{"title":"Yale University Press","description":null,"products":[{"product_id":"wunderkammer","title":"Wunderkammer","description":"\u003cp\u003eTod Williams \u0026amp; Billie Tsien\u003c\/p\u003e\n\u003cp\u003eHardcover | \u003cspan\u003e19 x 2.5 x 15.9 cm | 240 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYale University Press | 2013 | 9780300197983\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAn alluring glimpse into magnificent Cornell-like boxes created by some of the world's leading architects and designers Inspired by the idea of the wunderkammer - \"wonder-room\" or \"cabinet of curiosities\" - that originated during the Renaissance.\u003c\/p\u003e\n\u003cp\u003eWorld-renowned architects Tod Williams and Billie Tsien invited 35 celebrated architects and designers from around the world to create their own wunderkammers, filling boxes with objects that inspire them.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis delightful book gathers together the varied, evocative wunderkammers along with accompanying statements by their architect-creators, including such luminaries as Shigeru Ban, Toyo Ito, Diller Scofidio + Renfro, Peter Eisenman, Steven Holl, Richard Meier, Murray Moss, Diebedo Francis Kere, Juhani Pallasmaa, Elias Torres, and Peter Zumthor. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe boxes, each spotlighted in its own section, are explored through each architect's essay; working drawings and sketchbook pages; construction and installation photos; a list of the items contained; and a photograph of the final box. Wunderkammer offers a new way to think about art and inventiveness, collection and meaning in everyday objects.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":34562729836708,"sku":"BK-YUP-WUND-001-N","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4041_8ddc03d3-3383-47af-94c7-ac889be8f10a.jpg?v=1790592523"},{"product_id":"roberto-capucci","title":"Roberto Capucci: Art into Fashion","description":"\u003cp\u003e\u003cspan\u003eDilys E. Blum\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHardcover | 26 x 1.9 x 30.5 cm | 220 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYale \u003c\/span\u003eUniversity Press | 2011 | 9780300169584\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA stunning survey of the work of renowned Italian fashion designer Roberto revered by contemporary fashion designers for his innovative silhouettes and masterful use of colour and materials. \u003c\/span\u003e\u003cspan\u003eCapucci refers to his creations as \"studies in form,\" and draws inspiration from a multitude of sources, including art, architecture, and nature. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis beautifully illustrated book, the companion to the first exhibition of Capucci's work in the United States, examines his career from the 1950s to the present in the context of the rise of Italian fashion. Capucci's designs first captured the attention of the international press in 1951, when he presented his collection in Florence. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConsidered one of Italy's greatest talents, he experimented with construction techniques and unconventional materials such as raffia, wire, and stones. He refused to compromise his artistic vision to commercial concerns, and after withdrawing from the formal fashion world in the early 1980s, he presented one collection a year, each in a different city around the world. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing more than 80 extraordinary works, including the iconic \"sculpture dresses\" with their inventive use of pleating, colour, and form, Roberto Capucci is a captivating look at this brilliant designer who transcends the conventional line between fashion and art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":34680439242916,"sku":"BK-YUP-ROBCAP-001-E","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_9840_96608411-06a7-46bc-a510-df922f54ecaa.jpg?v=1791458530"},{"product_id":"carroll-dunham","title":"Carroll Dunham: Prints, Catalogue Raisonné, 1984-2006","description":"\u003cp\u003eHardcover | 24 x 2.7 x 29.3 cm | 256 pp\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYale University Press | 2008 | 9780300121650\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe first comprehensive look at the innovative and diverse printmaking oeuvre of contemporary master Carroll Dunham.\u003c\/p\u003e\n\u003cp\u003eWidely known for his vibrant paintings that employ a variety of styles––including abstraction, figuration, pop, and cartoon––Carroll Dunham (b. 1949) is also one of the most prolific printmakers of his generation. An integral part of his artistic process, Dunham’s prints combine the spontaneity and drama of his paintings with the careful premeditation demanded of the medium. His imagery––which shares the wickedly cartoony semi-abstractions of his paintings––is transformed, refined, and often intensified in his graphic work.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eCarroll Dunham Prints\u003c\/i\u003e documents the artist’s entire print archive––which includes nearly 300 lithographs, etchings, drypoints, linocuts, wood engravings, screen prints, digital prints, and most recently, monotypes––the majority of which have never before been published. The authors examine the significance of printmaking to Dunham’s overall oeuvre, his innate sensitivity toward the systematic materials and procedures of printmaking, his inventive approach to this process, and the evolution of his imagery. It also features an insightful essay by Dunham that discusses his journey as a printmaker and his discoveries of the medium.\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":34727387431076,"sku":"BK-YUP-CDP-001-E","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2914_1_16c20a33-c105-41b0-9762-211b488cc91e.jpg?v=1791303240"},{"product_id":"chatter-architecture-talks-back","title":"Chatter: Architecture Talks Back","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eKaren Kice \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSoftcover | \u003c\/span\u003e21.6 x 13.7 x 1 cm | 88 pp\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eYale University Press | 2015 | 9780300210637\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eA bold, theoretical look at an emerging generation of architects, this volume is devoted to five contemporary practices-Bureau Spectacular, Erin Besler, Fake Industries Architectural Agonism, Formlessfinder, and John Szot Studio-and the diverse methods and approaches that drive their work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChatter, whose title refers to the disjointed bits of conversation typified by texting and Twitter, examines how contemporary modes of communication have influenced the construction of ideas in the development, production, and presentation of architecture. Karen Kice surveys the evolution of architecture and illuminates how these architects have developed their work in conversation with historical theories and projects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUsing a range of representational methods and formats to explore ideas-from hand- and robot-made drawings, to graphic novels, to digital simulations-these practitioners embrace contemporary technologies while they engage with history. Kice's essay, accompanied by portfolios of works from each studio, deftly elucidates how these practitioners talk back to the past while conceiving and communicating their unique designs.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":34912469024932,"sku":"BK-YUP-CATB-001-G","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_9777_a17e1166-df26-4993-a65f-5f460ab859ad.jpg?v=1790761590"},{"product_id":"dan-graham-the-roof-garden-commission","title":"Dan Graham (The Roof Garden Commission)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11.3 x 0.3 x 18.34 cm | 64 pp | 49 illustrations\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eYale University Press | 2014 | \u003cmeta charset=\"utf-8\"\u003e9780300208757\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe artist Dan Graham (b. 1942) has a wide-ranging practice that encompasses writing, performance art, installation, video, photography, and architecture. Throughout his career, Graham has examined the symbiosis between architectural environments and their inhabitants, particularly in his pavilions made of glass and mirrors.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHis installation, created for the roof garden of The Metropolitan Museum of Art, addresses current issues about suburban psychology and political surveillance. Graham’s work combines landscaping, hedges, and two-way mirrors to create a provocative, immersive experience for viewers. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis publication includes an insightful interview between the artist and Sheena Wagstaff and focuses not only on Graham’s latest commission but also on his previous landscape-oriented installations, providing a focused, fascinating study of one of today’s leading contemporary artists.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":39382083502261,"sku":"BK-YUP-DGRC-001-M","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0129_2170c1b2-c0fb-43a2-a21b-da7fae347984.jpg?v=1790592051"},{"product_id":"imran-qureshi-the-roof-garden-commission","title":"Imran Qureshi (The Roof Garden Commission)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e20.12 x 9.53 x 1.04 cm | 64 pp | 54 illustrations\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eYale University Press | 2013 | \u003cmeta charset=\"utf-8\"\u003e9780300197754\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description\"\u003eThis catalogue accompanied the artist's solo exhibition commissioned by The Metropolitan Museum of Art, New York in 2013. It includes colour plates of art works, an interview with the artist by Ian Alteveer and Navina Najat Haidar, the artist's biography, and bibliography.\u003cbr\u003e\u003cbr\u003eExtending and challenging the Islamic art traditions in which he trained, Qureshi incorporates the lessons of abstract painting in his investigations into ornamentation, line, and colour. From paintings and works on paper that reflect the relationship between Islam and the West to site-specific installations that operate on an architectural scale, the artist examines what connects us across cultures and throughout time.\u003cbr\u003e\n\u003c\/div\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":39399399194805,"sku":"BK-YUP-IQRGC-001-M","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0131_1de99667-b231-43a0-ae01-7d22e9b39d63.jpg?v=1790592017"},{"product_id":"el-greco","title":"El Greco","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eXavier Bray\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e21.59 x 1.27 x 27.31 cm | 48 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eYale University Press | 2004 | 9781857093155\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis introduction to El Greco (1541-1614) was published to coincide with the El Greco exhibition at the National Gallery, London (11th February - 23rd May, 2004).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book follows the artist from his native island to Venice, Rome, Madrid, and then Toledo, the ecclesiastical capital of Spain. El Greco's ability to assimilate different artistic techniques and approaches to religion and philosophy enabled him to develop one of the most original styles of painting in the history of Europe. Despite his highly successful career he was unappreciated for centuries after his death, and this book examines how his genius was rediscovered in the nineteenth century.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":41188398825653,"sku":"BK-PRE-EG-001-I","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_8408_be845c58-851c-42ac-b436-01e5fe6b3f7c.jpg?v=1790168313"},{"product_id":"rafael-moneo-building-teaching-writing","title":"Rafael Moneo: Building, Teaching, Writing","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"author notFaded\" data-width=\"\" data-mce-fragment=\"1\"\u003eFrancisco González De Can\u003cspan class=\"contribution\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-color-secondary\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u0026amp; \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"\" data-mce-fragment=\"1\"\u003eNicholas Ray\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"author notFaded\" data-width=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e17.78 x 2.54 x 24.64 cm | 240 pp\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"author notFaded\" data-width=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eYale University Press | 2015 | \u003cmeta charset=\"utf-8\"\u003e9780300139129\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"author notFaded\" data-width=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"a-text-bold\"\u003eA critical look at the life, work, and influence of the important and award-winning Spanish architect Rafael Moneo. T\u003c\/span\u003ehis publication offers a critical study of his career as a whole―not only his many built works and projects but also his contributions to teaching and his writings. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"author notFaded\" data-width=\"\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book begins with a comprehensive biography, covering Moneo’s education, teaching appointments, and encounters with historians and architects in Europe and the United States, such as Peter Eisenman, Jørn Utzon, and Bruno Zevi. Also included is a discussion of some of the buildings that he has designed, notably the Prado Museum extension and Atocha Station in Madrid. The following section examines in more detail seven key buildings chosen to illustrate crucial developments in Moneo’s thinking, from the Bankinter, Madrid, to the Cathedral of Our Lady of the Angels, Los Angeles. The last and most extensive section considers his architectural philosophy: his design approach, his idea of the canon, his theory of composition, his notion of form, and his confrontation with reality―in construction and context.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":42671141093634,"sku":"BK-YUP-RMBTW-001-OP","price":12.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4423_87e29724-b72e-47bc-b99e-c1bf055e3b5e.jpg?v=1790677622"},{"product_id":"the-city-beneath-a-century-of-los-angeles-graffiti","title":"The City Beneath: A Century of Los Angeles Graffiti","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eSusan A. Phillips\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eHardcover | \u003cspan data-mce-fragment=\"1\"\u003e20.83 x 2.79 x 25.91 cm | 320 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYale University Press | 2019 | \u003c\/span\u003e9780300246032\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGraffiti written in storm drain tunnels, on neighbourhood walls, and under bridges tells an underground and, until now, untold history of Los Angeles. Drawing on extensive research within the city’s urban landscape, Susan A. Phillips traces the hidden language of marginalised groups over the past century―from the early twentieth-century markings of hobos, soldiers, and Japanese internees to the later inscriptions of surfers, cholos, and punks. Whether describing daredevil kids, bored workers, or clandestine lovers, Phillips profiles the experiences of people who remain underrepresented in conventional histories, revealing the powerful role of graffiti as a venue for cultural expression.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGraffiti aficionados might be surprised to learn that the earliest documented graffiti bubble letters appear not in 1970s New York but in 1920s Los Angeles. Or that the negative letterforms first carved at the turn of the century are still spray painted on walls today. With discussions of characters like Leon Ray Livingston (a.k.a. “A-No. 1”), credited with consolidating the entire system of hobo communication in the 1910s, and Kathy Zuckerman, better known as the surf icon “Gidget,” this lavishly illustrated book tells stories of small moments that collectively build into broad statements about power, memory, landscape, and history itself.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":42675246629122,"sku":"BK-YUP-TCB-001-L","price":22.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3799_1458900f-be96-4e6d-9c3f-7bfeb5ba5609.jpg?v=1733748279"},{"product_id":"wassily-kandinsky-sounds","title":"Wassily Kandinsky: Sounds","description":"\u003cp class=\"p1\"\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e18.8 x 0.76 x 20.83 cm | 152 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eYale University Press | 2019 | \u003c\/span\u003e9780300238495\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWassily Kandinsky (1866–1944) was a Russian pioneer of abstract painting whose work has influenced generations of artists. His \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eSounds\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eKlänge\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e) of 1912 is one of the earliest, most beautiful examples of a 20th-century artist’s book. These “sound poems” are alternately narrative and expressive, witty and simple in form. They treat questions of space, colour, physical design, and the act of seeing in a world that offers multiple and often contradictory possibilities. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThe woodcut illustrations that accompany the poems range from representational designs to abstract vignettes. In its fusion of image and word, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eSounds\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e epitomises the artist’s move toward abstraction and his aspiration to a synthesis of the arts. This updated edition\u003c\/span\u003e\u003cspan\u003e includes all of the book’s poems in English and German and its woodcuts, twelve of which appear in colour for greater fidelity to the original. The translator’s introduction offers close formal examination of the poems and situates \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSounds\u003c\/span\u003e\u003cspan\u003e in the context of Kandinsky’s oeuvre. Although it was prized by prominent 20th-century artists, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSounds\u003c\/span\u003e\u003cspan\u003e is one of the least known of Kandinsky’s major writings, and this remains the most authoritative English version.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eTranslated by Elizabeth R. Napier \u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":42675291357442,"sku":"BK-YUP-SOKA-001-L","price":12.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4112_fbb5282b-ceb0-4323-8bd8-d66cf120bd58.jpg?v=1791303185"},{"product_id":"making-strange-the-modernist-photobook-in-france","title":"Making Strange: The Modernist Photobook in France","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eKim Sichel\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e22.23 x 2.54 x 28.7 cm | 224 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYale University Press | 2020 | \u003c\/span\u003e9780300246186\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"a-text-bold\"\u003eA richly illustrated look at some of the most important photobooks of the 20th century.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eFrance experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eMaking Strange\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasising the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eMaking Strange\u003c\/span\u003e\u003cspan\u003e reasserts the role of French photobooks in the history of modern art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":42675362332930,"sku":"BK-YUP-MSMPF-001-K","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4876_5aa10099-4c96-4a3b-b9a3-ffb092d4040c.jpg?v=1791645953"},{"product_id":"modern-look-photography-and-the-american-magazine","title":"Modern Look: Photography and the American Magazine","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"author notFaded\" data-width=\"141\" data-mce-fragment=\"1\"\u003eMason Klein\u003cspan class=\"contribution\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-color-secondary\" data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"158\" data-mce-fragment=\"1\"\u003eMaurice Berger\u003cspan class=\"contribution\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-color-secondary\" data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"140\" data-mce-fragment=\"1\"\u003eLeslie Camhi\u003cspan data-mce-fragment=\"1\"\u003e \u0026amp;\u003c\/span\u003e\u003cspan class=\"contribution\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-color-secondary\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"171\" data-mce-fragment=\"1\"\u003eMarvin Heiferman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e24.38 x 2.29 x 30.99 cm | 192 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYale University Press | 2020 | \u003c\/span\u003e9780300247190\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European émigrés, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eHarper’s Bazaar\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eVogue\u003c\/span\u003e\u003cspan\u003e―whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers―emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism.\u003cbr\u003e \u003cbr\u003eBeautifully illustrated with more than 150 revolutionary photographs, layouts, and cover designs, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eModern Look \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003econsiders the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand. Essays draw a lineage from European experimental design to innovative work in American magazine design at mid-century and offer insights into the role of gender in fashion photography and political activism in the mass media.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":42675426394370,"sku":"BK-YUP-MLPAM-001-K","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4877_bf22c851-2981-4137-b47d-cd717c0246e8.jpg?v=1791307548"},{"product_id":"jim-dine-printmaker-leaving-my-tracks","title":"Jim Dine Printmaker: Leaving My Tracks","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e28.5 x 2.26 x 23.65 cm | 176 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMuseum of Fine Arts Boston | 2012 | \u003c\/span\u003e9780878467778\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBest known for his monumental images of bathrobes, tools and hearts that became icons of Pop art during the 1960s and 70s, Jim Dine remains one of the most inventive and prolific printmakers of our time. His prints currently number some 1,000 items, and at age 75, he continues to produce new works with remarkable zest and boundless energy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eDine’s prints are rooted in the spontaneous, gestural aesthetic of American Abstract Expressionism. Intensely physical in execution, they celebrate the artist’s touch. He supplements his energetic, full-body strokes not only by hand colouring but also by collaging with nontraditional media. He may also subtract, scratching or even gouging his surfaces, sometimes with power tools. The results show his great joy in working with the thick paper and rich inks and colours, or in the artist’s words, his love for “leaving my tracks.” \u003cem\u003eJim Dine Printmaker: Leaving My Tracks\u003c\/em\u003e explores Dine’s etchings, woodcuts, lithographs and illustrated books across 50 years, drawing from the prints at the Museum of Fine Arts, Boston, where the artist has created an archive of his life’s work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eSome 160 lush full-colour images, along with text based on conversations between the artist and MFA curator Clifford S. Ackley, offer an intimate look into Dine’s deeply personal approach to his favourite subject matter.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":42835816382722,"sku":"BK-MFAB-JDLMT-001-D","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4109_b146a6d8-2f6e-40ab-8d8d-aff439ef8ae2.jpg?v=1791303164"},{"product_id":"martha-rosler-irrespective","title":"Martha Rosler: Irrespective","description":"\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" data-width=\"152\" class=\"author notFaded\"\u003eMartha Rosler\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e24.13 x 2.79 x 25.15 cm | 256 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYale University Press | 2018 | \u003c\/span\u003e9780300230277\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe work of Martha Rosler is perennially incisive, provocative, political, and timely, exploring a range of issues from everyday life and the media to architecture and the built environment, especially as they affect women. Over her prolific career, Rosler has returned to themes of social justice, popular culture, food, gardens and the natural world, and the intersection of aesthetics and ethics. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"p1\"\u003e\u003cspan class=\"a-text-italic\"\u003eThis\u003c\/span\u003e\u003cspan\u003e survey examines the artist’s vital and enduring work across media including photocollage, video and film, installation, actions, and books. In addition to a rich array of artworks, the book presents texts by distinguished critics and art historians, and a candid and insightful conversation with the artist. Through her interrogations of the Vietnam War, the War on Terror, feminism, gentrification, and other timely issues, Rosler has persistently bridged art and activism. This important catalogue comes at a moment when work like Rosler’s has the power to inspire change.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":42835855147266,"sku":"BK-YUP-MRI-001-A","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5873_b3b2792a-07c7-443c-8a28-237d708fbf45.jpg?v=1791724443"},{"product_id":"revolution-of-the-eye-modern-art-and-the-birth-of-american-television","title":"Revolution of the Eye: Modern Art and the Birth of American Television","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-width=\"\" class=\"author notFaded\"\u003e\u003cspan data-csa-c-id=\"rfgejf-h64m9i-nynu24-k6mgqv\" data-a-popover='{\"closeButtonLabel\":\"Close Author Dialogue Popver\",\"name\":\"contributor-info-B001IOH730\",\"position\":\"triggerBottom\",\"popoverLabel\":\"Author Dialogue Popover\",\"allowLinkDefault\":\"true\"}' data-csa-c-func-deps=\"aui-da-a-popover\" data-csa-c-type=\"widget\" data-action=\"a-popover\" class=\"a-declarative\"\u003eMaurice Berger\u003cspan\u003e \u0026amp; \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-width=\"\" class=\"author notFaded\"\u003eLynn Spigel\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan data-width=\"\" class=\"author notFaded\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHardcover | 26.67 x 19.81 x 2.03 cm | 172 pp\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYale University Press | 2015 | \u003c\/span\u003e9780300207934\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"a-text-bold\"\u003eAn engaging exploration of the relationship between avant-garde art and American network television from the 1940s through the 1970s. \u003c\/span\u003e\u003cspan\u003eThe aesthetics and concepts of modern art have influenced American television ever since its inception in the 1930s. In return, early television introduced the public to the latest trends in art and design. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eThis engaging catalogue comprehensively examines the way avant-garde art shaped the look and content of network television in its formative years, from the 1940s through the mid-1970s. It also addresses the larger cultural and social context of television. Artists, fascinated with the new medium and its technological possibilities, contributed to network programs and design campaigns, appeared on television to promote modern art, and explored, critiqued, or absorbed the new medium in their work. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eMore than 150 illustrations reveal both sides of the dialogue between high art and television through a selection of graphic designs, ephemera, and stills from important television programs―from \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Twilight Zone\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eto \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eBatman\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eto \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eRowan \u0026amp; Martin’s Laugh-In,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eand more―as well as works by artists including Salvador Dalí, Lee Friedlander, Agnes Martin, Man Ray, Andy Warhol, and many others. \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eRevolution of the Eye\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003euncovers the cultural history of a medium whose powerful influence on our lives remains pervasive.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":42835873857794,"sku":"BK-YUP-ROTE-001-L","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4871_fc4e72d9-d001-4fa2-8116-036df88be522.jpg?v=1790858771"},{"product_id":"a-is-for-archive-warhols-world-from-a-to-z","title":"A is for Archive: Warhol's World from A to Z","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"author notFaded\" data-width=\"165\"\u003e\u003cspan class=\"a-declarative\" data-action=\"a-popover\" data-csa-c-type=\"widget\" data-csa-c-func-deps=\"aui-da-a-popover\" data-a-popover='{\"closeButtonLabel\":\"Close Author Dialogue Popver\",\"name\":\"contributor-info-B003X0CZIY\",\"position\":\"triggerBottom\",\"popoverLabel\":\"Author Dialogue Popover\",\"allowLinkDefault\":\"true\"}' data-csa-c-id=\"z4mdlg-kkzygo-xmgei5-c83131\"\u003eMatt Wrbican\u003c\/span\u003e\u003cspan class=\"contribution\"\u003e\u003cspan class=\"a-color-secondary\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"221\"\u003eAbigail Franzen–sheehan\u003cspan class=\"contribution\"\u003e\u003cspan class=\"a-color-secondary\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"143\"\u003eBlake Gopnik\u003cspan\u003e \u0026amp; \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"122\"\u003eNeil Printz\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e26.92 x 2.54 x 28.45 cm | 296 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eYale University Press | 2019 | \u003cmeta charset=\"utf-8\"\u003e9780300233445\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAndy Warhol (1928–1987) remains an icon of the 20th century and a leading figure in the Pop Art movement. He also was an obsessive collector of things large and small, ordinary and quirky. \u003cmeta charset=\"utf-8\"\u003eThe \u003ccite\u003eTime Capsules\u003c\/cite\u003e are Warhol’s largest collecting project, in which he saved source material for his work and an enormous record of his own daily life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSince 1994, The Andy Warhol Museum has studied and safeguarded the artist’s Time Capsule archive encompassing hundreds of thousands of objects, at turns strange, amusing, and poignant. From this array, many of these items have been researched and described in this book for the first time. For the myriad fans of Warhol and his quixotic world, as well as those who never understood the artist before, this volume is essential and unforgettable.\u003cbr\u003e\u003cbr\u003eWritten by Matt Wrbican, the foremost authority on Warhol’s personal collection, \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eA is for Archive\u003c\/span\u003e\u003c\/em\u003e features curated selections from this collection, shedding light on the artist’s work and motivations, as well as on his personality and private life. The volume is organised alphabetically, honouring Warhol’s own use of a whimsical alphabetical structure: “A is for Autograph” (a selection of signed objects, many of which influenced his most popular works), “F is for Fashion” (featuring his collections of cowboy boots, neckties, and jackets), “S is for Stamp” (works of art by Warhol and others relating to stamps and mailed items), and “Z is for Zombie” (a grouping of photographs and ephemera of Warhol in various disguises: drag, robot, zombie, clown). The book also features an insightful essay by renowned art critic and Warhol biographer Blake Gopnik. \u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":42917027873026,"sku":"BK-YUP-AAWWAZ-001-HI","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3798_7bd199e0-1311-4ef0-a197-dbed8551934c.jpg?v=1791300882"},{"product_id":"mark-bradford-picketts-charge","title":"Mark Bradford: Pickett's Charge","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"author notFaded\" data-width=\"\" data-mce-fragment=\"1\"\u003eStéphane Aquin\u003cspan data-mce-fragment=\"1\"\u003e \u0026amp;\u003c\/span\u003e\u003cspan class=\"contribution\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-color-secondary\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"\" data-mce-fragment=\"1\"\u003eEvelyn Hankins\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e28.58 x 1.27 x 18.42 cm | 96 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eYale University Press | 2018 | \u003cmeta charset=\"utf-8\"\u003e9780300230772\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis beautifully illustrated book documents \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003ePickett’s Charge\u003c\/span\u003e\u003c\/em\u003e, an ambitious and timely project by renowned artist Mark Bradford. Eight new paintings extended nearly four hundred feet to form a 360-degree experience encircling an entire floor of the Hirshhorn Museum in Washington, D.C. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBradford’s monumental installation is inspired by the 1883 cyclorama painted by Paul Philippoteaux to commemorate the Battle of Gettysburg, which has been considered the critical turning point of the Civil War and, consequently, of American history. Elements from Philippoteaux’s paintings are among multiple layers of collaged paper that Bradford has scraped through to reveal hidden textures and complexities, and this interplay―between past and present, between the legible and the mysteriously evocative―encourages a reconsideration of history’s conventional linear narratives. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe catalogue features an interview with the artist by Stéphane Aquin and an essay by Evelyn Hankins that situates the site-specific project within a broader art historical context. With lavish images of the paintings and their installation, including two gatefolds, this book records a significant new contribution to socially engaged American art.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":42918833488130,"sku":"BK-YAL-MBPC-001-S","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5881_7f236dfe-1f0a-44c4-8217-9eb9719ba4c8.jpg?v=1790590366"},{"product_id":"the-artist-as-economist-art-and-capitalism-in-the-1960s","title":"The Artist as Economist: Art and Capitalism in the 1960s","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"author notFaded\" data-width=\"138\" data-mce-fragment=\"1\"\u003eSophie Cras\u003cspan class=\"contribution\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-color-secondary\" data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"186\" data-mce-fragment=\"1\"\u003eMalcolm Debevoise \u0026amp; \u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"147\" data-mce-fragment=\"1\"\u003eCécile Whiting\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e18.29 x 2.03 x 25.91 cm | 244 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eYale University Press | 2019 | 9780300232707\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"a-text-bold\"\u003eThis timely and original study transforms our understanding of the relationship between art and economics. \u003c\/span\u003e\u003cspan\u003eBearing witness to the changing economic landscape amid the Cold War, artists in the 1960s created works that critiqued, reshaped, and sometimes reinforced the spirit of capitalism. At a time when currency and finance were becoming ever more abstracted―and the art market increasingly an arena for speculation―artists on both sides of the Atlantic turned to economic themes, often grounded in a human context. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Artist as Economist\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e examines artists who approached these issues in critical, imaginative, and humorous ways: Andy Warhol and Larry Rivers incorporated the iconography of printed currency into their paintings, while Ray Johnson sought to disrupt and reinvent circuits of commerce with his mail art collages. Yves Klein and Edward Kienholz critiqued conceptions of artistic and monetary value, as Lee Lozano and Dennis Oppenheim engaged directly with the New York Stock Exchange. Such examples, which author Sophie Cras insightfully situates within their historic economic context, reveal capitalism’s visual dimension. As art and economics grow more entangled, this volume offers a timely consideration of art’s capacity to reflect on and reimagine economic systems.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":43330841936130,"sku":"BK-YUP-AAE-001-A","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0683_3a1705d3-387c-4e2c-a47f-c0d0259aeacf.jpg?v=1791718737"},{"product_id":"walking-sculpture-1967-2015","title":"Walking Sculpture 1967-2015","description":"\u003cdiv class=\"page\" title=\"Page 2\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"author notFaded\" data-width=\"168\" data-mce-fragment=\"1\"\u003eLexi Lee Sullivan\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHardcover  \u003cmeta charset=\"utf-8\"\u003e27.18 x 24.13 x 1.27 cm | 88 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYale University Press | 2015 | 9780300212433\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eArtists have utilised walking as an autonomous form of art, a subject in their work, and as social practice since the early 20th century. Today walking continues to offer a salient means for artists to challenge social, political, and economic orders through a radical remapping of civic space. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn this engaging and original book, Lexi Lee Sullivan traces the history of walking as an aesthetic action from the Dadaists to contemporary ramblers. Titled after Michelangelo Pistoletto’s performance \u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eWalking Sculpture\u003c\/em\u003e, \u003c\/span\u003ethe catalogue features 50 colour illustrations ranging from photographs of Yvonne Rainer’s street actions to Francis Alÿs’s fantastical processions, poems by Cole Swensen, and a new project by artist Helen Mirra, who produces poetic meditations on landscape, ecology, and locomotion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Sculpture, film, video, photography, and performance converge to address the multi-disciplinary practice of ambulation through the cityscape and the countryside. For those who hike; march in fundraisers, protests, or parades; walk the dog; stroll in the park; or commute daily, this book invites new thought into basic human movement.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":43336565915906,"sku":"BK-YUP-WSC-001-B","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0395_f02bb4ad-2b70-4862-ab1b-b4279f3addf6.jpg?v=1791721750"},{"product_id":"whitney-museum-of-american-art-handbook-of-the-collection","title":"Whitney Museum of American Art: Handbook of the Collection","description":"\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"author notFaded\"\u003eDana Miller \u0026amp;\u003cspan class=\"contribution\"\u003e\u003cspan class=\"a-color-secondary\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\"\u003eAdam D. Weinberg\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"author notFaded\"\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e22.61 x 16.51 x 3.56 cm | 426 pp\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYale University Press | 2015 | 9780300211832\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThis handbook of the Whitney Museum of American Art’s collection, highlights the museum’s extraordinary holdings and its fascinating history. Featuring iconic pieces by artists such as Calder, Hopper, Johns, O’Keeffe, and Warhol―as well as numerous works by under-recognised individuals―this is not only a guide to the Whitney’s collection, but also a remarkable primer on modern and contemporary American art.\u003cbr\u003e \u003cbr\u003eBeautifully illustrated with abundant photography, the book pairs scholarly entries on 350 artists with images of some of their most significant works. The museum’s history and the evolution of its collection, including the Whitney’s important distinction as one of the few American museums founded by an artist, and the notion of “American” in relation to the collection, are covered in two short essays. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished to coincide with the Whitney’s move to a new facility in downtown New York in the spring of 2015, this book celebrates the museum’s storied past and vibrant present as it looks ahead to its future.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":43336596291842,"sku":"BK-YUP-WMA-001-OP","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_9175_c114cb60-0186-49a9-b204-e9a51d7adc57.jpg?v=1790856717"},{"product_id":"counterpoint","title":"Counterpoint: Sculpture, Music, and Walter de Maria's Large Rod Series","description":"\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e23.62 x 1.27 x 30.99 cm | 80 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYale University Press | 2017 | 9780300225730\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWalter De Maria (1935-2013) was a pioneering American artist associated with the Minimal, Conceptual, and Land Art movements. This book is the definitive source on his renowned \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eLarge Rod Series\u003c\/span\u003e\u003cspan\u003e, exemplary works that represent the artist’s contribution to the development of Minimalism. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDe Maria’s penchant for mathematical patterns and precise measurements can be seen throughout his oeuvre and is particularly evident in these floor-based sculptures produced between 1984 and 1989. Incorporating an analysis of De Maria’s early musical compositions, this book explores a previously unexamined historical precedent in his percussion recordings and provides a new framework in which to understand the series. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe inclusion of detailed artist’s notes, archival photographs, and new documentation of the work’s installation provide additional context for these deceptively simple works. \u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":43487697273090,"sku":"BK-YAL-CSMWD-001-E","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0404_a7d26767-39f1-4363-8a70-eb85b7fa7d98.jpg?v=1791267293"},{"product_id":"orthographs","title":"Yiorgis Yerolymbos: Orthographs","description":"\u003cp\u003eHardcover | 37 x 2.2 x \u003cspan data-mce-fragment=\"1\"\u003e27.6 cm | 164 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eYale University Press | 2017 | \u003cmeta charset=\"utf-8\"\u003e9780300226812\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis stunning photographic essay traces the development of Renzo Piano’s Stavros Niarchos Foundation Cultural Center, a multifunctional complex for arts, education, and entertainment opening in 2017 in Athens. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhotographer Yiorgis Yerolymbos finds intrigue and beauty in the grit of the construction site, where for nearly a decade he meticulously recorded the ephemeral forms that underlie and foretell the shape of the future landmark. Deriving its title from architectural orthographic drawings, \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eOrthographs\u003c\/span\u003e\u003c\/em\u003e tracks the progress of the building’s construction site against Piano’s visionary projections and plans. This beautiful volume offers rare, behind-the-scenes access to the work performed and the land and materials moved in the service of turning vision into reality. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe large format invites readers to immerse themselves in Yerolymbos’ compelling photography, and texts by acclaimed architects and critics hail the importance of the Centre and its role in transforming the physical and cultural topography of Athens. \u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":43487844958466,"sku":"BK-YUP-YYO-001-T","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_9261_17ba0ae5-3774-4035-be1c-443f64927272.jpg?v=1790677447"},{"product_id":"truth-24-frames-per-second","title":"Truth: 24 Frames Per Second","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e19.81 x 16.51 x 2.03 cm | 208 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eYale University Press | 2018 | \u003cmeta charset=\"utf-8\"\u003e9780300233056\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eOffering historical, social, and artistic context for some of the most influential artists and filmmakers from the 1960s to the present day, this timely book looks at three filmic techniques―appropriation, documentary film, and montage―and how they confront the viewer with pieces of reality within a particular “frame.”  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncluding previously unpublished material, \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eTruth\u003c\/span\u003e\u003c\/em\u003e features a selection of interviews with and essays about twenty-four artists and filmmakers, among them Bruce Conner, Chick Strand, Jean-Marie Straub and Danièle Huillet, Pratibha Parmar, and Dara Birnbaum, whose work incorporates one or more of these techniques.  Rather than proposing similarities among these artists’ practices, the book explores the varied ways that their work examines truth, meaning, and form as a way of coming to terms with reality.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":43487926419714,"sku":"BK-YUP-TTFF-001-R","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0100_2547a939-3fbf-45ad-8745-1be876358bb4.jpg?v=1788883697"},{"product_id":"locating-sol-lewitt","title":"Locating Sol LeWitt","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e19.69 x 2.54 x 25.4 cm | 288 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eYale University Press | 2021 | 9780300246049\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"a-text-bold\"\u003eThis is a revelatory consideration of the wide-ranging practice of one of the most influential American artists of the 20th century. \u003c\/span\u003e\u003cspan\u003eA pioneer of minimalism and conceptual art, Sol LeWitt (1928–2007) is best known for his monumental wall drawings. LeWitt’s broad artistic practice, however, also included sculpture, printmaking, photography, artist’s books, drawings, gouaches, and folded and ripped paper works. From the familiar to the under-appreciated aspects of LeWitt’s oeuvre, this book examines the ways that his art was multidisciplinary, humorous, philosophical, and even religious.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eLocating Sol LeWitt\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e contains nine new essays that explore the artist’s work across media and address topics such as LeWitt’s formative friendships with colleagues at the Museum of Modern Art in the early 1960s; his photographs of Manhattan’s Lower East Side; his 1979 collaboration with Lucinda Childs and Philip Glass and its impact on his printmaking; and his commissions linked to Jewish history and the Holocaust. The essays offer insights into the role of parody, experimentation, and uncertainty in the artist’s practice, and investigate issues of site, space, and movement. Together, these studies reveal the full scope of LeWitt’s creativity and offer a multifaceted reassessment of this singular and influential artist.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":43569542234370,"sku":"BK-YUP-LSL-001-T","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_1941_1d5aeecf-c376-4ef5-a51d-da7b4ff8dffa.jpg?v=1791724989"},{"product_id":"fictions-of-art-history","title":"Fictions of Art History","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"author notFaded\" data-width=\"\"\u003eMark Ledbury\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e17.78 x 1.78 x 24.13 cm | \u003c\/span\u003e256 pp\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eYale University Press | 2013 | \u003c\/span\u003e9780300191929\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eFictions of Art History\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003eaddresses art history’s complex relationships with fiction, poetry, and creative writing. Inspired by a 2010 conference, the volume examines art historians’ viewing practices and modes of writing. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eHow, the contributors ask, are we to unravel the supposed facts of history from the fictions constructed in works of art? How do art historians employ or resist devices of fiction, and what are the effects of those choices on the reader? In styles by turns witty, elliptical, and plain-speaking, the essays in \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eFictions of Art History\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003eare fascinating and provocative critical interventions in art history.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":44137155789058,"sku":"BK-YUP-FAH-001-M","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4941_558ca6ba-f69b-425c-a6ab-7e9811e58c78.jpg?v=1790587553"},{"product_id":"the-history-of-rock-n-roll-in-ten-songs","title":"The History of Rock 'n' Roll in Ten Songs","description":"\u003cp\u003eGreil Marcus\u003c\/p\u003e\n\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e16.51 x 3.18 x 21.59 cm | 320 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYale University Press | 2015 | 9780300216929\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUnlike all previous versions of rock ’n’ roll history, this book omits almost every iconic performer and ignores the storied events and turning points that everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs recorded between 1956 and 2008, then proceeds to dramatise how each embodies rock ’n’ roll as a thing in itself, in the story it tells, inhabits, and acts out―a new language, something new under the sun.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e“Transmission” by Joy Division. “All I Could Do Was Cry” by Etta James and then Beyoncé. “To Know Him Is to Love Him,” first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus’s hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism―and its most gifted and incisive practitioner―is destined to become an enduring classic.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":44232564736258,"sku":"BK-YUP-HRR-001-P","price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5793_cc34c03e-2f71-4cf0-8bab-156354ab7555.jpg?v=1791197967"},{"product_id":"mona-hatoum-terra-infirma","title":"Mona Hatoum: Terra Infirma","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eHardcover | \u003cspan data-mce-fragment=\"1\"\u003e24.64 x 2.29 x 30.99 cm | \u003c\/span\u003e224 pp\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYale University Press | 2018 | \u003c\/span\u003e9780300233148\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe work of Mona Hatoum (b. 1952) addresses the growing unease of an ever-expanding world that is as technologically networked as it is fractured by war and exile. Best known for sculptures that transform domestic objects such as kitchen utensils or cribs into things strange and threatening, Hatoum conducts multilayered investigations of the body, politics, and gender that express a powerful and pervasive sense of precariousness. Her works are never simple and often elicit conflicting emotions, such as fascination and fear, desire and revulsion. \u003cbr\u003e \u003cbr\u003eThis copiously illustrated presentation of Hatoum’s oeuvre offers critical and art historical essays by Michelle White and Anna C. Chave and imaginative texts by Rebecca Solnit and Adania Shibli, which contextualise the artist’s work and its relationship to Surrealism, Minimalism, feminism, and politics. With extensive discussions on a selection of significant sculptures and installations, some of which are previously unpublished, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eMona Hatoum: Terra Infirma\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003eprovides an insightful look at one of the most exciting and influential artists working today.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":44273756832002,"sku":"BK-YUP-MHTI-001-I","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_7511_c5d076ba-c4b8-4f0f-9b85-04f07029d089.jpg?v=1791305520"},{"product_id":"lin-may-saeed-arrival-of-the-animals","title":"Lin May Saeed: Arrival of the Animals","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover | 19.05 x 1.27 x 24.77 cm | 144\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eYale University Press | 2020 | 9780300250862\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eGerman artist Lin May Saeed (b. 1973) grapples with the complex entanglements of humans and animals. Her work centres on the nonhuman animal and revisits, revises, or outright invents stories of animal subjugation, liberation, and harmonious cohabitation with humans, combining historical, mythical, and theological narratives with materials such as paper, steel, and Styrofoam. \u003c\/span\u003e\u003cspan\u003eEmpathy, humour, and lightness of touch combine with a radical reimagining of everyday life and a sense of how animality is intertwined with otherness. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe catalogue surveys Saeed’s work and thinking, positioning them within a broader discourse on animals and animality in art and culture. Its title alludes to the appearance of animals in humans’ modern moral consciousness, simultaneous with their departure in the current era of mass extinction; and its design places special emphasis on typography and lush close-up photography.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":44661420065026,"sku":"BK-YUP-LMSAA-001-F","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0403_2b7d7880-1134-4f52-8caa-6e81954ff0d4.jpg?v=1791724323"},{"product_id":"murder-and-the-movies","title":"Murder and the Movies","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eDavid Thomson\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eHardcover | \u003cspan data-mce-fragment=\"1\"\u003e13.97 x 2.22 x 21.59 cm | 240 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eYale University Press | 2020 | 9780300220018\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eHow many acts of murder have each of us followed on a screen? What does that say about us? Do we remain law-abiding citizens who wouldn’t hurt a fly?  Film historian David Thomson, known for wit and subversiveness, leads us into this very delicate subject. While unpacking classics such as \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSeven\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eKind Hearts and Coronets\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eStrangers on a Train\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Conformist\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Godfather\u003c\/span\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Shining\u003c\/span\u003e\u003cspan\u003e, he offers a disconcerting sense of how the form of movies makes us accomplices in this sinister narrative process.\u003cbr\u003e \u003cbr\u003eBy turns seductive and astringent, very serious and suddenly hilarious, \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eMurder and the Movies\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e admits us into what Thomson calls “a warped triangle”: the creator working out a compelling death; the killer doing his and her best; and the entranced reader and spectator trying to cling to life and a proper sense of decency.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e“[Thomson’s] analysis of death in Hitchcock movies is gorgeous. His restlessness is palpable. There is an anxiety in this brief, hurried book that suits these political and medical times.”  \u003cstrong\u003eNEW YORK TIMES BOOK REVIEW\u003c\/strong\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":44661467382018,"sku":"BK-YUP-MATM-001-K","price":12.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0613_028d8467-a49f-463c-a384-d398a4e4cfdb.jpg?v=1790226723"},{"product_id":"astro-noise-a-survival-guide-to-living-under-total-surveillance","title":"Astro Noise: A Survival Guide to Living Under Total Surveillance","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eLaura Poitras\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSoftcover in slipcase | \u003cmeta charset=\"utf-8\"\u003e16.5 x 2.3 x 24.13 cm | 224 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eYale University Press | 2016 | 9780300217650\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eLaura Poitras invited authors ranging from artists and novelists to technologists and academics to respond to the modern-day state of mass surveillance. Among them are the acclaimed author Dave Eggers, the Chinese artist Ai Weiwei, the\u003cmeta charset=\"utf-8\"\u003eblogger, journalist, and science fiction author Cory Doctorow, the writer and researcher Kate Crawford, and Edward Snowden, to name but a few. Some contributors worked directly with Poitras and the archive of documents leaked by Snowden; others contributed fictional reinterpretations of spycraft. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe result is a “how-to” guide for living in a society that collects extraordinary amounts of information on individuals. Questioning the role of surveillance and advocating for collective privacy are central tenets for Poitras, who has long engaged with and supported free-software technologists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLaura Poitras has explored the themes of mass surveillance, “war on terror,” drone program, Guantánamo, and torture in her work since the early 2000s. In 2013, Poitras was contacted by Edward Snowden, the former National Security Agency subcontractor who leaked classified information about government-sponsored surveillance. Her resulting documentary, \u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eCitizenfour\u003c\/em\u003e,\u003c\/span\u003e which won an Academy Award for best documentary feature in 2015, is the third film in her post-9\/11 film trilogy.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":44843849580802,"sku":"BK-YUP-ANSG-001-DE","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_7417_11ff70b5-5004-4ef0-b46d-8c1b58da0836.jpg?v=1791721603"},{"product_id":"hector-zamora-lattice-detour-the-roof-garden-commission","title":"Hector Zamora: Lattice Detour (The Roof Garden Commission)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e11.3 x 0.3 x 18.34 cm | 64 pp | 43 illustrations\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYale University Press | 2020 | \u003c\/span\u003e9781588396891\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe work of Mexican artist Héctor Zamora engages with urban or built environments, both disrupting and re-articulating the viewer’s interaction with the site. \u003c\/span\u003e\u003cem\u003eLattice Detour \u003c\/em\u003e\u003cspan\u003eis fabricated from terracotta bricks produced in Mexico and transported to New York. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis compact volume, the first book in English on Zamora, presents images and analysis of this artwork, setting its creation in the context of his past work. An interview with Zamora sheds further light on his formation as an artist, his process, and his inspirations.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":44856795758850,"sku":"BK-YUP-HZRC-001-M","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0126_aa670bf4-0bb7-4642-a17d-e1e93ed48fb3.jpg?v=1790585965"},{"product_id":"adrian-villar-rojas-the-theater-of-disappearance-the-roof-garden-commission","title":"Adrian Villar Rojas: The Theater of Disappearance (The Roof Garden Commission)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11.3 x 0.3 x 18.34 cm | 64 pp | 68 illustrations\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eYale University Press | 2017 | \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e9781588396211\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCelebrated Argentinian artist Adrián Villar Rojas is \u003c\/span\u003e\u003cspan\u003eknown for his site-specific sculptural installations. For \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eThe Theater of Disappearance\u003c\/em\u003e, the artist mines The \u003c\/span\u003e\u003cspan\u003eMet's collection, drawing on the five thousand years of \u003c\/span\u003e\u003cspan\u003eworld history within its galleries, to create an elaborate \u003c\/span\u003e\u003cspan\u003eahistorical work. Set atop the Iris and Gerald Cantor \u003c\/span\u003e\u003cspan\u003eRoof Garden, Villar Rojas's installation transforms the \u003c\/span\u003e\u003cspan\u003espace into a performative diorama, where banquet tables \u003c\/span\u003e\u003cspan\u003eoccupy an oversize black-and-white checkerboard floor \u003c\/span\u003e\u003cspan\u003epunctuated by sculptures that fuse together human fig\u003c\/span\u003e\u003cspan\u003eures and artefacts found within the museum. The result\u003c\/span\u003e\u003cspan\u003eing juxtapositions put forth a radical reinterpretation of \u003c\/span\u003e\u003cspan\u003emuseum practices.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eThe introductory essay by Beatrice Galilee explores the conceptual framework that informs Villar Rojas's remarkable commission as well as his interventions around the world. While exploring the Museum, \u003cspan\u003eVillar Rojas took thousands of photographs of objects and \u003c\/span\u003e\u003cspan\u003emoments of interest. A selection of these images is fea\u003c\/span\u003e\u003cspan\u003etured here alongside the artist's commentary, offering a \u003c\/span\u003e\u003cspan\u003eunique visual diary of Villar Rojas's thought process as he \u003c\/span\u003e\u003cspan\u003edeveloped this arresting installation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":44856806146306,"sku":"BK-YUP-AVJRC-001-M","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0125_110323a4-7083-4281-a28e-8ad5f24bdc66.jpg?v=1790585931"},{"product_id":"alex-da-corte-as-long-as-the-sun-lasts-the-roof-garden-commission","title":"Alex Da Corte: As Long as the Sun Lasts (The Roof Garden Commission)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11.3 x 0.3 x 18.34 cm | 64 pp | 45 illustrations\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eYale University Press | 2021 | \u003c\/span\u003e9781588397294\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKnown for his use of familiar objects, icons, and brands in surprising and surreal contexts, Alex Da Corte (b. 1980) often confronts themes of identity, cultural hegemony, and consumerism in his videos, sculptures, paintings, and installations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e In \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eAs Long as the Sun Lasts \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003ehe draws together the beloved \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eSesame Street\u003c\/span\u003e\u003cspan\u003e character Big Bird and the kinetic sculptural works of Alexander Calder. This compact volume presents images and analysis of the new installation, considering it in the context of his past work and featuring fascinating records of the artist’s process, including sketches and images from his studio. An interview with Da Corte provides further insight into his diverse artistic inspirations, which range from Renaissance painting to horror films, and elaborates on how art history, politics, and religion inform his work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":44856818401538,"sku":"BK-YUP-ADCRC-001-M","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0127_b89ff08e-3959-4d44-80a5-ce001db507f8.jpg?v=1790585899"},{"product_id":"on-kawara-10-tableaux-and-20-834-pages","title":"On Kawara: 10 Tableaux and 20,834 Pages","description":"\u003cp\u003eCharles Wylie\u003c\/p\u003e\n\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e21.95 x 2.18 x 28.68 cm | 192 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eYale University Press | 2008 | \u003cmeta charset=\"utf-8\"\u003e9780300137347\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eSince the mid-1960s, On Kawara (1932-2014) objectively recorded his existence through everyday numbers, words, and found images. This handsomely designed and illustrated book presents works selected by the artist from throughout his illustrious career, including paintings made at the time of the 1969 moon landings, other large-scale paintings, a 100 Years Calendar, and his own books that chronicle his extensive travels, acquaintances, and personal readings. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book features a translation of an essay on the Apollo space mission and its impact on human consciousness by Takafumi Matsui; a chapter from Ervin Laszlo's The Whispering Pond, which presents theories of understanding possible connections between mind and matter; and a new essay by Charles Wylie that discusses the specifics of Kawara's 2008 exhibition at the Dallas Museum of Art and his contribution to and divergence from the main currents of art practice across five decades.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":44857834504450,"sku":"BK-YUP-OKTT-001-B","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5884_aeca3c69-3c1c-45fc-9ac5-9441cde59cdb.jpg?v=1791724950"},{"product_id":"an-oak-spring-herbaria-a-selection-of-rare-books-manuscripts-and-works-of-art","title":"An Oak Spring Herbaria: A Selection of Rare Books, Manuscripts, and Works of Art","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHardcover | 25.15 x 4.32 x 29.21 cm | 452 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYale University Press | 2019 | \u003cmeta charset=\"utf-8\"\u003e9780965450812\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThis authoritative and magnificently illustrated book on herbals describes rare books, manuscripts, and other works of art conserved at the Oak Spring Garden Library, Upperville, Virginia, a collection formed over many years by Rachel Lambert Mellon. \u003cbr\u003eThe author has selected sixty-three works from the Library's extensive collections. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe volume is thematically organised and arranged into the following chapters:\u003cbr\u003e'Late Medieval Herbals'; The Great Age of Renaissance Botany';'Herbals and Plants from Distant Lands'; 'Herbals by Herbalists, Pharmacists, and Physicians'; 'Herbals of the Botanical Gardens and Private Gardens of Europe';'Curious and Strange Herbals'; Dried Specimens and Nature Printing'; and 'American Herbals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn her introduction the author provides insight into the early history of the herbal, explaining in depth its creation, development, and use. The catalogue surveys the herbal down through the nineteenth century, with detailed entries from manuscript herbals to editions of the Hortus Sanitatis, The Grete Herball, Brunfels, Fuchs, Mattioli, Turner, Clusius, Dodoens, Culpeper, Durante, Alpini, Monardes, della Porta, Linnaeus, among others, and including such Amercian herbals as those of Jacob\u003cbr\u003eBigelow and C. S. Rafinesque.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan class=\"a-text-italic\"\u003eT\u003c\/span\u003ehis authoritative catalogue will prove fascinating to illustrators, botanists, bibliophiles, garden historians, and herbalists alike.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":45224025456898,"sku":"BK-YUP-OSH-001-I","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4073_e7d0a91d-473e-429f-85ab-72a6a5436cc7.jpg?v=1791390159"},{"product_id":"the-essential-duchamp","title":"The Essential Duchamp","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e24.64 x 18.8 x 1.52 cm | 208 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eYale University Press | 2018 | \u003cmeta charset=\"utf-8\"\u003e9780300233117\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"a-text-bold\"\u003eT\u003c\/span\u003ehis richly illustrated publication explores the full career of the hugely influential and endlessly fascinating French-American artist Marcel Duchamp (1887–1968). A pioneer whose creative output was predicated on a fundamental questioning of what art is, Duchamp is well known despite remaining mysterious as an artist, owing to his elusive persona and the unconventional nature of his work. \u003cbr\u003e \u003cbr\u003eFocusing on the world-renowned Duchamp collection at the Philadelphia Museum of Art, \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Essential Duchamp\u003c\/span\u003e\u003c\/em\u003e tells the artist’s story through four key periods. The book begins with his early paintings and engagement with the avant-garde, then charts his abandonment of painting and invention of the readymade. This is followed by the creation of his alter ego Rrose Sélavy and the optical experiments of the interwar years, and, finally, by the making of \u003cspan class=\"a-text-italic\"\u003eÉtant donnés\u003c\/span\u003e (1946–66), the project that occupied the artist in the final two decades of his life. Shorter accompanying texts include explanations of key terms Duchamp used for his innovative ideas―\u003cspan class=\"a-text-italic\"\u003ereadymade\u003c\/span\u003e, \u003cspan class=\"a-text-italic\"\u003eprecision optics\u003c\/span\u003e, \u003cspan class=\"a-text-italic\"\u003epictorial nominalism\u003c\/span\u003e, and \u003cspan class=\"a-text-italic\"\u003einfrathin\u003c\/span\u003e―as well as interviews and statements by the artist about his own art and ideas.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":45225058664706,"sku":"BK-YUP-TED-001-B","price":17.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/Untitled_design_4.png?v=1791720196"},{"product_id":"jan-tschichold-and-the-new-typography-graphic-design-between-the-world-wars","title":"Jan Tschichold and the New Typography: Graphic Design Between the World Wars","description":"\u003cp\u003ePaul Stirton\u003c\/p\u003e\n\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e17.78 x 3.18 x 22.86 cm | 272 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eYale University Press | 2019 | \u003cmeta charset=\"utf-8\"\u003e9780300243956\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRichly illustrated with images from Jan Tschichold’s little-known private collection of design ephemera, this important book explores a legendary figure in the history of modern graphic design through the artists, ideas, and texts from the Bauhaus that most influenced him. Tschichold (1902–1974), a prolific designer, writer, and theorist, stood at the forefront of a revolution in visual culture that made printed material more elemental and dynamic. His designs were applied to everyday graphics, from billboard advertisements and business cards to book jackets and invoices.\u003cbr\u003e\u003cbr\u003eThis handsome volume offers a new understanding of Tschichold’s work, and of the underlying theories of the artistic movement he helped to form, by analysing his collections: illustrations, advertisements, magazines, and books by well-known figures, such as Kurt Schwitters, El Lissitzky, Aleksandr Rodchenko, and László Moholy-Nagy, and lesser-known artist-designers, including Willi Baumeister, Max Burchartz, Walter Dexel, and Piet Zwart. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book also charts the development of the New Typography, a broad-based movement across Central Europe that included “The Ring,” a group formed by Schwitters in 1927. Tschichold played a crucial role in defining this movement, documenting the theory and practice in his most influential book, \u003cspan class=\"a-text-italic\"\u003eThe New Typography\u003c\/span\u003e (1928), still regarded as a seminal text of graphic design.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":45260671451394,"sku":"BK-YUP-JTNT-001-L","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0118_f1d199f6-346b-47e6-81ab-5d70e89cb277.jpg?v=1791201102"},{"product_id":"jasper-johns-mind-mirror","title":"Jasper Johns: Mind\/Mirror","description":"\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan data-width=\"\" class=\"author notFaded\"\u003eCarlos Basualdo \u0026amp; \u003c\/span\u003e\u003cspan data-width=\"\" class=\"author notFaded\"\u003eScott Rothkopf \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e24.13 x 3.05 x 26.92 cm | 348 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYale University Press | 2021 | 9780300254259 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold\"\u003eThis is a beautifully produced and innovative retrospective look at the work of one of America’s most iconic artists, utilising the concepts of mirroring and doubling, which have long preoccupied Johns.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eJasper Johns (b. 1930) is arguably the most influential artist living today. Over the past 65 years, he has produced a radical and varied body of work marked by constant reinvention. Inspired by the artist’s long-standing fascination with mirroring and doubles, this book provides an original and exciting perspective on Johns’s work and its continued relevance. \u003cbr\u003e\u003cbr\u003eA diverse group of curators, academics, artists, and writers offer a series of essays—including many paired texts—that consider aspects of the artist’s work, such as recurring motifs, explorations of place, and use of a wide array of media. These include Carroll Dunham on nightmares, Ruth Fine on monotypes and working proofs, Michio Hayashi on Japan, Terrance Hayes on flags, and Colm Toíbín on dreams, among many others. The various themes are further explored in a series of in-depth plate sections that combine prints, drawings, paintings, and sculptures to draw new connections in Johns’s vast output. Accompanying “mirroring” exhibitions held simultaneously at the Whitney Museum of American Art and the Philadelphia Museum of Art, this lavishly illustrated volume features a selection of rarely published works along with never-before-published archival content and is full of revelations that allow us to engage with and understand the artist’s rich and varied body of work in new and meaningful ways.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":45584237363458,"sku":"BK-YUP-JJMM-001-B","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2027_d3817bbb-285d-42ff-998f-c12bfccbfb0c.jpg?v=1791472018"},{"product_id":"signs-photographs-by-jim-dow","title":"Signs: Photographs by Jim Dow","description":"\u003cp\u003eHardcover | 28.5 x 1.8 x 28.5 cm | 120 pp\u003c\/p\u003e\n\u003cp\u003eYale University Press | 2022 | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e9780300264012\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eVivid, clear-sighted images of American vernacular signage and architecture encountered along old US highways showcase the early black-and-white work of the acclaimed photographer Jim Dow. Dow (b. 1942) is renowned for photographs that depict the built environment—he first gained attention for his panoramic triptychs of baseball stadiums—and for his skill at conveying the “human ingenuity and spirit” that suffuse the spaces. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book is the first to focus on Dow’s early black-and-white pictures, featuring more than 60 photographs made between 1967 and 1977, a majority of which have never before been published. Indebted to the work of Walker Evans, a key mentor of Dow’s, these photographs depict time-worn signage taken from billboards, diners, gas stations, drive-ins, and other small businesses. While still recognisable as icons of commercial Americana, without their context Dow’s signs impart ambiguous messages, often situated between documentation and abstraction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncluding a new essay by Dow that reveals his own perspective on the development of the work, \u003cem\u003eSigns\u003c\/em\u003e suggests how these formative years honed the artist’s sensibility and conceptual approach.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":45689874055426,"sku":"BK-YUP-SPJD-001-J","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3204_9135f970-fa39-480f-8ffb-4c268617ed11.jpg?v=1791641495"},{"product_id":"doonesbury-and-the-art-of-g-b-trudeau","title":"Doonesbury and the Art of G. B. Trudeau","description":"\u003cp\u003eBrian Walker\u003c\/p\u003e\n\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e29.85 x 3.18 x 25.4 cm | 304 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYale University Press | 2010 | 9780300154276\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBest known for his wry and incisive takes on American life and politics through the comic strip Doonesbury, Garry Trudeau is among the worlds most widely read cartoonists. Trudeau began shaping Doonesbury as an undergraduate contributor to the Yale Daily News. Today, the strip is syndicated to a daily readership of nearly 100 million. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTrudeau's work has been anthologised before, but this is the first book to assess the art of the comic strip and the ways that Trudeau's iconic style has evolved over four decades. Brian Walker, an expert on the history of comics, sheds light on Trudeau's early influences as well as on his creative process, from research to pencil layouts to finished artwork. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn addition to revealing how Doonesbury is crafted each week, the book also examines Trudeau's magazine illustrations, animation drawings, posters, and product designs, as well as some rare and previously unpublished works. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWalker's historical text is complemented by insightful commentary by Trudeau and his collaborators, Don Carleton, George Corsillo, and David Stanford, making this book appealing not only to the many Doonesbury fans but also to those looking for an approach to the work of a master comic strip artist.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":46138877444354,"sku":"BK-YUP-DAGBT-001-Q","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2279_92e7d590-2f68-4c7c-a70c-8cf7939bd805.jpg?v=1791306444"},{"product_id":"full-spectrum-prints-from-the-brandywine-workshop","title":"Full Spectrum: Prints from the Brandywine Workshop (Rare edition)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e24.21 x 0.71 x 29.46 cm | 76 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYale University Press | 2012 | 9780300185485\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSince its founding in 1972, the Brandywine Workshop has become an internationally recognised centre for printmaking and a vital part of the Philadelphia community. \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eFull Spectrum\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e celebrates, documents and contextualises the workshop's achievements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne hundred prints by eighty-nine artists ― including \u003cmeta charset=\"utf-8\"\u003eKenneth Noland, Jules Oliski, \u003cmeta charset=\"utf-8\"\u003eSam Gilliam, John Biggers, Barbara Chase-Riboud, Joyce de Guatemala, Mei-Ling Hom, Jacob Landau,  Betye and Alison Saar, and Kay Walkingstick ― are beautifully reproduced. Cultural identity, political and social issues, portraiture, landscape, patterning, and pure abstraction are some of the many subjects explored in these works, underscoring the breadth of the workshop's conceptual and stylistic reach.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":46138992427266,"sku":"BK-YUP-FSPBW-001-M","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2927_b55516a6-e468-4129-b0bb-034d31bec637.jpg?v=1790528246"},{"product_id":"rachel-harrison-g-l-o-r-i-a","title":"Rachel Harrison: G-L-O-R-I-A (Rare edition)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e29.72 x 22.61 x 1.02 cm | 120 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYale University Press | 2015 | 9780300215960\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLinking two influential figures in American art, this fascinating catalogue explores the intersection between works by modern master Robert Rauschenberg (1925­–2008) and innovative contemporary artist Rachel Harrison (b. 1966). Taking its name from \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eGloria\u003c\/em\u003e,\u003c\/span\u003e\u003cspan\u003e an iconic Rauschenberg work in the collection of the Cleveland Museum of Art, the book covers multiple aspects of Harrison’s career thus far, and uses her work as a lens to explore the lasting influence of Rauschenberg. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHarrison herself debuts new digital collages created specifically for this publication. Two essays underline the reason for this pairing: one, by Beau Rutland, takes a thematic approach to the interplay between Rauschenberg’s and Harrison’s practices; the other, by Johanna Burton, presents a more nuanced look at Harrison’s oeuvre. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":46140424388866,"sku":"BK-YUP-RHG-001-R","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3553_7919b7b3-0f66-4501-9305-c11adf5c0fa4.jpg?v=1790526740"},{"product_id":"jan-fabre-troubleyn-laboratorium","title":"Troubleyn \/ Laboratorium","description":"\u003cp\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e20.5 x 1.02 x 25.5 cm | 224 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYale University Press | 2016 | 9780300220124\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis book peers into Troubleyn \/ Laboratorium, the workspace, collective art space, and creative incubator of Belgian multidisciplinary artist Jan Fabre (b. 1958), whose performances, staged since the 1980s, have brought him international acclaim and recognition. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExpressing the collective aims of Fabre’s theatre company, Troubleyn \/ Laboratorium functions as his workspace as well as a nurturing environment for the activities of his theatre company and young artists alike, in which artists are free to develop and materialise their creative impulses. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe building, situated in a progressive multicultural neighbourhood in northern Antwerp, houses a uniquely integrated collection of art works from international visual artists, writers, theatre makers, and philosophers, with whom Fabre feels a close affinity and whose works represent the overall cooperative spirit of the space itself. Fostering an environment that is as progressive as the artist’s varied oeuvre, Troubleyn \/ Laboratorium provides the grounds for an idealistic hotbed of artistic activity and this publication offers a glimpse of that possible utopia. \u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":46140430287106,"sku":"BK-YUP-JFTL-001-R","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_1450_7a55ebb5-02a4-49d0-a5c6-fead68631806.jpg?v=1790526635"},{"product_id":"sharon-hayes-theres-so-much-i-want-to-say-to-you","title":"Sharon Hayes: There's So Much I Want to Say to You (Rare edition)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e22.96 x 0.97 x 27.89 cm | 88 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYale University Press | 2012 | 9780300180374\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn her performances, videos, and installations, Sharon Hayes (b. 1970) explores the nexus between politics, history, speech, and desire. Her works modify or appropriate the language and tools of political dissent, creating unexpected affinities between important historical events and the present. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHighlighted in this volume is the video installation \u003cem\u003eSymbionese Liberation Army (SLA) Screeds Number 13, 16, 20 \u0026amp; 29\u003c\/em\u003e (2003) - a work in which Hayes memorised the famous taped speeches by Patty Hearst and her kidnappers, the leftist radical group the Symbionese Liberation Army, and then reads them to an audience who corrects her mistakes. It is in these slippages between memory and history that the meaning of Hayes' work resides. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThere's So Much I Want to Say to You\u003c\/em\u003e also includes a group of site-specific works that address the Whitney Museum's role in the historic development of process-based, performative art and its engagement with politics that took place the late 1960s and early 1970s. The book also features original contributions from Hayes that provide insight into the complex motivations and development of her projects. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eScholarship by Chrissie Iles contextualises Hayes's work in the history of political discourse by examining and explaining her sources of inspiration. Beautiful images of projects spanning the artist's career are presented in conjunction with photographs and texts from these historical events.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":46172446195970,"sku":"BK-YUP-SHTSM-001-R","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_3550_b17554ce-6079-4918-be9f-85029e231f65.jpg?v=1790525790"},{"product_id":"rituals-of-rented-island-object-theater-loft-performance-and-the-new-psychodrama-manhattan-1970-1980","title":"Rituals of Rented Island: Object Theater, Loft Performance, and the New Psychodrama - Manhattan, 1970-1980 (Rare edition)","description":"\u003cp\u003eSoftcover | \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e16.51 x 1.91 x 24.13 cm | 176 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYale University Press | 2014 | 9780300195866\u003c\/p\u003e\n\u003cdiv data-cel-widget=\"bookDescription_feature_div\" data-csa-c-id=\"a9oigo-315l4s-ukfmo5-as9v9i\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"0300195869\" data-csa-c-slot-id=\"bookDescription_feature_div\" data-csa-c-content-id=\"bookDescription\" data-csa-c-type=\"widget\" data-feature-name=\"bookDescription\" class=\"celwidget\" id=\"bookDescription_feature_div\"\u003e\n\u003cdiv class=\"a-expander-collapsed-height a-row a-expander-container a-spacing-base a-expander-partial-collapse-container\" data-a-expander-collapsed-height=\"280\" data-a-expander-name=\"book_description_expander\"\u003e\n\u003cdiv class=\"a-expander-content a-expander-partial-collapse-content\" data-expanded=\"false\"\u003e\u003cspan\u003eThis important volume explores three unique performance art practices of the 1970s and early 1980s: 'Object Theater' (in which artists engage directly with the objects in the world around them); 'Loft Performance' (where artists performed in lofts, storefronts and the alternative spaces of New York's SoHo); and 'New Psychodrama' (in which artists drew on formal performance modes to explore everyday experience). \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"a-expander-content a-expander-partial-collapse-content\" data-expanded=\"false\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"a-expander-content a-expander-partial-collapse-content\" data-expanded=\"false\"\u003e\u003cspan\u003eBy tracing the paths of such artists as Laurie Anderson, Vito Acconci, Mike Kelley, Stuart Sherman, Julia Heyward, Jared Bark and Jill Kroesen, this book makes newly visible a critical period in the development of performance art. \u003cem\u003eRituals of Rented Island \u003c\/em\u003eexamines the disparate yet related practices of the artists mentioned above alongside those of the notorious Kipper Kids; composer-musician John Zorn; and legendary playwright and filmmaker Jack Smith; among others. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"a-expander-content a-expander-partial-collapse-content\" data-expanded=\"false\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"a-expander-content a-expander-partial-collapse-content\" data-expanded=\"false\"\u003e\u003cspan\u003eWith an array of previously unpublished images, including installation photographs, posters and other ephemera, drawn from the artists' own archives, this volume illuminates the eccentric singularities of the performance art of this era and its relevance today.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"globalStoreInfoBullets_feature_div\" data-csa-c-id=\"6t95sy-lm0max-wcksar-yivss5\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"0300195869\" data-csa-c-slot-id=\"globalStoreInfoBullets_feature_div\" data-csa-c-content-id=\"globalStoreInfoBullets\" data-csa-c-type=\"widget\" data-feature-name=\"globalStoreInfoBullets\" class=\"celwidget\" id=\"globalStoreInfoBullets_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"buyingOptionNostosBadge_feature_div\" data-csa-c-id=\"5jogtx-6ul5v4-nwl552-cic4ax\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"0300195869\" data-csa-c-slot-id=\"buyingOptionNostosBadge_feature_div\" data-csa-c-content-id=\"buyingOptionNostosBadge\" data-csa-c-type=\"widget\" data-feature-name=\"buyingOptionNostosBadge\" class=\"celwidget\" id=\"buyingOptionNostosBadge_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv data-cel-widget=\"tellAmazon_feature_div\" data-csa-c-id=\"li1x7w-7ubo5l-s7pyfs-uwyyb0\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-asin=\"0300195869\" data-csa-c-slot-id=\"tellAmazon_feature_div\" data-csa-c-content-id=\"tellAmazon\" data-csa-c-type=\"widget\" data-feature-name=\"tellAmazon\" class=\"celwidget\" id=\"tellAmazon_feature_div\"\u003e\n\u003cdiv data-cel-widget=\"tell-amazon-desktop_DetailPage_3\" data-csa-c-id=\"5zbqv7-mx4vxs-sc9i6b-c7b41s\" data-csa-c-painter=\"tell-amazon-desktop-cards\" data-csa-c-type=\"widget\" data-csa-c-slot-id=\"DsUnknown-4\" data-csa-c-content-id=\"DsUnknown\" data-csa-op-log-render=\"\" class=\"celwidget c-f\"\u003e\n\u003cdiv data-mix-claimed=\"true\" data-acp-tracking=\"{}\" data-card-metrics-id=\"tell-amazon-desktop_DetailPage_3\" id=\"CardInstanceHEmRaVSCpZoeM3vBQI4urg\"\u003e\n\u003cdiv class=\"_tell-amazon-desktop_style_tell_amazon_div__1YDZk\" data-logged-in=\"true\" data-marketplace=\"A1F83G8C2ARO7P\" data-asin=\"0300195869\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":46172451176706,"sku":"BK-YUP-RRIOYLP-001-M","price":5.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_2915_e71d2b5c-e707-45c3-9e09-564103ca00d6.jpg?v=1790514408"},{"product_id":"danny-lyon-message-to-the-future","title":"Danny Lyon: Message to the Future","description":"\u003cp\u003eHardcover |\u003cspan\u003e 25.15 x 3.3 x \u003cmeta charset=\"utf-8\"\u003e30.99 cm | 288 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eYale University Press | 2016 | 9780300218831\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-bold\"\u003eThis is the first comprehensive overview of influential American photographer and filmmaker \u003c\/span\u003eDanny Lyon (b. 1942) who distinguished himself with work that emphasised intimate social engagement. In 1962 Lyon traveled to the segregated South to photograph the civil rights movement. Subsequent projects on biker culture, the demolition and redevelopment of lower Manhattan, and the Texas prison system, and more recently on the Occupy movement and the vanishing culture in China’s booming Shanxi Province, share Lyon’s signature immersive approach and his commitment to social and political issues that concern those on the margins of society. Lyon’s photography is paralleled by his work as a filmmaker and a writer.\u003cbr\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"a-text-italic\"\u003e\u003cem\u003eMessage to the Future\u003c\/em\u003e \u003c\/span\u003eis the first publication to present Lyon's influential bodies of work in all media in their full context. Lead essayists Julian Cox and Elisabeth Sussman provide an account of Lyon’s five-decade career. Alexander Nemerov writes about Lyon’s work in Knoxville, Tennessee; Ed Halter assesses the artist’s films; Danica Willard Sachs evaluates his photomontages; and Julian Cox interviews Alan Rinzler about his role in publishing Lyon’s earliest works.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":46228235714818,"sku":"BK-YUP-DLMTTF-001-K","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_4486_466fce7e-1b98-490d-9029-6eef999680d9.jpg?v=1791305221"},{"product_id":"like-life-sculpture-color-and-the-body","title":"Like Life: Sculpture, Color, and the Body","description":"\u003cp\u003eHardcover | \u003cspan\u003e20.32 x 3.18 x 30.48 cm | 312 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYale University Press | 2018 | 9781588396440\u003c\/p\u003e\n\u003cp\u003eSeven hundred years of sculptural practice—from fourteenth-century Europe to the global present—are examined anew in this catalogue of the groundbreaking 2018 exhibition\u003cspan\u003e presented at\u003c\/span\u003e The Met, New York.\u003c\/p\u003e\n\u003cp\u003eThe book explores narratives of sculpture in which artists have sought to replicate the literal, living presence of the human body. This major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.\u003c\/p\u003e\n\u003cp\u003eJust how perfectly should figurative sculpture resemble the human body? Histories and theories of Western sculpture have typically favoured idealised representations, as exemplified by the austere, white marble statuary of the classical tradition. Such works create the fiction of bodies existing outside time, space, and personal or cultural experience.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLike Life\u003c\/em\u003e, by contrast, places key sculptures from different eras in conversation with each other, in order to examine the age-old problem of realism and the different strategies deployed by artists to blur the distinctions between original and copy, and life and art. Foremost among these is the application of colour to imitate skin and flesh. Other tactics include the use of casts taken from real bodies, dressing sculpted figures in clothing, constructing moveable limbs and automated bodies, even incorporating human blood, hair, teeth, and bones. Uncanny in their approximation of life, such works have the potential to unsettle and disarm observers, forcing us to consider how we see ourselves and others, and to think deeply about our common humanity.\u003c\/p\u003e\n\u003cp\u003eJuxtaposing well-known masterpieces with surprising and little-seen works, the exhibition and book brings together sculptures by artists from Donatello, El Greco, Jean-Léon Gérôme, Antonio Canova, Auguste Rodin, and Edgar Degas to Louise Bourgeois, Meret Oppenheim, Isa Genzken, Charles Ray, Fred Wilson, Robert Gober, Bharti Kher, Duane Hanson, Jeff Koons, and Yinka Shonibare MBE, as well as wax effigies, reliquaries, mannequins, and anatomical models. Together, these works highlight the continuing anxieties and pleasures attendant upon the three-dimensional simulation of the human body.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":46597993169154,"sku":"BK-YUP-LLSCB-001Q","price":17.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_8142_7b2b1c4c-c5ef-4434-9150-05903a0acdcc.jpg?v=1791305127"},{"product_id":"type-tells-tales-1","title":"Type Tells Tales","description":"\u003cp\u003e\u003cspan\u003eSteven Heller \u0026amp; Gail Anderson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSoftcover | \u003c\/span\u003e \u003cmeta charset=\"utf-8\"\u003e24.1 x 2 x \u003cmeta charset=\"utf-8\"\u003e33.8cm | 224 pp \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThames \u0026amp; Hudson | 2017 | 9780500420577\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA fresh look at typographic design as an art and as a storytelling device that expresses narratives, emotions, and voice.\u003cbr\u003e\u003cbr\u003eStretching the boundaries of typographic expression, \u003ci\u003eType Tells Tales\u003c\/i\u003e is a sensational showcase of type that is integral to the message it conveys, with the capacity to emote, engage, and guide the reader from one thought to the next. Navigating the far reaches of graphic design, Steven Heller and Gail Anderson reveal how type can render a particular voice or multiple conversations, how letters in various shapes and sizes can guide the eye through dense information, and how type can become both content and illustration, as letters take the form of people, animals, cars, or planes.\u003cbr\u003e\u003cbr\u003eThe book features historical examples by F. T. Marinetti, Bruno Munari, and Francis Picabia, among others, as well as by contemporary designers such as Richard Eckersley, John Hendrix, Maira Kalman, and Corita Kent. The book firmly locates the letter in the realm of artistry, finding exciting common ground among the pursuits of design, illustration, writing, and typography.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":46813307011330,"sku":"BK-YUP-TTT-002-L","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_0746_de9b9698-6866-4b87-b0f4-36c2ee9fcfe2.jpg?v=1791302879"},{"product_id":"with-pleasure-pattern-and-decoration-in-american-art-1972-1985","title":"With Pleasure: Pattern And Decoration In American Art 1972–1985","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e21.59 x 3.18 x 27.94 cm | 328 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYale University Press | 2019 | 9780300239942\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"a-text-bold\"\u003eA timely and expansive survey of a groundbreaking American art movement that overturned aesthetic hierarchies in a riot of color and ornamentation\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThe Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923–2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement’s defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art.\u003cbr\u003e \u003cbr\u003eIn addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement’s feminist methods and values, including Miriam Schapiro’s “femmage” practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish \u003cspan class=\"a-text-italic\"\u003eWith Pleasure\u003c\/span\u003e as the most expansive publication on the subject.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFeatured Artists\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eNeda Alhilali\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eEmma Amos\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eRalph Bacerra\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eTony Bechara\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eLynda Benglis\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eBilly Al Bengston\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eCynthia Carlson\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eLia Cook\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eBrad Davis\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eMerion Estes\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eSam Gilliam\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eTina Girouard\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eNancy Graves\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eMary Grigoriadis\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eDiane Itter\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eValerie Jaudon\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eJane Kafman\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eJoyce Kozloff\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eRobert Kushner\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003ePat Lasch\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eAl Loving\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eKim Macconnel\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eConstance Mallinson\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eSusan Michod\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eRee Morton\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eJudy Pfaff\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eHowardena Pindell\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eFaith Ringgold\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eTony Robbin\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eSandra Sallin\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eLucas Samaras\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eMiriam Schapiro\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eDee Shapiro\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eKendall Shaw\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eAlan Shields\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eArlene Slavin\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eSylvia Sleigh\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"SV\" style=\"font-family: Helvetica; mso-ansi-language: SV;\"\u003eNed Smyth\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eFrank Stella\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eFranklin Williams\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eWilliam T. Williams\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eBetty Woodman\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eTakako Yamaguchi\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eRobert Zakanitch\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Helvetica;\"\u003eBarbara Zucker\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":47030955802882,"sku":"BK-YUP-WPPDAA-001-B","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_8747_784edd27-29f4-4cb9-91da-7e7e6cc3958a.jpg?v=1791471960"},{"product_id":"the-women-of-atelier-17-modernist-printmaking-in-midcentury-new-york","title":"The Women Of Atelier 17: Modernist Printmaking in Midcentury New York","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eChristina Weyl\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHardcover | \u003cmeta charset=\"utf-8\"\u003e20.32 x 3.81 x 25.4 cm | 296 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYale University Press | 2019 | 9780300238501\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThe Women Of Atelier 17 \u003c\/em\u003eis a\u003cspan class=\"a-text-bold\"\u003e timely reexamination of the experimental New York print studio Atelier 17, focusing on the women whose work defied gender norms through novel aesthetic forms and techniques.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn this important book Christina Weyl takes us into the experimental New York print studio Atelier 17 and highlights the women whose work there advanced both modernism and feminism in the 1940s and 1950s. Weyl focuses on eight artists―Louise Bourgeois, Minna Citron, Worden Day, Dorothy Dehner, Sue Fuller, Alice Trumbull Mason, Louise Nevelson, and Anne Ryan―who bent the technical rules of printmaking and blazed new aesthetic terrain with their etchings, engravings, and woodcuts. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWeyl reveals how Atelier 17 operated as an uncommonly egalitarian laboratory for revolutionising print technique, style, and scale. It facilitated women artists’ engagement with modernist styles, providing a forum for extraordinary achievements that shaped postwar sculpture, fibre art, neo-Dadaism, and the Pattern and Decoration movement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAtelier 17 fostered solidarity among women pursuing modernist forms of expression, providing inspiration for feminist collective action in the 1960s and 1970s. \u003cem\u003e\u003cspan class=\"a-text-italic\"\u003eThe Women of Atelier 17\u003c\/span\u003e \u003c\/em\u003ealso identifies for the first time nearly 100 women, many previously unknown, who worked at the studio, and provides incisive illustrated biographies of selected artists.\u003c\/span\u003e\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":47030956228866,"sku":"BK-YUP-WOAS-001-B","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5711_ef3f3279-c031-45d9-8f38-03f0c34bec1f.jpg?v=1791302853"}],"url":"https:\/\/www.booksaboutart.co.uk\/collections\/yale-university-press.oembed?page=2","provider":"Books About Art","version":"1.0","type":"link"}