Hardcover | 24.7 x 2 x 26.5 cm | 168 pp
Moderne Kunst Nurnberg | 2012 | 9783869842257
Text in English and German
Throughout the sensual relationship that Francesco Clemente (b. 1952) has cultivated with paper surfaces runs the idea of the palimpsest - the manuscript page or parchment, often torn from a book, from which text has been effaced so that the surface can be re-used. By virtue of their accumulated layers of traces, palimpsests are enormously evocative objects - evocative of human and material impermanence and the vast scale of human history.
Clemente’s relationship with the histories of the inscribed page is widely known and celebrated; he has reinvigorated the idioms of both Indian and Italian manuscript painting, and has collaborated with poets such as Allen Ginsberg, Robert Creeley and René Ricard. This volume takes the palimpsest as a metaphor for Clemente’s art, from early works on paper to large-format paintings and monumental watercolours.
PLEASE NOTE: This book is a NON-MINT item. NON-MINT books are new but are either ex-display copies or warehouse marked - minor cosmetic imperfections such as scuffs, marks, or minor dents to the covers.
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