This book gathers the essential writings and declarations that defined this movement, offering readers an insightful look into the minds of those who sought to break free from tradition and reshape the future of art. After an introduction setting aspects of Futurism in the context of 20th-century art history, Umbro Apollonio presents an illustrated anthology of writings by the Italian Futurists. Dating from between 1909 and 1918 and beginning with FT Marinetti’s The Founding and Manifesto of Futurism (1909), the collection includes articles by Umberto Boccioni, Carlo Carrà, Giacomo Balla and Gino Severini.
On February 20th, 1909, a belligerent manifesto announcing the birth of the Futurist movement appeared on the front page of the Paris newspaper Le Figaro and sent immediate shockwaves throughout Europe. The author, a young Italian poet named F.T. Marinetti, demanded that writers and artists reject the classic art of the past and celebrate the dynamic technology of modern city life. Joined by a group of like-minded artists, over the following years Marinetti pioneered an art that would eulogise speed and industry, in a reaction against the stasis of the classics, and even against contemporary movements such as Cubism.
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