Hardcover | 23.81 x 2.86 x 32.7 cm | 266 pp
Phaidon | 2019 | 9780714875583
Harland Miller's creativity as both artist and novelist culminates in his iconic paintings of battered book covers with cleverly invented titles. Initially appropriating the classic Penguin paperback before devising his own unique designs, Miller combines aspects of pop art, abstraction, and figurative painting to create highly coveted artworks that have won him a cult following.
This monograph covers nearly 20 years of his paintings, and features essays by Michael Bracewell, Catherine Ince and Martin Herbert.
Yorkshire-born Harland Miller has exhibited at ICA, White Cube, and Royal Academy in London; BALTIC Centre for Contemporary Art, Gateshead; and Kunsthalle, Mannheim, and Blain Southern, Berlin.
Michael Bracewell is a British novelist, critic, curator, and cultural commentator.
Martin Herbert is a Berlin-based writer and critic.
Catherine Ince is senior curator for V&A East, and was previously curator at the Barbican, London.
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