{"title":"Princeton University Press","description":null,"products":[{"product_id":"michelangelos-design-principles-particularly-in-relation-to-those-of-raphael","title":"Michelangelo's Design Principles, Particularly in Relation to Those of Raphael","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-text-bold\"\u003eThe first English translation of Erwin Panofsky's long-lost work on Michelangelo.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eIn 2012, a manuscript by renowned art historian Erwin Panofsky was rediscovered in a safe in Munich, in the basement of the Central Institute for Art History. Hidden for decades among folders and administrative files was Panofsky's thesis on Michelangelo―originally submitted to Hamburg University in March of 1920, abandoned when Panofsky fled Hitler's Germany in 1934, and thought to have been destroyed in the Allied bombings. A century on, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eMichelangelo's Design Principles\u003c\/span\u003e\u003cspan\u003e makes this remarkable work available for the first time in English.\u003cbr\u003e\u003cbr\u003eCasting Panofsky's thought in an entirely new light, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eMichelangelo's Design Principles\u003c\/span\u003e\u003cspan\u003e is the legendary scholar's only book-length examination of the art of the Italian Renaissance. He provides a compelling analysis of Michelangelo's artistic style and deftly compares it with that of Raphael, situating both Renaissance masters in the broader context of Western art. This illuminating book offers unique perspectives on Panofsky's early intellectual development and the state of research on Michelangelo and the High Renaissance at a period of transition in art history, when formalist readings of artworks began to take precedence over a biographical approach.\u003cbr\u003e\u003cbr\u003eFeaturing an introduction by Gerda Panofsky that discusses the history of the manuscript and the significance of its rediscovery, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eMichelangelo's Design Principles\u003c\/span\u003e\u003cspan\u003e is a crucial link between Panofsky's formalist training as a young art historian and his later work in iconology.\u003c\/span\u003e\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":44661447033090,"sku":"BK-PUP-MDP-001-DE","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0517_327404b2-3a82-4c41-8710-9e9750208dc1.jpg?v=1791732847"},{"product_id":"hannah-wilke-art-for-life-s-sake","title":"Hannah Wilke: Art for Life’s Sake","description":"\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\n\n\u003cp\u003e\u003cspan\u003eOne of the most groundbreaking artists to emerge in American art in the 1960s, Hannah Wilke consistently challenged the prevailing narratives of women’s bodies and their representation throughout her career, until her untimely death in 1993. Wilke established a uniquely feminist iconography in virtually all of the mediums she engaged with - painting, sculpture, photography, video, and performance art - and offered a life-affirming expression of vitality and bodily pleasure in her work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eHannah Wilke: Art for Life’s Sake\u003c\/span\u003e\u003c\/em\u003e highlights the artist’s full range of expression, bringing together photographs, works on paper, video, and examples of Wilke’s sculptures in clay and other, nonconventional materials such as latex, kneaded erasers, and chewing gum. New object photography brings clarity to Wilke’s boundary-crossing art practice, making many of her rarely shown works accessible to readers for the first time. \u003cmeta charset=\"utf-8\"\u003eNew light is shed on Wilke’s technical and formal virtuosity, her important role in shaping postwar American art, and the nuance and poignancy of her feminist subject matter. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book features a previously unpublished 1975 interview with Wilke by art critic and historian Cindy Nemser as well as a narrative chronology of Wilke’s art and life with many previously unpublished archival photographs. It includes essays by Glenn Adamson, Connie Butler, and Tamara Schenkenberg, and responses to Wilke’s work by contemporary artists Hayv Kahraman, Nadia Myre, Jeanine Oleson, and Catherine Opie. Offering fresh perspectives on this influential artist, \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":45584232808706,"sku":"BK-PUP-HWLAS-001-A","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2025_6b6e6c7d-48f7-4801-93db-559c6bb896eb.jpg?v=1791305377"},{"product_id":"porcelain-a-history-from-the-heart-of-europe-1","title":"Porcelain: A History from the Heart of Europe","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003ePorcelain was invented in medieval China - but its secret recipe was first reproduced in Europe by an alchemist in the employ of the Saxon king Augustus the Strong. Saxony’s revered Meissen factory could not keep porcelain’s ingredients secret for long, however, and scores of Holy Roman princes quickly founded their own mercantile manufactories, soon to be rivalled by private entrepreneurs, eager to make not art but profits. As porcelain’s uses multiplied and its price plummeted, it lost much of its identity as aristocratic ornament, instead taking on a vast number of banal, yet even more culturally significant, roles. By the nineteenth and twentieth centuries, it became essential to bourgeois dining, and also acquired new functions in insulator tubes, shell casings, and teeth.\u003cbr\u003e\u003cbr\u003eWeaving together the experiences of entrepreneurs and artisans, state bureaucrats and female consumers, chemists and pedlars, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ePorcelain\u003c\/span\u003e\u003cspan\u003e traces the remarkable story of “white gold” from its origins as a princely luxury item to its fate in Germany’s cataclysmic twentieth century. For three hundred years, porcelain firms have come and gone, but the industry itself, at least until very recently, has endured. After Augustus, porcelain became a quintessentially German commodity, integral to provincial pride, artisanal industrial production, and a familial sense of home.\u003cbr\u003e\u003cbr\u003eTelling the story of porcelain’s transformation from coveted luxury to household necessity and flea market staple, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003ePorcelain\u003c\/span\u003e\u003cspan\u003e offers a fascinating alternative history of art, business, taste, and consumption in Central Europe.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003e\"This is the book on porcelain we have been waiting for. . . . A remarkable achievement.\" \u003cstrong\u003eEDMUND DE WAAL\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":45695302402306,"sku":"BK-PUP-PHHE-001-DE","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0514_54345c92-02a4-4a32-a14a-0426775c9285.jpg?v=1791621047"},{"product_id":"art-s-properties","title":"Art’s Properties","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn this provocative new account, David Joselit shows how art from the nineteenth to the twenty-first centuries began to function as a commodity, while the qualities of the artist, nation, or period themselves became valuable properties. Joselit explores repatriation, explaining that this is not just a contemporary conflict between the Global South and Euro-American museums, noting that the Louvre, the first modern museum, was built on looted works and faced demands for restitution and repatriation early in its history. Joselit argues that the property values of white supremacy underlie the ideology of possessive individualism animating modern art, and he considers issues of identity and proprietary authorship.\u003cbr\u003e\u003cbr\u003eJoselit redefines art’s politics, arguing that these pertain not to an artwork’s content or form but to the way it is “captured,” made to represent powerful interests―whether a nation, a government, or a celebrity artist collected by oligarchs. Artworks themselves are not political but occupy at once the here and now and an “elsewhere”―an alterity―that can’t ever be fully appropriated. The history of modern art, Joselit asserts, is the history of transforming this alterity into private property.\u003cbr\u003e\u003cbr\u003eNarrating scenes from the emergence and capture of modern art―touching on a range of topics that include the Byzantine church, French copyright law, the 1900 Paris Exposition, W.E.B. Du Bois, the conceptual artist Adrian Piper, and the controversy over Dana Schutz’s painting \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eOpen Casket\u003c\/span\u003e\u003cspan\u003e―Joselit argues that the meaning of art is its infinite capacity to generate experience over time.\u003c\/span\u003e\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":47749616402690,"sku":"BK-PUP-ARTPRO-001-Q","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4286_8389ac39-bdb4-4bd2-9989-c73952200eff.jpg?v=1792098034"},{"product_id":"face-and-mask-a-double-history","title":"Face and Mask: A Double History","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eBelting divides his book into three parts: faces as masks of the self, portraiture as a constantly evolving mask in Western culture, and the fate of the face in the age of mass media. Referencing a vast array of sources, Belting's insights draw on art history, philosophy, theories of visual culture, and cognitive science. He demonstrates that Western efforts to portray the face have repeatedly failed, even with the developments of new media such as photography and film, which promise ever-greater degrees of verisimilitude. In spite of sitting at the heart of human expression, the face resists possession, and creative endeavours to capture it inevitably result in masks - hollow signifiers of the humanity they're meant to embody. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eFrom creations by Van Eyck and August Sander to works by Francis Bacon, Ingmar Bergman, and Chuck Close, Face and Mask takes a remarkable look at how, through the centuries, the physical visage has inspired and evaded artistic interpretation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":47758163542274,"sku":"BK-PUP-FAMADH-001-A","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3640_591a1bee-243a-469d-bd81-753bff6a19d6.jpg?v=1791304872"},{"product_id":"white-the-history-of-a-color","title":"White: The History of a Color","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAs a pigment, white is often thought to represent an absence of colour, but it is without doubt an important colour in its own right, just like red, blue, green, or yellow―and, like them, white has its own intriguing history. In this richly illustrated book, Michel Pastoureau, a celebrated authority on the history of colour, presents a fascinating visual, social, and cultural history of the colour white in European societies, from antiquity to today.\u003cbr\u003e\u003cbr\u003eIllustrated throughout with a wealth of captivating images ranging from the ancient world to the twenty-first century, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eWhite\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e examines the evolving place, perception, and meaning of this deceptively simple but complex hue in art, fashion, literature, religion, science, and everyday life across the millennia. Before the seventeenth century, white’s status as a true colour was never contested. On the contrary, from antiquity until the height of the Middle Ages, white, red and black formed a chromatic triad that played a central role in life and art. Nor has white always been thought of as the opposite of black. Through the Middle Ages, the true opposite of white was red. White also has an especially rich symbolic history, and the colour has often been associated with purity, virginity, innocence, wisdom, peace, beauty, and cleanliness.\u003cbr\u003e\u003cbr\u003eWith its striking design and compelling text, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eWhite\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a colourful history of a surprisingly vivid and various colour.\u003c\/span\u003e\u003c\/p\u003e","brand":"Princeton University Press","offers":[{"title":"Default Title","offer_id":47758333346050,"sku":"BK-PUP-WHOAC-001-B","price":17.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3642_af522da1-2a73-41dc-9c4a-4e4a5dc46be9.jpg?v=1791650752"}],"url":"https:\/\/www.booksaboutart.co.uk\/collections\/princeton-university-press.oembed","provider":"Books About Art","version":"1.0","type":"link"}