{"title":"Getty Publications","description":null,"products":[{"product_id":"victory-of-the-new-building-style","title":"Victory of the New Building Style","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThis book - Behrendt's principle theoretical work in German and the precursor to \u003cem\u003eModern Building - \u003c\/em\u003epresents a revisionist concept of style that places equal emphasis on form and function. \u003c\/span\u003e\u003cspan\u003eBehrendt calls on architects to return to basic geometries and to express the new social and economic realities and\u003c\/span\u003e\u003cspan\u003e boldly advocates international modernism to the general public.\u003c\/span\u003e\u003c\/p\u003e","brand":"Getty Publications","offers":[{"title":"Default Title","offer_id":42918955811074,"sku":"BK-GET-VNBS-001-H","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5866_d0bcbdb8-612b-4108-8f64-dd5aa7e6eba8.jpg?v=1790680477"},{"product_id":"california-video-artists-and-histories","title":"California Video: Artists and Histories","description":"\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\n\n\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePublished to accompany a landmark exhibition at the J. Paul Getty Museum in 2008, \u003cem\u003eCalifornia Video\u003c\/em\u003e presents the first comprehensive survey of the history of video art in California. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSince the late 1960s, California artists have been at the forefront of an international movement that has expanded video into the realm of fine art. Whether designing complex video installations, devising lush projections, experimenting with electronic psychedelia, creating conceptual and performance art, generating guerilla video, or producing works that promote feminism and other social issues, these artists have utilised video technology to express revolutionary ideas. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis illustrated volume focuses on fifty-eight artists, from early video pioneers such as John Baldessari, Bruce Nauman, and William Wegman, to Martha Rosler, Diana Thater, Bill Viola, and other established and emerging talents. Thirty-five interviews shed new light on these artists, their influences, creative processes, and impact. Together with commissioned essays, rare reprints, and unpublished video transcripts, \u003cem\u003eCalifornia Video\u003c\/em\u003e chronicles a distinctly West Coast aesthetic located within the broader history of video art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Getty Publications","offers":[{"title":"Default Title","offer_id":43722029269250,"sku":"BK-GET-CAVI-001-S","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_9411_7ce502e4-b23c-49a5-91d2-82f8d59a96a4.jpg?v=1791471180"},{"product_id":"photography-as-fiction","title":"Photography as Fiction","description":"\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\n\n\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFrom as early as 1839, artists began exploring photography's enormous potential for storytelling and often went to great lengths to stage pictures for the camera. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003ePhotography as Fiction\u003c\/em\u003e opens with a short introductory essay summarising the history of staged photography, highlighting key debates on the mediums blunt factuality and its capacity for deception. The book goes on to showcase 76 works by both widely known and less prominent artists, including Man Ray, Julia Margaret Cameron, Dora Maar, Andy Warhol, Alfred Stieglitz, Lewis Carroll, Julia Margaret Cameron, Jo Ann Callis, and Paul Outerbridge.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"J Paul Getty Museum","offers":[{"title":"Default Title","offer_id":43722029302018,"sku":"BK-GET-PAF-001-N","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4940_6e728f67-1191-4117-9b0b-a90788a550af.jpg?v=1790589216"},{"product_id":"the-artist-and-his-critic-stripped-bare-the-correspondence-of-marcel-duchamp-and-robert-lebel","title":"The Artist and his Critic Stripped Bare: The Correspondence of Marcel Duchamp and Robert Lebel","description":"\u003cp\u003eRobert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp's often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication \"Sur Marcel Duchamp,\" the first monograph and catalogue raisonné devoted to the artist.\u003c\/p\u003e\n\u003cp\u003eDuchamp was a willing partner in the book's creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist's oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of \"Sur Marcel Duchamp\" are the focus of this correspondence between two lifelong friends.\u003c\/p\u003e\n\u003cp\u003eTranslated and printed in full together for the first time, and including the original French texts, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967.\u003c\/p\u003e\n\u003cp\u003eThey provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, and illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and a friendship in art.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Getty Publications","offers":[{"title":"Default Title","offer_id":44048207675650,"sku":"BK-GET-ACSB-001-F","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3507_103dcec2-87be-4259-9acb-6cb6958fe43a.jpg?v=1791718343"},{"product_id":"pacific-standard-time-los-angeles-art-1945-1981","title":"Pacific Standard Time: Los Angeles Art 1945–1980","description":"\u003cp\u003e\u003cspan\u003eThis comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. The analysis of the L.A. art scene from the end of World War II until the beginning of the 1980s - the first in-depth scholarly survey of the region's art - demonstrates the major role Southern California artists played in the twentieth century's most influential art movements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGrounded in more than a decade of research, the five chapters augmented by lively sidebars take readers on a tour of an art world in constant formation. The story unfolds through the people, relationships, and ideas that defined the region's artistic production. Photographs and rare materials from the Getty Research Institute and other archives bring the era to life, opening a window onto the emergence of hardedge abstraction, ceramic sculpture, assemblage, pop art, conceptualism, performance art, and avant-garde practices that blurred boundaries and defied labels. The result is an indispensable resource that will fundamentally change the view of modern art in America.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- --\u003e","brand":"Getty Publications","offers":[{"title":"Default Title","offer_id":45705863561474,"sku":"BK-GET-PST-001-R","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3245_4dd49a53-8e69-4ab2-8d58-1148d533dff2.jpg?v=1791470909"},{"product_id":"explodity-sound-image-and-word-in-russian-futurist-book-art","title":"Explodity: Sound, Image, and Word in Russian Futurist Book Art","description":"\u003cp\u003e\u003cspan\u003eAt the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePainters and poets-including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky-collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning \"beyond the mind\"), which was distinctive in its emphasis on \"sound as such\" and its rejection of definite logical meaning. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the mid-century global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist's book.\u003c\/span\u003e\u003c\/p\u003e","brand":"J Paul Getty Museum","offers":[{"title":"Default Title","offer_id":47030939582722,"sku":"BK-JPG-ESIW-001-B","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_7149_a8cc7c8c-de25-4dbf-bcf6-c88b39d7187e.jpg?v=1791363635"},{"product_id":"had-gadya-the-only-kid","title":"Had Gadya: The Only Kid (Facsimile of El Lissitzky's 1919 edition)","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEl Lissitzky, best known as an avant-garde artist, created this enchanting illustrated\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eversion of the Passover song \"Had Gadya\" early in his career, while immersed in the\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJewish cultural renaissance that flourished in Russia from roughly 1912 to the early\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1920s. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThis edition offers not only a facsimile of Lissitzky's lively original, including the\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003erarely seen wraparound cover, but also an introduction to its cultural and artistic con-\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003etexts, sections on its imagery and polyglot vocabulary, a new English translation of the\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esong from Lissitzky's Yiddish, and lyrics set to music.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eIt is accompanied here by Nancy Perloff's discussion of the work's cultural and artistic context, Arnold J. Band's English translation of Lissitzky's Yiddish version of the song, sections on Lissitzky's iconography and vocabulary, and lyrics set to music.\u003c\/span\u003e\u003c\/p\u003e","brand":"Getty Publications","offers":[{"title":"Default Title","offer_id":47758183334146,"sku":"BK-GET-HGTOK-001-P","price":12.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4295_b9a7215a-6e1a-464f-83dd-836b6beb456c.jpg?v=1791389945"}],"url":"https:\/\/www.booksaboutart.co.uk\/collections\/getty-publications.oembed","provider":"Books About Art","version":"1.0","type":"link"}