Edited by Graham Badert
Softcover | 15.4 x 1.22 x 23 cm | 202 pp | b&w illustrations
MIT Press | 2009 | 9780262512312
The most comprehensive collection on Lichtenstein, from the earliest reviews to recent reassessments, including several hard-to-find and previously unpublished pieces.
Roy Lichtenstein's popular appeal—and his influence on pop culture, seen in everything from greeting cards to sitcoms—at times overshadows his importance to contemporary art. Yet, examined on its own terms, Lichtenstein's comics-inspired, deadpan artwork remains as truly unsettling to art-world orthodoxies today as when it first gained wide attention in the early 1960s. Lichtenstein (1923-1997), a central figure in Pop, consistently savaged the rules of painting—while remaining committed to the most traditional procedures and goals of the medium. (He once said, “The things that I have apparently parodied I actually admire and I really don't know what the implication of that is.”)
This book offers the most comprehensive collection of writings on Lichtenstein's work to appear in thirty-five years, with early reviews, artist interviews and statements (some never before published), and recent reassessments. The book includes Donald Judd's reviews of Lichtenstein's three solo Pop shows in the early 1960s, an essay on the artist's 1969 Guggenheim retrospective, interviews that touch on topics ranging from the New York art world to Monet and Matisse, the transcript of a 1995 slide presentation in which Lichtenstein surveyed three decades of his work, and an in-depth study of Lichtenstein's first Pop painting, Look Mickey (1961). The texts explore Lichtenstein's career across the boundaries of medium and period, excavating early critical discussions and surveying more recent reexaminations of his artistic practice. The collection will be an indispensable resource for those interested in Lichtenstein, Pop Art, and American culture of the 1960s.
Contributors
Graham Bader, Yve-Alain Bois, John Coplans, David Deitcher, Hal Foster, John Jones, Donald Judd, Max Kozloff, Jean-Claude Lebensztejn, Roy Lichtenstein, Michael Lobel
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I love this book. It's very readable, informative and well written, covering one of the most exciting and revolutionary periods of art history. The author includes glimpses of how the artists' early work fared at auction and the public's reaction to the new art movements in exhibitions.
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A very readable and accessible guide to pivotal and controversial works of modern art. Each movement or time period is explained with useful timelines to provide wider historical context in which to place the artists and their work. Each selected art work is explained, the reasoning behind it, and why is was considered controversial. A really clear and useful guide.
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John Broadley is one of my favorite illustrators and also one of my absolute favorite books ever!
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This is the most beautiful book recording the last days of an iconic building. A book to leave open on certain pages, to devour & enjoy as you wish.
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Does exactly what it says on the title.
Was looking for quite a niche book and it was a decent price and came quickly. Can't fault the service
Arrived quickly, well packaged
Well packaged arrived quickly very pleased
Well packaged, arrived quickly, very pleased