offers":[{"title":"Default Title","offer_id":45705863561474,"sku":"BK-GET-PST-001-R","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3245.jpg?v=1717581515"},{"product_id":"gerhard-ruhm","title":"Gerhard Rühm","description":"\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e23.88 x 2.54 x 28.45 cm | 264 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHatje Cantz | 2017 | 9783775743686\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis catalogue accompanied the 2017 retrospective on Austrian composer, pianist, performer, concrete poet and visual artist Gerhard Rühm (b. 1930) at Kunstforum Wien. Containing extensive images, three essays from philosophical and art-historical perspectives and an interview, this publication reveals the many facets of his trailblazing work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eSince the beginning of the 1950s Rühm has produced sound poetry, spoken word, visual poetry, photomontages and books. He is a co-founder of the Wiener Gruppe (Vienna Group), with Friedrich Achleitner, Hans Carl Artmann, Konrad Bayer und Oswald Wiener, as well as the publisher of an anthology by the same name. From 1972–1996 Rühm taught as a professor at the University of Fine Arts, Hamburg and from 1978–1982 he acted as president of the Grazer Autorenversammlung.\u003c\/span\u003e\u003c\/p\u003e","brand":"Hatje Cantz","offers":[{"title":"Default Title","offer_id":45705893773570,"sku":"BK-HAT-GERU-001-L","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5030_a1db56c4-3f44-48ba-8040-50a535ccc3a4.jpg?v=1737116525"},{"product_id":"absence-of-clutter-minimal-writing-as-art-and-literature","title":"absence of clutter: minimal writing as art and literature","description":"\u003cp\u003ePaul Stephens\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHardcover | 16.21 x 2.64 x 23.83 cm | 288 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMIT Press | 2020 | 9780262043670\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eAn exploration of minimal writing―texts generally shorter than a sentence―as complex, powerful literary and visual works.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the 1960s and 70s, minimal and conceptual artists stripped language down to its most basic components: the word and the letter. Barbara Kruger, Jenny Holzer, Carl Andre, Lawrence Weiner, and others built lucrative careers from text-based art. Meanwhile, poets and writers created works of minimal writing―visual texts generally shorter than a sentence. (One poem by Aram Saroyan reads in its entirety: eyeye.) In \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eabsence of clutter\u003c\/span\u003e\u003cspan\u003e, Paul Stephens offers the first comprehensive account of minimal writing, arguing that it is equal in complexity and power to better-known, more commercial text-based art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMinimal writing, Stephens writes, can be beguilingly simple on the surface, but can also offer iterative reading experiences on multiple levels, from the fleeting to the ponderous. “absence of clutter,” for example, the entire text of a poem by Robert Grenier, is both expressive and self-descriptive. Stephens first sets out a theoretical framework for reading and viewing minimal writing and then offers close readings of works of minimal writing by Saroyan, Grenier, Norman Pritchard, Natalie Czech, and others. He “reverse engineers” recent works by Jen Bervin, Craig Dworkin, and Christian Bök that draw on molecular biology, and explores print-on-demand books by Holly Melgard, code poetry by Nick Montfort, Twitter-based work by Allison Parrish, and the use of Instagram by Hans-Ulrich Obrist and Saroyan. Text, it seems, is becoming ever more prevalent in visual art; meanwhile, poems are getting shorter. When reading has become scanning a screen and writing tapping out a text, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eabsence of clutter\u003c\/span\u003e\u003cspan\u003e invites us to reflect on how we read, see, and pay attention.\u003c\/span\u003e\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":45705914843394,"sku":"BK-MIT-AOCMW-001-I","price":17.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3836_92c42e00-b463-4abc-999b-04cc1c504046.jpg?v=1735910586"},{"product_id":"mel-bochner-solar-system-rest-rooms-writings-and-interviews-1965-2007","title":"Mel Bochner: Solar System \u0026 Rest Rooms - Writings and Interviews, 1965-2007","description":"\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e20.02 x 2.01 x 28.58 cm | 340 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMIT Press | 2008 | 9780262026314\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eSolar System \u0026amp; Rest Rooms\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e collects both Mel Bochner's writings on art and his writings \u003cem\u003eas\u003c\/em\u003e art, offering more than fifty pieces reviews, art criticism, theoretical texts, interviews, catalogue statements, notecards, and his groundbreaking magazine interventions many reproduced in facsimile. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBochner is a leading figure in conceptualism; his 1966 installation at the School of Visual Arts Gallery \u003cem\u003eWorking Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art\u003c\/em\u003e is considered to be the earliest exhibition of conceptual art. \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eSolar System \u0026amp; Rest Rooms\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e chronologically documents the work and ideas of this important artist over a span of forty years, as well as providing a unique perspective on the conceptual and post-minimal art scene in New York. This book offers a rare insight into what it means to be an artist whose visual practice is inseparable from the sustained practice of writing. \u003c\/span\u003e\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":45705944760578,"sku":"BK-MIT-MBSSRR-001-J","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5029_9c980f9c-619a-45e5-a763-ae1b43b8c50c.jpg?v=1737116621"},{"product_id":"time-forward","title":"Time, Forward! 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The book evokes the sensory experience of the vertical public space of the housing block, marked by graffiti, as a chamber of disembodied sounds.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eStephen Willats is a pioneer of conceptual art who, since the early 1960s has created work concerned with extending the territory in which art functions. His work has involved interdisciplinary processes and theory from sociology, systems analysis, cybernetics, semiotics and philosophy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePLEASE NOTE: This book is a NON-MINT item. NON-MINT books are new but are either ex-display copies or warehouse marked - minor cosmetic imperfections such as scuffs, marks, or minor dents to the covers.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Coracle","offers":[{"title":"Default Title","offer_id":46090267394306,"sku":"BK-COR-SWS-001-C","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_9631_0d183c25-32c7-41a3-aea3-12b3b6cbbb24.jpg?v=1744996189"},{"product_id":"paul-etienne-lincoln-the-purification-of-fagus-sylvatica-var-pendula","title":"Paul Etienne Lincoln: The Purification of fagus sylvatica var pendula (Rare edition)","description":"\u003cp\u003eHardcover | 22.5 x 26.5 cm | 48 pp\u003c\/p\u003e\n\u003cp\u003eCoracle | 2005\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 600 numbered copies\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Purification of Fagus sylvatica var pendula\u003c\/span\u003e\u003c\/em\u003e is emblematic of Paul Etienne Lincoln's  inquiry into the origin and production of memory - and our ethereal relationship to that intangible evidence of our consciousness. In this pursuit Lincoln has employed diverse forms and themes, ranging from examination of historical figures to detailing anything from New York City infrastructure to “household” machines that dispense gin-and-tonics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComprised of photographs, diagrams and text, \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Purification\u003c\/span\u003e\u003c\/em\u003e records the series of experiments and performances which detail the afterlife of a specimen of local vegetation. Lincoln  has committed himself to creating complex installations, recordings and documentation on a wide range of subject matter. \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Purification\u003c\/span\u003e\u003c\/em\u003e follows Lincoln's investigation of the Weeping Beech as a way of detailing the process of examination and history writing which is ever shifting and defining the world around us.\u003c\/span\u003e\u003c\/p\u003e","brand":"Coracle","offers":[{"title":"Default Title","offer_id":46090328834306,"sku":"BK-COR-PELP-001-Q","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_9633_40f44800-11e9-457b-80c2-41a7ca32b42d.jpg?v=1744995918"},{"product_id":"60-wrd-min-art-critic","title":"Lori Waxman: 60 wrd\/min Art Critic (Rare edition)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e13.97 x 1.27 x 21.59 cm | 148 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOnestar | 2014 | 9782915359442\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOperating from a small, single-room structure installed at Documenta 13, art historian and \"60 wrd\/min art critic\" Lori Waxman offered free reviews to any artist who wanted one. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA sign in the window announced: \"Reviews are free of charge, and are written here on Mondays, Wednesdays and Saturdays between the hours of 1 and 6 p.m. Lori Waxman will spend 25 minutes looking at submitted work and writing a 200-word review. Thoughtful responses are guaranteed. Completed reviews will be published in the Hessische\/-Niedersächsische-Allgemeine (HNA) weekly, and will remain on view here throughout Documenta 13.\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book collects together all 241 reviews written during the performance, and includes an afterword by the exhibition's artistic director, Carolyn Christov-Bakargiev, who praises the project as \"insanely democratic.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Onestar","offers":[{"title":"Default Title","offer_id":46138845724930,"sku":"BK-ONE-SWMAC-001-M","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2911_201e5e4e-79b9-4985-9b68-4f2c342a4b1f.jpg?v=1748450901"},{"product_id":"sharon-hayes-theres-so-much-i-want-to-say-to-you","title":"Sharon Hayes: There's So Much I Want to Say to You (Rare edition)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e22.96 x 0.97 x 27.89 cm | 88 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYale University Press | 2012 | 9780300180374\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn her performances, videos, and installations, Sharon Hayes (b. 1970) explores the nexus between politics, history, speech, and desire. Her works modify or appropriate the language and tools of political dissent, creating unexpected affinities between important historical events and the present. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHighlighted in this volume is the video installation \u003cem\u003eSymbionese Liberation Army (SLA) Screeds Number 13, 16, 20 \u0026amp; 29\u003c\/em\u003e (2003) - a work in which Hayes memorised the famous taped speeches by Patty Hearst and her kidnappers, the leftist radical group the Symbionese Liberation Army, and then reads them to an audience who corrects her mistakes. It is in these slippages between memory and history that the meaning of Hayes' work resides. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThere's So Much I Want to Say to You\u003c\/em\u003e also includes a group of site-specific works that address the Whitney Museum's role in the historic development of process-based, performative art and its engagement with politics that took place the late 1960s and early 1970s. The book also features original contributions from Hayes that provide insight into the complex motivations and development of her projects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScholarship by Chrissie Iles contextualises Hayes's work in the history of political discourse by examining and explaining her sources of inspiration. Beautiful images of projects spanning the artist's career are presented in conjunction with photographs and texts from these historical events.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":46172446195970,"sku":"BK-YUP-SHTSM-001-R","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3550_e4ddd548-dc51-4edb-b030-942a4772c17b.jpg?v=1748975048"},{"product_id":"rituals-of-rented-island-object-theater-loft-performance-and-the-new-psychodrama-manhattan-1970-1980","title":"Rituals of Rented Island: Object Theater, Loft Performance, and the New Psychodrama - Manhattan, 1970-1980 (Rare edition)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e16.51 x 1.91 x 24.13 cm | 176 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYale University Press | 2014 | 9780300195866\u003c\/p\u003e\n\u003cdiv data-cel-widget=\"bookDescription_feature_div\" data-csa-c-id=\"a9oigo-315l4s-ukfmo5-as9v9i\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"0300195869\" data-csa-c-slot-id=\"bookDescription_feature_div\" data-csa-c-content-id=\"bookDescription\" data-csa-c-type=\"widget\" data-feature-name=\"bookDescription\" class=\"celwidget\" id=\"bookDescription_feature_div\"\u003e\n\u003cdiv class=\"a-expander-collapsed-height a-row a-expander-container a-spacing-base a-expander-partial-collapse-container\" data-a-expander-collapsed-height=\"280\" data-a-expander-name=\"book_description_expander\"\u003e\n\u003cdiv class=\"a-expander-content a-expander-partial-collapse-content\" data-expanded=\"false\"\u003e\u003cspan\u003eThis important volume explores three unique performance art practices of the 1970s and early 1980s: 'Object Theater' (in which artists engage directly with the objects in the world around them); 'Loft Performance' (where artists performed in lofts, storefronts and the alternative spaces of New York's SoHo); and 'New Psychodrama' (in which artists drew on formal performance modes to explore everyday experience). \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"a-expander-content a-expander-partial-collapse-content\" data-expanded=\"false\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"a-expander-content a-expander-partial-collapse-content\" data-expanded=\"false\"\u003e\u003cspan\u003eBy tracing the paths of such artists as Laurie Anderson, Vito Acconci, Mike Kelley, Stuart Sherman, Julia Heyward, Jared Bark and Jill Kroesen, this book makes newly visible a critical period in the development of performance art. \u003cem\u003eRituals of Rented Island \u003c\/em\u003eexamines the disparate yet related practices of the artists mentioned above alongside those of the notorious Kipper Kids; composer-musician John Zorn; and legendary playwright and filmmaker Jack Smith; among others. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"a-expander-content a-expander-partial-collapse-content\" data-expanded=\"false\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"a-expander-content a-expander-partial-collapse-content\" data-expanded=\"false\"\u003e\u003cspan\u003eWith an array of previously unpublished images, including installation photographs, posters and other ephemera, drawn from the artists' own archives, this volume illuminates the eccentric singularities of the performance art of this era and its relevance today.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"globalStoreInfoBullets_feature_div\" data-csa-c-id=\"6t95sy-lm0max-wcksar-yivss5\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"0300195869\" data-csa-c-slot-id=\"globalStoreInfoBullets_feature_div\" data-csa-c-content-id=\"globalStoreInfoBullets\" data-csa-c-type=\"widget\" data-feature-name=\"globalStoreInfoBullets\" class=\"celwidget\" id=\"globalStoreInfoBullets_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"buyingOptionNostosBadge_feature_div\" data-csa-c-id=\"5jogtx-6ul5v4-nwl552-cic4ax\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"0300195869\" data-csa-c-slot-id=\"buyingOptionNostosBadge_feature_div\" data-csa-c-content-id=\"buyingOptionNostosBadge\" data-csa-c-type=\"widget\" data-feature-name=\"buyingOptionNostosBadge\" class=\"celwidget\" id=\"buyingOptionNostosBadge_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"tellAmazon_feature_div\" data-csa-c-id=\"li1x7w-7ubo5l-s7pyfs-uwyyb0\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"0300195869\" data-csa-c-slot-id=\"tellAmazon_feature_div\" data-csa-c-content-id=\"tellAmazon\" data-csa-c-type=\"widget\" data-feature-name=\"tellAmazon\" class=\"celwidget\" id=\"tellAmazon_feature_div\"\u003e\n\u003cdiv data-cel-widget=\"tell-amazon-desktop_DetailPage_3\" data-csa-c-id=\"5zbqv7-mx4vxs-sc9i6b-c7b41s\" data-csa-c-painter=\"tell-amazon-desktop-cards\" data-csa-c-type=\"widget\" data-csa-c-slot-id=\"DsUnknown-4\" data-csa-c-content-id=\"DsUnknown\" data-csa-op-log-render=\"\" class=\"celwidget c-f\"\u003e\n\u003cdiv data-mix-claimed=\"true\" data-acp-tracking=\"{}\" data-card-metrics-id=\"tell-amazon-desktop_DetailPage_3\" id=\"CardInstanceHEmRaVSCpZoeM3vBQI4urg\"\u003e\n\u003cdiv class=\"_tell-amazon-desktop_style_tell_amazon_div__1YDZk\" data-logged-in=\"true\" data-marketplace=\"A1F83G8C2ARO7P\" data-asin=\"0300195869\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":46172451176706,"sku":"BK-YUP-RRIOYLP-001-M","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2915_989a4af0-6036-40ac-8138-34ed01d80fd5.jpg?v=1748450528"}],"url":"https:\/\/www.booksaboutart.co.uk\/collections\/conceptual.oembed?page=4","provider":"Books About Art","version":"1.0","type":"link"}