Velázquez (Basic Art Series 2.0) - NON-MINT

Taschen

Sale price £8.00 Regular price £12.00

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Norbert Wolf

Hardcover | 21 x 1.3 x 26 cm | 96 pp

Taschen | 2016 | 9783836532105

Each title from the Basic Art Series provides a comprehensive introduction to a significant artist, architect, or designer. The publications offer a detailed chronological summary of the artist’s life and work and analyse their historical importance and cultural legacy. Readers are taken through the subjects’ biographies and become familiar with key works illustrated in high quality reproductions.

This book introduces Velazquez through key works from throughout his career. From humble genre scenes to the royal portraits, the exquisite Rokeby Venus nude, and the ever-mysterious Las Meninas, we explore his exceptional attention to composition, masterful handling of tone, and his remarkable influence as, in Manet's words, "the greatest painter of all."

Court painter to King Philip IV of Spain, Diego Rodriguez de Silva y Velazquez (June 1599 - August 6, 1660) is not only a leading light of the Spanish Golden Age, but among the most celebrated masters in all Western art history. Monet and Renoir, Corot and Courbet, Degas and Dali all hailed his influence. Picasso was so inspired by his masterpiece Las Meninas that he painted 44 variations of it.

Velazquez's importance is found particularly in his naturalist approach, in contrast to the more ubiquitous idealised manner of his age. Early works included numerous "bodegones", genre scenes of everyday life in early 17th century Spain, in which warm, rich tones and textures set off the most ordinary of subjects and humble of faces, such as Old Woman Frying Eggs.

Later, his portraiture for the Royal Court brought the same naturalism to the highest echelons of society, marking a profound shift in the depiction of royalty with softer, more relaxed poses that offered his subjects a human warmth and character as much as a sense of grandeur. Velazquez's most famous work, Las Meninas, was also painted in the royal court, but in its enigmatic composition raises many broader questions about reality and illusion and the relationship between the painter, painting, and viewer.

PLEASE NOTE: This book is a NON-MINT item. NON-MINT books have covers in less than 100% mint condition. They are new but are either ex-display copies or warehouse marked - minor cosmetic imperfections such as scuffs, marks, or minor dents to the covers. If a book has structural cover damage such as cuts, tears or rips images of such will be provided in the listing.

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