{"title":"Société Française de Photographie","description":null,"products":[{"product_id":"etudes-photographiques-issue-23","title":"Études Photographiques: Issue 23","description":"\u003cp\u003eSince 1996, with contributions by noted scholars, the peer-reviewed journal \u003cem\u003eÉtudes Photographiques\u003c\/em\u003e, has been leading the way in\u003cspan\u003e providing academics and the arts community access to the most current research on photography, the history of photography and visual culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen a Photograph of Trees Is Almost like a Crime: Rodchenko, Verto, Kalatozoe \u003c\/p\u003e\n\u003cp\u003eOn Either Side of the 'Gatekeeper’: Technical Experimentation with Photography at L’Ilustration (1880-1900) \u003c\/p\u003e\n\u003cp\u003eThe Politics of the Documentary. Photographing 'the Other Half’ for Vanity Fair and the Democratic Party \u003c\/p\u003e\n\u003cp\u003eMedia Alert\u003cbr\u003e\u003cbr\u003eCirca 1930: Art History and the New Photography \u003cbr\u003e\u003cbr\u003eBeaumont Newhall and a Machine: Exhibiting Photography \u003cbr\u003eat the Museum of Modern Art in 1937 \u003cbr\u003e\u003cbr\u003eFrench Pictorialism and the Aesthetics of Optical Aberration\u003cbr\u003e\u003cbr\u003eThe Invention of Miroslav Tichy \u003c\/p\u003e","brand":"Société Française de Photographie","offers":[{"title":"Default Title","offer_id":43633691066626,"sku":"BK-SFP-ETPH-023-E","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2971_9af6bb13-73b8-4d3a-ac36-e72d204a31d3.jpg?v=1791307756"},{"product_id":"etudes-photographiques-issue-24","title":"Études Photographiques: Issue 24","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSince 1996, w\u003c\/span\u003e\u003cspan\u003eith contributions by noted scholars, the peer-reviewed journal \u003c\/span\u003e\u003cem\u003eÉtudes Photographiques\u003c\/em\u003e\u003cspan\u003e, has been leading the way in\u003c\/span\u003e\u003cspan\u003e providing academics and the arts community access to the most current research on photography, the history of photography and visual culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFunding a Photographic Elite: Nineteenth-century Photographic Societies \u003cbr\u003eand the Financing of Photography as a Mark of Social Distinction \u003c\/p\u003e\n\u003cp\u003ePutting the European Avant-garde to Work for Capitalism: Walter P Paepcke \u003cbr\u003eand the Alliance of Art and Business in the United States (1930-t950) \u003c\/p\u003e\n\u003cp\u003eFrom Empire to Marketplace: Agfa and the Rebuilding of the German Photography Industry after 1945  \u003c\/p\u003e\n\u003cp\u003eOn the Darkroom \u003c\/p\u003e\n\u003cp\u003eEast: The History of a Corporate Commission and the History of a Region \u003c\/p\u003e\n\u003cp\u003eFrom the Picture Archive to the Image Bank. Commercialising the Visual \u003cbr\u003ethrough Photography: The Bettmann Archive and Corbis \u003c\/p\u003e\n\u003cp\u003eShared Images, How the lnternet Has Transformed the Image Economy \u003c\/p\u003e","brand":"Société Française de Photographie","offers":[{"title":"Default Title","offer_id":43633691820290,"sku":"BK-SFP-ETPH-024-E","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2972_ac274a3f-3129-4c3e-8bd4-524ca2f9ebac.jpg?v=1791307729"},{"product_id":"etudes-photographiques-issue-25","title":"Études Photographiques: Issue 25","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSince 1996, w\u003c\/span\u003e\u003cspan\u003eith contributions by noted scholars, the peer-reviewed journal \u003c\/span\u003e\u003cem\u003eÉtudes Photographiques\u003c\/em\u003e\u003cspan\u003e, has been leading the way in\u003c\/span\u003e\u003cspan\u003e providing academics and the arts community access to the most current research on photography, the history of photography and visual culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBefore the Tableau Form: Large Photographic Formats in the Exhibition \u003cbr\u003e\u003cem\u003eSigns of Life\u003c\/em\u003e, 1976 \u003c\/p\u003e\n\u003cp\u003ePhotography and Memory: The Commemoration of Photography in France, 1880-1940 \u003c\/p\u003e\n\u003cp\u003eThe Bold Innovations of a French Exhibition: \u003cem\u003eUn Siècle de Vision Nouvelle\u003c\/em\u003e at the Bibliothèque Nationale, 1955 \u003c\/p\u003e\n\u003cp\u003eHaunted Sleep \u003c\/p\u003e\n\u003cp\u003eA Microcosm Untouched by Time: Marion Post Wolcot's Photographs of ‘Gold Avenue’ 1939-1941 \u003c\/p\u003e\n\u003cp\u003eHenri Cartier-Bresson, ‘Public Intellectual' \u003c\/p\u003e\n\u003cp\u003e‘\u003cem\u003eLe Flou\u003c\/em\u003e of the Painter Cannot Be \u003cem\u003ele Flou\u003c\/em\u003e of the Photographer’\u003cbr\u003eAn Ambivalent Notion in Mid-Nineteenth Century French Photographic Criticism \u003c\/p\u003e\n\u003cp\u003eThe Debiscent Image: Théophile Gautier \u003cbr\u003eand the Mountain Photographs of the Brothers Bisson \u003c\/p\u003e","brand":"Société Française de Photographie","offers":[{"title":"Default Title","offer_id":43633703584002,"sku":"BK-SFP-ETPH-025-E","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2973_eded244f-f79e-4846-9f1c-2b865020345a.jpg?v=1791307708"},{"product_id":"etudes-photographiques-issue-26","title":"Études Photographiques: Issue 26","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSince 1996, w\u003c\/span\u003e\u003cspan\u003eith contributions by noted scholars, the peer-reviewed journal \u003c\/span\u003e\u003cem\u003eÉtudes Photographiques\u003c\/em\u003e\u003cspan\u003e, has been leading the way in\u003c\/span\u003e\u003cspan\u003e providing academics and the arts community access to the most current research on photography, the history of photography and visual culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ‘Greatest of War Photographers’: Jimmy Hare, A Photojournalist at the Turn of the Twentieth Century \u003cbr\u003e\u003cbr\u003eOn the Efficacy of Artifice: PM, Radiophoto, and the Journalistic \u003cbr\u003eDiscourse of Photographic Objectivity \u003cbr\u003e\u003cbr\u003eTrue Crime Magazines: Formal Strategies in the True Crime Photograph \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJoachim Schmid: O Campo \u003cbr\u003e\u003cbr\u003eWide Angle at the Beach: The Origins of the Paparazzi and the Cannes Film Festival \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Colour of May 1968: Paris Match and the Events of May and June 1968 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research on photography, the history of photography and visual culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSampling Chaos: Aby Warburg and the Photographic Atlas of the Great War  \u003cbr\u003e\u003cbr\u003eMathieu Pernot: Migrants \u003c\/p\u003e\n\u003cp\u003eRecalcitrant Intervention: Walker Evans’s Pages \u003cbr\u003e\u003cbr\u003eMarch 11 as a New Seplember 11: The Photographic Coverage of the 2004 Madrid Bombings \u003cbr\u003e\u003cbr\u003eThe Karski Report: A Voice with the Ring of Truth\u003cbr\u003e\u003cbr\u003eLéon Moussinac and \u003cem\u003eL’Humanité\u003c\/em\u003e as a Cinematic Force: Activist Cinema and Cultural Activism in the Interwar Years in France \u003c\/p\u003e","brand":"Société Française de Photographie","offers":[{"title":"Default Title","offer_id":43633728782594,"sku":"BK-SFP-ETPH-027-F","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2975_f477f5e2-8606-4c14-ac83-222ba8626d49.jpg?v=1791307631"},{"product_id":"etudes-photographiques-issue-28","title":"Études Photographiques: Issue 28","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSince 1996, w\u003c\/span\u003e\u003cspan\u003eith contributions by noted scholars, the peer-reviewed journal \u003c\/span\u003e\u003cem\u003eÉtudes Photographiques\u003c\/em\u003e\u003cspan\u003e, has been leading the way in\u003c\/span\u003e\u003cspan\u003e providing academics and the arts community access to the most current research on photography, the history of photography and visual culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrides of Men and Brides of Art: The 'Woman Question' of the 1860s and the Photographs of Julia Margaret Cameron \u003c\/p\u003e\n\u003cp\u003eHistory in the Making: Max Lincoln Schuster’s \u003cem\u003eEyes on the World\u003c\/em\u003e  \u003cbr\u003e\u003cbr\u003eGilles Sausier: Petroşani Workshop \u003cbr\u003e\u003cbr\u003eArte Povera, A Question of Image: Germano Celant and the Critical Representation of the Neo-Avant-Garde \u003cbr\u003e\u003cbr\u003eArnold Odermatt - Beyond the Seven Mountains: The Unsanctioned Artist’s Candid Eye \u003cbr\u003e\u003cbr\u003eHypnosis at the Parthenon: Magdeleine G. Photographed by Fred Boissonmas\u003c\/p\u003e","brand":"Société Française de Photographie","offers":[{"title":"Default Title","offer_id":43633736909058,"sku":"BK-SFP-ETPH-028-F","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2976_f2cf4f7f-c234-495d-b1b4-5893a2805686.jpg?v=1791307611"},{"product_id":"etudes-photographiques-issue-29","title":"Études Photographiques: Issue 29","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSince 1996, w\u003c\/span\u003e\u003cspan\u003eith contributions by noted scholars, the peer-reviewed journal \u003c\/span\u003e\u003cem\u003eÉtudes Photographiques\u003c\/em\u003e\u003cspan\u003e, has been leading the way in\u003c\/span\u003e\u003cspan\u003e providing academics and the arts community access to the most current research on photography, the history of photography and visual culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeyond True and False? THe Artificial Authenticities of Edward S. Curtis: \u003cbr\u003eResponses and Reactions \u003c\/p\u003e\n\u003cp\u003eA Czechoslovak Variation on \u003cem\u003eFifo\u003c\/em\u003e: The \u003cem\u003eInternational Photography Exhibition\u003c\/em\u003e (Prague, 1936) \u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eWierderaufbau\u003c\/em\u003e of Perception: German Photography in the Postwar Moment, 1945-1950 \u003c\/p\u003e\n\u003cp\u003ePhilippe Durand: Foliage\u003c\/p\u003e\n\u003cp\u003eThe Remote Transmission of Images: A Cultural Chronology of Telephotography in the French Press \u003cbr\u003e\u003cbr\u003eShooting Charles Houri Ford: Cecil Beaton and the Erotics of the 'Low' in the New York Tabloids \u003c\/p\u003e\n\u003cp\u003eWar and the iPhone: New Fronts for Photojournalism \u003c\/p\u003e","brand":"Société Française de Photographie","offers":[{"title":"Default Title","offer_id":43633748181250,"sku":"BK-SFP-ETPH-029-F","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2978_cebc6ee9-2377-4827-8530-074d0a5cd94e.jpg?v=1791307591"},{"product_id":"etudes-photographiques-issue-30","title":"Études Photographiques: Issue 30","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSince 1996, w\u003c\/span\u003e\u003cspan\u003eith contributions by noted scholars, the peer-reviewed journal \u003c\/span\u003e\u003cem\u003eÉtudes Photographiques\u003c\/em\u003e\u003cspan\u003e, has been leading the way in\u003c\/span\u003e\u003cspan\u003e providing academics and the arts community access to the most current research on photography, the history of photography and visual culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRobert Taft in Beaumont Newhall's Shadow: A Difficult Dialogue between Two American Histories of Photography \u003c\/p\u003e\n\u003cp\u003eXiao Chuan Sun: All Is But Dust \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLe Trésor Artistique de la France\u003c\/em\u003e: A Representative Example \u003cbr\u003eof the 'Livre-Specimen' at the Turn of the 1880s\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUn Paese\u003c\/em\u003e (1955) and the Challenge of Mass Culture \u003c\/p\u003e\n\u003cp\u003eThe Market of Tourism Images: Mont-Saint-Michel at the End of the Nineteenth Century \u003c\/p\u003e\n\u003cp\u003eThe Cavalcade of Colour: Kodak and the 1939 World's Fair \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Société Française de Photographie","offers":[{"title":"Default Title","offer_id":43633752539394,"sku":"BK-SFP-ETPH-030-F","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2977_cd9a8083-1af9-4058-a2d8-ae2274406bc1.jpg?v=1791307571"}],"url":"https:\/\/www.booksaboutart.co.uk\/collections\/societe-francaise-de-photographie.oembed","provider":"Books About Art","version":"1.0","type":"link"}