Edited by Graham Badert
Softcover | 15.4 x 1.22 x 23 cm | 202 pp | b&w illustrations
MIT Press | 2009 | 9780262512312
The most comprehensive collection on Lichtenstein, from the earliest reviews to recent reassessments, including several hard-to-find and previously unpublished pieces.
Roy Lichtenstein's popular appeal—and his influence on pop culture, seen in everything from greeting cards to sitcoms—at times overshadows his importance to contemporary art. Yet, examined on its own terms, Lichtenstein's comics-inspired, deadpan artwork remains as truly unsettling to art-world orthodoxies today as when it first gained wide attention in the early 1960s. Lichtenstein (1923-1997), a central figure in Pop, consistently savaged the rules of painting—while remaining committed to the most traditional procedures and goals of the medium. (He once said, “The things that I have apparently parodied I actually admire and I really don't know what the implication of that is.”)
This book offers the most comprehensive collection of writings on Lichtenstein's work to appear in thirty-five years, with early reviews, artist interviews and statements (some never before published), and recent reassessments. The book includes Donald Judd's reviews of Lichtenstein's three solo Pop shows in the early 1960s, an essay on the artist's 1969 Guggenheim retrospective, interviews that touch on topics ranging from the New York art world to Monet and Matisse, the transcript of a 1995 slide presentation in which Lichtenstein surveyed three decades of his work, and an in-depth study of Lichtenstein's first Pop painting, Look Mickey (1961). The texts explore Lichtenstein's career across the boundaries of medium and period, excavating early critical discussions and surveying more recent reexaminations of his artistic practice. The collection will be an indispensable resource for those interested in Lichtenstein, Pop Art, and American culture of the 1960s.
Contributors
Graham Bader, Yve-Alain Bois, John Coplans, David Deitcher, Hal Foster, John Jones, Donald Judd, Max Kozloff, Jean-Claude Lebensztejn, Roy Lichtenstein, Michael Lobel
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Love love love John Broadley's archaic but modern illustrations. I could look at these all day!
Guy Bigland was very, very helpful in locating a hard-to-find book and shipping it here to the USA. The book was at an incredible price, and the shipping was sercure, fast, and affordable. I would definitely shop here again.
This is lovely paper. Its excellent quality and 'organic' texture and colour was just right for some hand made books that I was producing.
perfect little book
I love the colour and texture of this plant fibre paper. Thicker than ordinary paper with a slightly raised texture in parts. Obviously wouldn't suit some art forms with the texture but is great for my purpose making books which can be written or drawn on with acrylic paint pens. Like the choice of neutral colours,
Excellent reference
Good collection prompt delivery
Excellent choice of books and very prompt delivery. Good prices too.
Super service, quality books and fast delivery
Received in fantastic condition
A great book on punk links and bands. A great read
A fine visual documentary of times past
First rate service and quality read appreciated by recipient.
Bought As A Gift For A 60s Music Lover. They were delighted and well impressed with its content.
Great fun fir young and old
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Product | SKU | Description | Collection | Availability | Product Type | Other Details |
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Love love love John Broadley's archaic but modern illustrations. I could look at these all day!
Guy Bigland was very, very helpful in locating a hard-to-find book and shipping it here to the USA. The book was at an incredible price, and the shipping was sercure, fast, and affordable. I would definitely shop here again.
This is lovely paper. Its excellent quality and 'organic' texture and colour was just right for some hand made books that I was producing.
perfect little book
I love the colour and texture of this plant fibre paper. Thicker than ordinary paper with a slightly raised texture in parts. Obviously wouldn't suit some art forms with the texture but is great for my purpose making books which can be written or drawn on with acrylic paint pens. Like the choice of neutral colours,