{"title":"Schlit Publishing","description":null,"products":[{"product_id":"live-burls-poaching-the-redwoods","title":"Kirk Crippens \u0026 Gretchen LeMaistre: Live Burls","description":"\u003cdiv class=\"celwidget\" data-cel-widget=\"bylineInfo_feature_div\" data-csa-c-asin=\"9053308814\" data-csa-c-content-id=\"bylineInfo\" data-csa-c-id=\"cbqkfb-td9tf-artfch-bmn3l2\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-slot-id=\"bylineInfo_feature_div\" data-csa-c-type=\"widget\" data-feature-name=\"bylineInfo\" id=\"bylineInfo_feature_div\"\u003e\n\n\n\n\u003cp class=\"a-section a-spacing-micro bylineHidden feature\" data-cel-widget=\"bylineInfo\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn 2013, an alarming number of National Park redwood trees were shorn of their knobby protrusions, called burls. The trees were disfigured by thieves aiming to sell distinctive burl wood to luxury furniture retailers. One team was bold enough to fell an entire tree for its burl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"a-section a-spacing-micro bylineHidden feature\" data-cel-widget=\"bylineInfo\"\u003e\u003cspan\u003eKirk Crippens and Gretchen LeMaistre read about these trees in the news and were motivated to go and see them. Rangers from the Redwood National and State Parks assisted them in accessing and photographing each site. From 2013 to 2016, they made many visits to the National Park redwood forests of Humboldt County, California. On their first trip to the region, they passed a tourist attraction called “Trees of Mystery”. The entrance featured a 50 foot effigy of an American folklore lumberjack, Paul Bunyan , and a large souvenir store with a neon sign that read, “Live Burls”. At first they laughed at the spectacle; but the sign brewed in the back of their minds as they began to explore the lure and the lore of giant redwoods.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Schlit Publishing","offers":[{"title":"Default Title","offer_id":43569266065666,"sku":"BK-SCH-LBU-001-J","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_7946_8575fa69-059b-419c-8d81-fba41f0b1a4d.jpg?v=1791645875"},{"product_id":"images-in-transition-wirephoto-1938-1945","title":"Images In Transition: Wirephoto 1938-1945","description":"\u003cp\u003e\u003cspan\u003eWirephoto is the sending of photographs by telegraph, telephone or radio. David Pace and Stephen Wirtz manipulate and transform wirephotos transmitted during World War II. Beginning with an extensive collection of originals assembled by Wirtz over a period of many years, they scan the images, radically re-cropping and dramatically enlarging portions of the archival wirephotos. Their croppings and enlargements expose the artifacts of the wirephoto technology – the dots, lines, irregularities and retouchings from the war years.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe transformations introduced by Pace and Wirtz not only extend, but also reverse, the intentions of the wartime retouchers: instead of obscuring the dots and lines to create a clearer image, Pace and Wirtz reveal and enhance the dots and lines, exposing the technological processes that produced the images. Instead of retouching the images to create an illusion of reality, they make visible the manipulation of the images that were published as news. Instead of enhancing the content to support a narrative of just war and ethical victory, their dramatic enlargements transform wartime content into near-abstraction, creating a subtle counter-narrative.\u003c\/span\u003e\u003c\/p\u003e","brand":"Schlit Publishing","offers":[{"title":"Default Title","offer_id":44375724261634,"sku":"BK-SCH-IITW-001-K","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0129_0261b530-3bf1-4125-82e9-dcb62503d21b.jpg?v=1791641743"},{"product_id":"vivian-keulards-to-hans","title":"Vivian Keulards: To Hans (Non-mint)","description":"\u003cdiv class=\"summary entry-summary\"\u003e\n\u003cdiv class=\"woocommerce-product-details__short-description\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eVivian Keulards is a conceptual portrait photographer. She creates visual human stories, often accompanied with text.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAddiction is still a big taboo. With this photo book and project, Vivian Keulards breaks her silence around the addiction and death of her brother Hans. Years after his death, she went in search for answers. Why did he get addicted and she didn’t, how did he feel and could she have done anything? Her brother Hans was only 38 years old when he died in a hotel room in Berlin. His sudden cardiac arrest was caused by drugs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"woocommerce-tabs wc-tabs-wrapper\"\u003e\n\u003cdiv aria-labelledby=\"tab-title-description\" class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" id=\"tab-description\" role=\"tabpanel\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThe book reflects her feelings, thoughts and memories during her quest. She visited Berlin, studied her family albums and talked to many people who dealt with addiction as well. The book will be accompanied with a video installation, where you meet the people who recovered from addiction and answered Vivian’s questions. You hear important quotes from their conversations. Quotes that break down the stigma around addiction.\u003c\/p\u003e\n\u003cp\u003eThe book comes with an essay by writer Ralf Mohren, known from his novel “Tonic”. In the past Ralf struggled with an alcohol addiction.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLEASE NOTE: This is a non-mint item as some copies have a slight crease to the lower right-hand corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003ePLEASE NOTE: This book is a NON-MINT item. NON-MINT books are new but are either ex-display copies or warehouse marked - minor cosmetic imperfections such as scuffs, marks, or minor dents in most cases only to the covers.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePLEASE NOTE:  We do not accept returns of Non-mint books.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Schlit Publishing","offers":[{"title":"Default Title","offer_id":44376065310978,"sku":"BK-SCH-TOHA-001-K","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0134_3e1b7297-3190-4a7a-80df-adedb0fe0df0.jpg?v=1790444029"},{"product_id":"india-contemporary-photography-and-new-media-art","title":"INDIA: Contemporary Photography and New Media Art","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eINDIA: Contemporary Photographic and New Media Art\u003c\/em\u003e presents 46 contemporary artists and collectives working in dialogue with the long history and emergent future of India and its people. The book focuses on the contemporary moment, and a range of approaches are included, including art photography, contemporary practices, installation, moving image, journalistic and documentary photography. Themes include caste and class, the partitioning of the sub-continent, gender and sexuality, conflict, religion, nationalism, new technologies and developments, the environment, human settlement, and migration.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"As a large, multilingual subcontinent, India has always relied on images to maintain a cohesive whole across myriad subcultures, regions, castes and languages. The introduction of photomechanical imaging in the nineteenth century enabled the rapid reproduction and dissemination of both spiritual and scientific ideals,\" states author and editor Sunil Gupta, continuing, \"Photography for most of its history was too expensive and technical and was left in the hands of 'experts' - until the birth of digital technologies. The book addresses the legacy of the last twenty years, a period when photography and moving image media have been consistently included within critical exhibitions of fine art.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEdited by Sunil Gupta, Delhi-born artist and curator, and Steven Evans, curator and FotoFest Executive Director, and including essays from experts on the region and contemporary art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Schlit Publishing","offers":[{"title":"Default Title","offer_id":45502562271490,"sku":"BK-SCH-ICPNM-001-K","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_7871_0486257d-f81a-4bae-bf1b-ab7ee6c4dd75.jpg?v=1791641670"},{"product_id":"kirk-crippens-so-long","title":"Kirk Crippens: So Long","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eSo Long\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a meditation influenced by the pandemic, not purely about it. Kirk Crippens began creating photographs for this project on 17 March 2020, the day the San Francisco Bay Area, where he lives, went into quarantine. The last photograph was made on 22 May 2021; a lot had changed.\u003cbr\u003e\u003cbr\u003eCrippens’ photography started as two projects but elegantly blend together: the formal colour photographs, made with a medium format camera on a tripod and inspired by Swedish photographer Lars Tunbjørk’s \u003cem\u003eOffice\u003c\/em\u003e series, document the serenity of empty offices, and black and white snapshots, taken with a Polaroid 250 Land Camera and a peel-apart Fuji pack film, that had been preserved in the photographer’s refrigerator for years, capture the dynamic distress of the time.\u003cbr\u003e\u003cbr\u003eThe quiet and thoughtful photography in the book reveal the photographer’s patience and resonate with the social, cultural, and political world of 2020-2021. The photographs of a painted portrait of George Floyd, a Black Lives Matter poster and a mural honouring Amanda Gorman’s 2021 Presidential Inauguration poem place light on American racism. Dried oranges carefully placed on an office table by a worker who thought they would be out of the office for a few weeks but wound up not returning for months, represent businesses that are no longer robust. Empty seats, often restricted with forbidding tape, stand in for those who will never join us again. Vibrant messages on theatre marquees and signs, like “Quarantine is Temporary\/Wu Tang is Forever” provide us with a sense of hope, humour, and irony.\u003c\/span\u003e\u003c\/p\u003e","brand":"Schlit Publishing","offers":[{"title":"Default Title","offer_id":45502567678210,"sku":"BK-SCH-KCSL-001-K","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_7872_ea0a1b63-9a22-4266-82e4-5433dd43fbc2.jpg?v=1791641649"},{"product_id":"hawkeye","title":"David Pace \u0026 Diane Jonte-Pace: Hawkeye","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"a-text-italic\"\u003e\"Load right, aim sharp, and shoot well. The satisfaction of good pictures will be your reward.\"\u003c\/span\u003e\u003cspan\u003e – Brownie Hawkeye Instruction Manual, 1959\u003cbr\u003e\u003cbr\u003eDavid Pace was given a Brownie Hawkeye on his eighth birthday in 1959. He used it to document, from a child's perspective, family, church, work and school. Pace's rich childhood archive documents the origin of the creative impulse in the life of a remarkable photographer. In addition, it traces the trajectory of the post-war America in transition from an agricultural economy to an economy based on consumer products. It captures, as well, an important moment in the pre-history of one of America’s most iconic locations: Sunnyvale, California, the heart of what we now call Silicon Valley. The neighbourhood where David photographed family and friends with the Brownie Hawkeye is now the neighbourhood of Apple, LinkedIn, Google, and Nokia. The young photographer, with his ability to “speak through images,” left us a set of powerful Hawkeye photographs that narrate a story, both personal and cultural, of the origin and history of Silicon Valley. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis is the first picture I took in my life. Roll 1. Frame 1. The Hawkeye has a fixed focus lens and no F-stops so I can’t take credit for the exposure. But I’m proud of the composition. I realised from that very first experience that I could speak though images. I became a photographer that day. Now, I feel the same excitement every time I pick up my camera\u003c\/em\u003e. – David Pace, March 2020, sixty years after he took that picture in February 1959\u003c\/span\u003e\u003c\/p\u003e","brand":"Schlit Publishing","offers":[{"title":"Default Title","offer_id":45502580424962,"sku":"BK-SCH-DPH-001-K","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_7870_05c89ce7-75c8-425b-a7b0-82f6840ab891.jpg?v=1791305441"},{"product_id":"if-i-had-a-hammer","title":"If I Had A Hammer (FotoFest)","description":"\u003cp\u003e\u003cspan\u003eThe FotoFest Biennial 2022 central exhibition, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eIf I Had a Hammer\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, considered the ways artists utilise images to unpack the ideological underpinnings that inspire collective cultural movements around the globe. Together, the twenty-three included artists propose alternative techniques of seeing and engaging with the world, working with both conventional and new media to shed light on the systems that encourage social theories and political imaginaries to become dogma at the click of a shutter or tap of a button.\u003cbr\u003e\u003cbr\u003eThe title is borrowed from Pete Seegar and Lee Hays’s 1949 protest song of the same name, which was written as a response to growing ideological divides and violence against progressive artists and thinkers in the U.S. during the era of Red Scare McCarthyism. Throughout this period, artists, activists, authors, and musicians, including Seegar and Hays, were made to testify in broadcasted congressional hearings and defend their right to free speech and protest. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis exhibition and book uses the historical context within which “If I Had a Hammer” was written as a starting point to explore how those who assert ideological supremacy often do so by employing the very tools used by the communities and individuals they hope to suppress. They use the tools of discursive circulation: broadcast media, text, song, art, and images.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFotoFest is a contemporary arts organisation co-founded by photojournalists Frederick Baldwin and Wendy Watriss. FotoFest is dedicated to advancing photography and visual culture through the presentation of exhibitions, public programs, and publications. The examination of social, cultural, and political histories and contemporary life through the lens of photography and related media is central to FotoFest’s mission.\u003c\/span\u003e\u003c\/p\u003e","brand":"Schlit Publishing","offers":[{"title":"Default Title","offer_id":45704384348418,"sku":"BK-SCH-IIHAH-001-K","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3727_b2a9840d-5f59-40d1-822c-445ecf282253.jpg?v=1791641472"}],"url":"https:\/\/www.booksaboutart.co.uk\/collections\/schlit-publishing.oembed","provider":"Books About Art","version":"1.0","type":"link"}