Karen Wilkin
Hardcover | 26 x 0.7 x 28.5 cm | 62 pp
Mnuchin Gallery | 2023 | 9798988041917
Mnuchin Gallery's exhibition, Frank Stella: Indian Birds presented a historic first, the showing six of Stella’s Indian Birds, alongside the artist’s archival drawings and maquettes for the series. This broad display, focused on a singular body of work, illuminates Stella’s intricate and multi-layered artistic process. This catalogue features an essay by Karen Wilkin.
In October 1977, Frank Stella arrived in Ahmedabad, India, at the invitation of the prominent Sarabhai family, whose foundation regularly extended hospitality to visiting artists. Assisted by the Sarabhai’s team, Stella would complete the preparatory drawings and maquettes that form the foundation of the Indian Bird series. To begin, he would create two drawings, A and B, comprised of irregular curves - arced shapes borrowed from drafting templates for railroad curves and ship curves, typically employed by engineers. By superimposing drawings A and B, Stella would create a third, which served as the blueprint for the tin alloy maquettes. The Indian Bird maquettes, displayed here as a complete set for the first time since their inaugural exhibition at The Museum of Modern Art, New York in 1979, provide a rare glimpse into Stella’s detailed conceptual practice.
While Stella is renowned for his prolific output, the Indian Birds are an exceptionally rare series consisting of only a dozen works, the majority of which are housed in esteemed museums and public institutions. Fabricated in New York between 1978 and 1979, the full-scale Indian Birds are monumental creations, each scaled 5.5x times larger than their respective maquettes. Characterised by an ornate grandeur, dynamism, and dramatic light and shadow, the Indian Birds have frequently sparked comparisons to Baroque art. Indeed, it was within this series that Stella vigorously explored the figure-ground relationship, pushing it to its utmost limits. Using a transparent gridded armature to suspend his technicolor and glittered metal curves, Stella created pictorial compositions that transcended the confines of two dimensions and challenge painting’s conventional notion of flatness.
Frank Stella: Indian Birds marks Mnuchin Gallery’s third presentation of the artist’s oeuvre, following exhibitions of his Exotic Birds (2009) and Black, Aluminium, and Copper Paintings (2012). In line with these previous exhibitions, the Indian Birds encapsulate Frank Stella’s well-established contributions to the American artistic tradition. At the same time, as they balance gravitas and playfulness, visual opulence and intellectual rigour, the works on view in this exhibition offer contemporary audiences the opportunity to form novel perspectives on the intersection of painting and sculpture.
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Simon Cutts, pyclets (Coracle, 2026)
I read this compressed book with absorption, content. Cutts's method: inclusions from a batch of previous books, mixing in extraction from other writers. Compressed bulk. Sifting through, the rationale for inclusion or placement in the sequence's development is sometimes clear, sometimes oblique. Their brevity has a shortening effect, and the consequent generous white space acts as a leaven. There are garnishes, small colour photographs of pyclets at the foot of each page (seen larger under the laminating of the cover).
If you're looking for an active starter in Cutts's work, pyclets should do you fine. There's nothing lame, it's all vital, all enriching, blooming wonderful: filled with enriching ingredients, cold proof of Cutts's excellence. Here's your heritage; here's an heirloom. Eat it all up, crust and crumb.
Harry Gilonis
with the active assistance of
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Simon Cutts, pyclets (Coracle, 2026)
I read this compressed book with absorption, content. Cutts's method: inclusions from a batch of previous books, mixing in extraction from other writers. Compressed bulk. Sifting through, the rationale for inclusion or placement in the sequence's development is sometimes clear, sometimes oblique. Their brevity has a shortening effect, and the consequent generous white space acts as a leaven. There are garnishes, small colour photographs of pyclets at the foot of each page (seen larger under the laminating of the cover).
If you're looking for an active starter in Cutts's work, pyclets should do you fine. There's nothing lame, it's all vital, all enriching, blooming wonderful: filled with enriching ingredients, cold proof of Cutts's excellence. Here's your heritage; here's an heirloom. Eat it all up, crust and crumb.
Harry Gilonis
with the active assistance of
https://challengerbreadware.com/bread-bakers-glossary
Beautiful qualities and excellent photography and writing.
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Excellent delivery and immaculate condition.
Arrived quite quickly and in immaculate condition. Not opened yet as it’s a gift but I’m certain it will be loved.
Arrived well ahead of time. Excellent book. Stan Lee was a god when I was growing up in the late fifties/ early sixties; his heroes were more relatable to than the likes of DC comics, like Superman, and the artwork by Marvel comics was far superior.
Love this book. As a lifelong fan of Stan the Man, I thank you.
10:10
Ein Glück, das Buch hier gefunden zu haben – hilfreiche und freundliche Kommunikation und schnellste Lieferung auch über die Grenzen hinweg - vielen Dank!
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Really lovely books and great customer service. I'll be keeping an eye out on what other gems come into stock.
First class selection of books all delivered in secure packaging and as described(or much better in one instance). Great value for money.
Taps right into what it means to be British and be in a band.
Beautifully wrapped, they really care about books.
Great selection of books and the always arrive well packaged and in great condition. Couldn't be happier ☺️