Caroline Constant
Softcover | 17.78 x 2.03 x 22.86 cm | 344 pp
University of Minnesota Press | 2012 | 9780816676354
In The Modern Architectural Landscape Caroline Constant examines diverse approaches to landscape in the work of architects practicing in Europe and the United States between 1915 and the mid-1980s. Case studies highlight landscapes in the public realm rather than the private garden, which had been a primary focus of much Western landscape theory and practice during the early decades of the century.
These landscapes do more than accommodate the functional needs of the evolving mass society in parks, playgrounds, and places of assembly; they give formal expression to Modern Movement social and political ideologies, engaging the symbolic potential of the modern landscape—particularly in its ability to take on new, more democratic forms of social organisation.
Constant probes the cultural significance of specific landscapes designed by architects, understanding them as ways of interpreting the world and the place of humankind in the world. The examples she scrutinises extend widely across the century (from the works of Erik Gunnar Asplund and Jože Plečnik to those of Le Corbusier and Rem Koolhaas) and around the globe (from suburban Los Angeles to Barcelona and Chandigarh).
Approaching landscape as an essential component of modern architecture’s constructive endowment of material with social value, The Modern Architectural Landscape focuses on the precise material forms and ideological underpinnings of landscapes conceived by architects, revealing them as salient to the formulation of both modern architecture and the modern landscape.
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Love love love John Broadley's archaic but modern illustrations. I could look at these all day!
Guy Bigland was very, very helpful in locating a hard-to-find book and shipping it here to the USA. The book was at an incredible price, and the shipping was sercure, fast, and affordable. I would definitely shop here again.
This is lovely paper. Its excellent quality and 'organic' texture and colour was just right for some hand made books that I was producing.
perfect little book
I love the colour and texture of this plant fibre paper. Thicker than ordinary paper with a slightly raised texture in parts. Obviously wouldn't suit some art forms with the texture but is great for my purpose making books which can be written or drawn on with acrylic paint pens. Like the choice of neutral colours,