Timothy J. Brittain-catlin
Hardcover | 23.24 x 16.92 x 1.75 cm | 192 pp
MIT Press | 2014 | 9780262026697
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The usual history of architecture is a grand narrative of soaring monuments and heroic makers. But it is also a false narrative in many ways, rarely acknowledging the personal failures and disappointments of architects. In Bleak Houses, Timothy Brittain-Catlin investigates the underside of architecture, the stories of losers and unfulfillment often ignored by an architectural criticism that values novelty, fame, and virility over fallibility and rejection.
Brittain-Catlin tells us about Cecil Corwin, for example, Frank Lloyd Wright's friend and professional partner, who was so overwhelmed by Wright's genius that he had to stop designing; about architects whose surviving buildings are marooned and mutilated; and about others who suffered variously from bad temper, exile, lack of talent, lack of documentation, the wrong friends, or being out of fashion. As architectural criticism promotes increasingly narrow values, dismissing certain styles wholesale and subjecting buildings to a Victorian litmus test of "real" versus "fake," Brittain-Catlin explains the effect that this superficial criticality has had not only on architectural discourse but on the quality of buildings. The fact that most buildings receive no critical scrutiny at all has resulted in vast stretches of ugly modern housing and a pervasive public illiteracy about architecture.
Architecture critics, Brittain-Catlin suggests, could learn something from novelists about how to write about buildings. Alan Hollinghurst in The Stranger's Child, for example, and Elizabeth Bowen in Eva Trout vividly evoke memorable houses. Thinking like novelists, critics would see what architectural losers offer: episodic, sentimental ways of looking at buildings that relate to our own experience, lessons learned from bad examples that could make buildings better.
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Lovely books at a great price, delivered really quickly and very well packaged.
I haven't used this book yet, but as a novice oil painter, it will be very helpful in learning techniques used by the masters, albeit quite basic approaches and styles. It gives step-by-step guidance via illustrated tutorials, basic information such as equipment and the colours to use in each exercise areprovided. What could possibly go wrong?
This is a comprehensive overview of works of art from earliest times until the late 20th century. It's immediately accessible to read and engaging. My only grumble is that many of the photos are small and in black and white. The text and the works themselves merit better treatment, but that would make this already weighty tome unmanageable and prohibitively expensive. I'm very pleased with this book and will enjoy it.
A lovely book, found by chance and given as a gift.
Bought as Present and they loved its unique format
Fascinating and good comparative text and images.
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Great selection, amazing value, fast/efficient delivery. Highly recommend!
Lovely books at a great price, delivered really quickly and very well packaged.
I haven't used this book yet, but as a novice oil painter, it will be very helpful in learning techniques used by the masters, albeit quite basic approaches and styles. It gives step-by-step guidance via illustrated tutorials, basic information such as equipment and the colours to use in each exercise areprovided. What could possibly go wrong?
This is a comprehensive overview of works of art from earliest times until the late 20th century. It's immediately accessible to read and engaging. My only grumble is that many of the photos are small and in black and white. The text and the works themselves merit better treatment, but that would make this already weighty tome unmanageable and prohibitively expensive. I'm very pleased with this book and will enjoy it.
A lovely book, found by chance and given as a gift.