Andrew Renton & Norman Rosenthal
Softcover | 27.9 x 1.3 x 27.9 cm | 100 pp
Edizioni Charta | 2004 | 9788881584833
Jason Martin's work is best described through its method of production: partly expressive and partly minimal, he uses his bodily movement to implement deep set fissures from one side of the canvas to the other in a continuous trail, letting unpredictable events unfold in the spatial and rhythmical regularity of the painting.
Though the paintings' creation is strongly based on the methodology of approach, Martin seeks validation for his work from a more poetic instinct, allowing the viewer to form associations, directed by the form, texture and colour of the work. The flow and varying intensity create a character indigenous to each piece, animating the tradition of monochrome and colour field painting that stretches from Kasimir Malevich to Robert Ryman.
We have another Jason Martin title - For God's Sake
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