




Martin Gayford
Hardcover | 16.51 x 4.06 x 24.13 cm | 352 pp
Thames & Hudson | 2018 | 9780500239773
Modernists & Mavericks presents a masterfully narrated account of painting in London from the Second World War to the 1970s, illustrated throughout with documentary photographs and works of art.
The development of painting in London from the Second World War to the 1970s is the story of interlinking friendships, shared experiences and artistic concerns among a number of acclaimed artists, including Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, Bridget Riley, Gillian Ayres, Frank Bowling and Howard Hodgkin.
Drawing on extensive first-hand interviews, many previously unpublished, with important witnesses and participants, the art critic Martin Gayford teases out the thread connecting these individual lives, and demonstrates how painting thrived in London against the backdrop of Soho bohemia in the 1940s and 1950s and ‘Swinging London’ in the 1960s. He shows how, influenced by such different teachers as David Bomberg and William Coldstream, and aware of the work of contemporaries such as Jackson Pollock as well as the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were allied in their confidence that this ancient medium, in opposition to photography and other media, could do fresh and marvellous things. They asked the question ‘what can painting do?’ and explored in their diverse ways, but with equal passion, the possibilities of paint.
'If you are interested in modern British art, the book is unputdownable. If you are not, read it.' Grey Gowrie, Financial Times
'All the good stories, and more, are here … this is a genuinely encyclopaedic work, unlike anything else I have come across on the topic, informed by a deep love and understanding of modern painting. Everybody interested in the subject should read it.' Andrew Marr, Sunday Times
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I brought alot of great books from you very interesting by alot of great artists !
As ever, great service from this retailer. Very happy with this and all other purchases.
Just what i wanted
A wonderful, comprehensive survey of the period. A top quality book.
As a type designer, I found the Stenciletter: Dotted Journal With 4 Stencils surprisingly useful. The dotted grid gives enough structure for sketching letterforms while still feeling open and flexible, and the stencils are great for quickly testing modular shapes, spacing, and compositions.
What I appreciated most was how it encourages experimentation without everything needing to feel overly polished straight away. It works well for rough type concepts, pattern ideas, and even early grid systems. The quality of the paper and layout also make it enjoyable to use as an everyday design notebook rather than just a novelty item.
A really thoughtful tool for anyone interested in typography, lettering, or structured visual experimentation.