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Katrina M. Brown
Softcover | 21 x 1 x 27 cm | 128 pp
Tate Publishing | 2004 | 9781854374646
This text forms part of Tate Publishing's Modern Artists monographs. It looks at Douglas Gordon, an artist who first came to prominence in the 1990s, winning the Turner Prize in 1996.
Gordon has received recognition as one of the most exciting and challenging British artist working today. His deployment of pre-existing material, most spectacularly illustrated in his use of Hitchcock's iconic thriller in his work 24 Hour Pyscho (1993), attracted particular attention. Katrina M. Brown explores the relationship between word and image, remembering and forgetting, good and evil, and love and hate that permeated Gordon's work. Interviews with the artist provide a revealing insight into the physical impact and rigour of his videos, photographic, audio and text-based works over the past decade. Six key works are examined in depth.
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Fantastic and speedy service
A brilliant book about a nearly-forgotten band, but thankfully this book rectifies that. Written by the surviving drummer and bassist, it is full of stories about their time in Hamburg & touring round Germany & Japan. A must for anyone who loves the Liverpool Merseybeat scene and the hard-driving music it produced.
I’m delighted that I bought a copy of David Hockney’s past icon work. Not many pages but so worthwhile! If only there were 10 stars, I would have rated this publication so highly!
Always exactly as described and delivered within 2 days! Beyond my expectations, super happy with the books and the service
The book was quite a hefty one for the price. The photographs were magnificent portraying city scenes at night when human life was absent, giving the places a life of their own.
It just wants me to take my camera phone out and explore the city streets I've in,at night.