{"product_id":"de-kooning-shiraga","title":"De Kooning | Shiraga (Rare edition)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePepe Karmel \u0026amp; Fergus McCaffrey\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHardcover | 26.2 x 1.4 x 29.2 cm | 72 pp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMnuchin Gallery | 2022 | 9781734105957\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe exhibition: \u003cem\u003ede Kooning | Shiraga \u003c\/em\u003eat Mnuchin Gallery in 2022\u003cem\u003e \u003c\/em\u003emarked the first time these two masters of postwar abstraction had been shown side-by-side. This catalogue features an essay - \u003cem\u003eCareless Exactitude\u003c\/em\u003e - by art historian Pepe Karmel, with an additional text by Fergus McCaffrey.\u003c\/p\u003e\n\u003cp\u003eThe history of postwar abstraction has long centred around discussions of the American movement of Abstract Expressionism. While the innovations made by artists of the New York School, including Willem de Kooning (1904-1997) are well known, a recent turn towards the expansion of the art historical canon has made it plain that the phenomenon of gestural abstraction was not strictly an American framework. Indeed, a further look afield shows that, in the period following World War II, various styles and conceptions of abstraction were quickly pouring out of artists around the world. Willem de Kooning was, of course, one of the leading figures of this charge in America. Kazuo Shiraga (1924-2008) was similarly one of the foremost abstract painters in Japan and a leader of the Gutai movement, achieving wide success in his home country and in Europe.\u003c\/p\u003e\n\u003cp\u003eAlthough the two occupied preeminent positions in their respective circles, and within postwar abstraction more broadly, they were never formally acquainted with one another. Despite this, a retrospective look at their oeuvres shows two periods of stylistic overlap: the first occurring between 1955 and 1963\/64, and the second beginning in the early 1970s. \u003cem\u003eDe Kooning | Shiraga\u003c\/em\u003e takes as its point of departure this second period of commonality, examining how each artist moved out of a period of creative indirection and experimentation towards stunning late periods that, in many ways, act as summations of their historical achievements. The exhibition likewise highlights a period for both artists that have come to encompass some of their most revered works, although they may still be lesser known historically than their earlier phases.\u003c\/p\u003e\n\u003cp\u003eThe exhibition presented important masterworks by both artists compiled from some of the most notable private collections around the world. Eight works by de Kooning, dating from 1975-1983, and eleven canvases by Kazuo Shiraga from the period of 1973-1997 are here juxtaposed, illustrating the ways in which they organically arrived at some of the same aesthetic considerations and conceptual influences, and the ways in which their practice remains distinctly their own.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Mnuchin Gallery","offers":[{"title":"Default Title","offer_id":47758144995586,"sku":"BK-MNU-DKS-001-D","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0401\/6226\/3204\/files\/IMG_5413_2db660d7-1521-46da-8b66-2a530eaae764.jpg?v=1789491181","url":"https:\/\/www.booksaboutart.co.uk\/products\/de-kooning-shiraga","provider":"Books About Art","version":"1.0","type":"link"}